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Lafayette Gilchrist: Dark Matter
by Jerome Wilson
It would seem almost impossible by this point for a jazz pianist to avoid common modern influences like Bud Powell, Bill Evans, McCoy Tyner or even Cecil Taylor, but somehow Lafayette Gilchrist falls outside all of those parameters. On this solo concert recorded at the University of Baltimore in 2016, he shows a keyboard style built ...
Kris Davis: Diatom Ribbons
by John Sharpe
Cross fertilization has been at the heart of jazz since its inception when African rhythms met European instrumentation. That stylistic melange is taken to another level in the cultural melting pot of New York City. Being based in the city since 2001, it's little surprise that Canadian pianist Kris Davis has developed an ever-expanding list of ...
Kris Davis: Diatom Ribbons
by Karl Ackermann
The virtuoso pianist and composer Kris Davis has been ubiquitous in 2019. Her projects with Nate Wooley, Ken Vandermark, and Craig Taborn have been complemented by her appointment to the faculty of the Berklee Institute of Jazz and Gender Justice. Davis will serve as associate director of creative development and teach composition and improvisation courses. The ...
Ostrava Days 2019
by Martin Longley
Ostrava Days Various Venues Ostrava Czech Republic August 22-31, 2019 The biennial Ostrava Days festival rolled around again, and there's nothing quite like a once-every-two-years event to make time appear to flow even faster than normal. As a moderne composition festival, it is difficult to accurately ...
Taylor Ho Bynum 9-tette: The Ambiguity Manifesto
by Karl Ackermann
Taylor Ho Bynum's The Ambiguity Manifesto, with its oxymoronic title, is the third album in what the cornetist-composer calls an “accidental trilogy." Following his Firehouse 12 Records releases Navigation (Possible Abstracts XII & XIII) (2013) and Enter the Plus Tet (2016), Bynum recognized a form--however unconventional--both in the composition and performing of these large ensemble works. ...
Sunny Murray: Homework
by John Sharpe
Sunny Murray, who died in December 2017, was one of the pioneers of free-jazz drumming, having established himself on seminal discs with pianist Cecil Taylor and saxophonist Albert Ayler during the 1960s. Homework presents Murray in 1994 in a bare-bones trio format with a pair of young Philadelphia musicians who went on to work in indie ...
Sam Rivers: Emanation
by John Sharpe
This unissued 1971 live date from the Jazz Workshop in Boston is the first in a projected eight volume series sourced from the personal archive of the multi-instrumentalist Sam Rivers, who died in 2011. It captures Rivers with his trio of the period, completed by bassist Cecil McBee and drummer Norman Connors, over two freewheeling sets. ...
The Experimentalists: George Russell, Cecil Taylor, Ornette Coleman and Eric Dolphy (1956-1960)
by Russell Perry
In the wake of Charles Mingus, John Coltrane and Sonny Rollins came a wave of players eager to experiment further within the broadening definition of jazz. Among the most durable of this next generation are composer George Russell, pianist Cecil Taylor, alto saxophonist Ornette Coleman and multi-reed player Eric Dolphy. The late 1950s recordings of Russell, ...
Some small steps for jazz
by Anthony Shaw
Rantajatsit Jazz onthe Beach Raahe, Finland July 25-27, 2019 Raahe is a small town on the north west coast of Finland renowned if anything for the antiquity of its planning, much of which survives despite a fire in 1810 and an attack by the British navy in 1855 when the ...
Frode Gjerstad / Fred Lonberg-Holm / Matthew Shipp: Season of Sadness
by Karl Ackermann
Norwegian multi-reedist/composer Frode Gjerstad has been active in free jazz and avant-garde music across five decades. Among his collaborators are Paal Nilssen-Love, Peter Brötzmann, Evan Parker, Derek Bailey, William Parker, Sabir Mateen and Johnny Dyani. Gjerstad has toured and played festivals extensively, in Europe and North America, and composed commissioned work for the historic Moldejazz festival. ...
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