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A Jazz Immuno-Booster: Part 1
by Ludovico Granvassu
We may still be months away from developing vaccines to tame the threat that COVID19 poses to our bodies. But given the centrality of the mind-body connection for our physical well being, we should not forget that we continue to have music to support our minds during these challenging times. So I have reached ...
Gemma Sherry Releases Her Debut Jazz Recording, 'Songs I Love'
The impressive young vocalist Gemma Sherry will be hosting CD launch parties in New York and her native Australia singing her favorite repertoire of jazz classics On her debut album Sherry’s luscious voice is joined by pianist Billy Woodman and bassist Mike Waite with a guest appearance by saxophonist Patsy Gamble. The album ...
Camilla George: Warrior Charge
by Chris May
In 2017, alto saxophonist and composer Camilla George's band was the support act for a Dee Dee Bridgewater gig at the London Jazz Festival. After George had finished her set, Bridgewater, who had been listening in the wings, came onstage, took the mike, and announced: The world is safe because we have Camilla." Others in Cadogan ...
About Cannonball Adderley
Results for pages tagged "Cannonball Adderley"...
Cannonball Adderley
Born:
Both as the leader of his own bands as well as an alto and soprano saxophone stylist, Julian Edwin "Cannonball" Adderley was one of the progenitors of the swinging, rhythmically robust style of music that became known as hard-bop. Born September 15, 1928, into a musical family in Florida, Adderley was drafted into the U.S. Army in 1950. He became leader of the 36th Army Dance Band, led his own band while studying music at the U.S. Naval Academy and then led an army band while stationed at Fort Knox, Kentucky. Originally nicknamed "Cannibal" in high school for his voracious appetite, the nickname mutated into "Cannonball" and stuck. In 1955, Adderley traveled to New York City with his younger brother and lifelong musical partner, Nat Jr. (cornet)
Waltz For Debby
Label: American Jazz Classics
Released: 2019
Track listing: Waltz For Debby; Goodbye; Who Cares?; Venice; Toy; Elsa; Nancy; Know What I Mean?; Minority; Straight Life; Blue Funk; A Little Taste; People Will Say We're In Love; Nardis;
Listeners' Favorites
by Marc Cohn
It's that time, times two. A show with a number 5 at the end. So here's a slug of recent listener favorites from Gifts and Messages shows 391 to 400. As always, we had too much music to deal with and that's a good thing. So, my selections from your favorites try to achieve some variety ...
Jon Batiste Releases Second Village Vanguard Installment Chronology Of A Dream: Live At The Village Vanguard Available Now On Vinyl!
The inimitable musician and bandleader, Jon Batiste, releases Chronology Of A Dream: Live At The Village Vanguard on November 1. Recorded during his six-night residency in the fall of 2018, the live album is a follow up to his recent critically acclaimed release, Anatomy of Angels: Live at the Village Vanguard, and is part two of ...
David Sanborn: The Curtain Rises on Sanborn Sessions
by Jim Worsley
Listed alphabetically, as opposed to first, second, and third place, Cannonball Adderley, Charlie Parker, and David Sanborn are as good as it gets when discussing the best and most influential alto saxophone players of all-time. Now before you say what about Phil Woods or Kenny Garrett or any number of others, let me qualify that this ...
September Birthday Salutes
by Marc Cohn
September birthdays this week on G&M! Pianists: Gene Harris, Horace Silver, Onaje Allan Gumbs & Bud Powell; organists Jack McDuff & Akiko Tsuruga; guitarist Peter Bernstein; reeds (lots of 'em!) Art Pepper, Tony Dagradi, Julian “Cannonball" Adderley, Bob Reynolds, Gary Bartz, Ken Vandermark, Oliver Lake & John Coltrane; drummers Matt Wilson & Elvin Jones; trumpeter Fats ...
The Alto After Bird - Pepper, Woods, McLean, Adderley (1957 - 1960)
by Russell Perry
When Charlie Parker died at 34 in 1955, it was as if an ancient tree fell in the forest with the resulting sunlight promoting the growth of numerous alto saxophone progeny. Art Pepper appeared in Stan Kenton's Orchestra in 1950 and by 1953 was recording as a leader while still collaborating with West Coast colleagues like ...


