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Meet Jack DeJohnette
by Craig Jolley
This article was first published on All About Jazz in March 2002. One of the most creative and propulsive musicians in the history of jazz, drummer/pianist/composer Jack DeJohnette has played with most leading-edge jazz musicians of the time, usually at their request. He invariably brings out another side and a freshness in whoever he ...
Chris Jonas: backwardsupwardsky
by Glenn Astarita
Few artists can translate geography into sound with the spatial clarity that Chris Jonas achieves on backwardsupwardsky. A saxophonist, composer and multimedia artist whose résumé includes collaborations with Anthony Braxton, Cecil Taylor and William Parker, Jonas has always favored creative risk. This two-LP set on Edgetone Records transforms desert solitude--specifically his winters camping on Arizona's Barry ...
Köln 75
by Paul Reynolds
Köln 75One Two Films / Extreme Emotions / Gretchenfilm / MMC Studios Köln GmbHDIrector: Ido Fluk2025 November, 2025 marks the 50th anniversary of the release of The Köln Concert (ECM Records, 1975), the live recording by Keith Jarrett that stands as the biggest-selling solo album--and piano album--in jazz history. To mark ...
Idris Ackamoor & The Pyramids at Miner Auditorium
by Steven Roby
Idris Ackamoor & The Pyramids Miner Auditorium Night Of The Exotictress San Francisco, CA October 2, 2025 This show burned hot and without apology--no coasting, no filler, no easy out. The room hinted at it before the first note: Miner's seats pulled back for a dance floor, a ...
Olie Brice: All It Was
by John Sharpe
Bassist Olie Brice convenes an all-star quartet on All It Was, bringing together pianist Alexander Hawkins, saxophonist Rachel Musson, and drummer Will Glaser. The ensemble's chemistry yields music that is both architecturally sound and fiercely spontaneous, balancing Brice's penchant for crafted frameworks with his immersion in the free-improvised tradition. Brice has long navigated the ...
Deconstructing Free Jazz
by Robert J. Lewis
In the continuously evolving history of artistic expression, certain movements emerge that challenge the very foundations of our aesthetic sensibilities. In the early and mid-20th century, Expressionism and free jazz were two audacious musics that not only broke all the rules but broke the spirit of many well-intentioned listeners. If the terms are not ...
Aruán Ortiz: Créole Renaissance
by Jack Kenny
Cuban Cubism is central to Aruán Ortiz's musical identity--but in this album, his vision extends far beyond. While the 1930s Negritude movement was a literary endeavor, Ortiz seeks to embody that movement not through words but through music. His compositions channel their spirit with abstraction, tension, and a deep sense of diasporic reflection. Ortiz, ...
Karen Borca / Paul Murphy: Entwined
by John Sharpe
Entwined pairs pioneering bassoonist Karen Borca with drummer Paul Murphy in an unadorned duet setting. It arrives hot on the heels of her leadership debut Good News Blues (NoBusiness, 2024). While the latter comprised archival concert tapes of sets from the 1998 and 2005 Vision Festivals, the former is an undated studio session which presents both ...
Remembering Sheila Jordan: Sheila's Blues
by Ian Patterson
NEA Jazz Master Sheila Jordan, who passed away on August 11, 2025, at the age of 96, will be remembered as one of the great improvising jazz vocalists--imitated by many, bettered by none. Born in Detroit in 1928, Jordan's life-long love affair with jazz began in the 1940s when she heard Charlie Parker. “After ...
Potsa Lotsa XL: Amoeba's Dance
by Ian Patterson
Like an amoeba, whose shape-shifting properties enable it to adapt to its surroundings, Silke Eberhard's Potsa Lotsa expands and contracts according to its needs. Originating as a four-horn ensemble inspired by the music of multi-instrumentalist/composer Eric Dolphy, Potsa Lotsa blasted off with Potsa Lotsa: The Complete Works Of Eric Dolphy (Jazzwerkstatt, 2010). An auspicious debut, Eberhard's ...
