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Moldejazz 2026
by Daniel Mège
Located at 62°7 North, Moldejazz (the Molde International Jazz Festival) is the ideal place for a festival in week 29, in early summer. A floral scent drifts through The Town of Roses, a ribbon less than a kilometer wide wedged into a peninsula between fjord and mountains. Even once it has set, the sun is never far ...
Maerz Musik 2026
by Martin Longley
Silent Green/Saint Elisabeth-Church/Haus der Berliner Festspiele Berlin, Germany March 22-24, 2026 Every March, this extended Berlin festival opens up around a multitude of venues, presenting moderne works (often premieres) that involve bulging orchestras, chamber ensembles, small groups or solo performers. Maerz Musik frequently inches towards electronics or free improvisation, with few limits ...
Cecil Taylor Orchestra Humane: At Iridium 2004
by Jack Kenny
At Iridium 2004 is a vast work. Cecil Taylor also leaves behind similarly vast territories of sound: the 10-disc Feel Trio recordings 2 Ts For A Lovely T (Codanza Records, 1995) or the monumental In Berlin '88 box (FMP, 1989). Within jazz, his music stands like a monolith--challenging and imposing. Cecil Taylor Orchestra Humane's At Iridium ...
Camila Nebbia: A Reflection Distorts Over Water
by John Sharpe
From her base in Berlin, Argentine tenor saxophonist Camila Nebbia continues to impress, extending her increasingly international reputation across the Atlantic on A Reflection Distorts Over Water. For a session recorded in the studio in Woodstock, NY, she enlists talent both established and lately emerged. Even after a storied career, most famously as part of Anthony ...
Vilnius Mama Jazz 2026
by Ian Patterson
Vilnius Mama Jazz Lithuanian National Drama Theatre25th Edition Vilnius. LithuaniaMay 22-24, 2026 Vilnius Mama Jazz turned 25. In festival terms that is early middle age. When you consider that 25 years is roughly a quarter of the entire history of jazz, the significance of the milestone assumes greater meaning.
Kenny Barron: So Many Lovely Things: Live in Brecon
by Dan McClenaghan
Pianist Kenny Barron (b. 1943) has paid his dues, working in the bands of Yusef Lateef and Dizzy Gillespie as well as a three-year stint in trumpeter Freddie Hubbard's band. His work as a leader has also soared. His first album under his own name was titled You Had Better Listen (Atlantic, 1967). That title offered ...
Pierre Favre: Bird Food
by Glenn Astarita
Captured live at Radio Studio Zurich in 1968, this is the earliest known recording of the Pierre Favre Trio, dormant for more than half a century until Favre and trombonist Samuel Blaser unearthed it while sorting through forgotten tapes. That it survived at all feels faintly miraculous, the jazz equivalent of finding cash in an old ...
Myra Melford - Satoko Fujii: Katarahi
by Mark Corroto
When four hands meet across 176 keys, is it even possible for pianists to check their egos at the stage door? Piano duets, by their very nature, often invite comparison--even confrontation. Consider the 1977 encounter between Mary Lou Williams and Cecil Taylor, the high-profile 1978 concerts by Herbie Hancock and Chick Corea, or Kris Davis and ...
Cecil Taylor: Fragments: The Complete 1969 Salle Pleyel Concerts
by Mike Jurkovic
Another insanely good Record Store Day release from Elemental Music, Fragments, The Complete 1969 Salle Pleyel Concerts, is available as a limited-edition, 180-gram, 3-LP gatefold set or as your standard 2-CD version, but truth be told and told plainly, any version will serve one well. Talk about rumble in the jungle. Fragments, The Complete ...
Cecil Taylor: Fragments: The Complete 1969 Salle Pleyel Concerts
by Jack Kenny
Hosting a recording by Cecil Taylor represents a new departure for producer Zev Feldman. He is candid about the challenge: “Words fail me to describe the great genius of Cecil Taylor and I could never do him justice, but luckily we have Phil Freeman's erudite words." Freeman contributes a substantial essay to the release.
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