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179

Article: Album Review

Adonis Rose: The Unity

Read "The Unity" reviewed by C. Andrew Hovan


With enough fodder to serve as a thesis or research paper, someday someone will look into the correlation that finds trumpeters often serving as the most significant jazz leaders in the history of the music. Just dropping the names Louis Armstrong, Clifford Brown, and Miles Davis will prove the point. In more recent times we would ...

123

Article: Album Review

Joel Weiskopf: The Search

Read "The Search" reviewed by C. Andrew Hovan


The time was ripe for 37-year-old pianist Joel Weiskopf to make his maiden voyage as a leader. Known as the younger brother of tenor phenom Walt Weiskopf, Joel's seasoned experiences in music include nine years of training in classical piano, graduation from the New England Conservatory of Music, and gigs with Teddy Kotick, George Garzone, Tim ...

254

Article: Album Review

Harris/Moran/Osby/Shim: New Directions

Read "New Directions" reviewed by C. Andrew Hovan


For the second time since Blue Note Records was revived in 1985, the label has gathered a resourceful group of jazz lions to present an up-to-the-minute glimpse of the hard bop legacy. And if New Directions proves to be as critical in launching jazz careers as it's precursor was, recalling that Out of the Blue introduced ...

193

Article: Album Review

LeeAnn Ledgerwood: Transition

Read "Transition" reviewed by C. Andrew Hovan


The native of a very small town in Ohio, pianist Lee Ann Ledgerwood is part of an ever growing contingency of extremely talented jazz musicians of the female persuasion, another recent name that comes to mind being trumpeter Ingrid Jensen. Although she's been on the New York scene since 1982, this is one of Ledgerwood's rare ...

221

Article: Album Review

One For All: Upward and Onward

Read "Upward and Onward" reviewed by C. Andrew Hovan


The economic constraints of keeping a jazz ensemble together are such that we've almost seen the disappearance of working bands. That is indeed a grievous situation since the jazz pedigree has so often been marked by historically-important groups. Just consider the Basie and Ellington bands, not to mention the classic John Coltrane Quartet and several premium ...

266

Article: Album Review

Kid Ory: The Complete Kid Ory Verve Sessions

Read "The Complete Kid Ory Verve Sessions" reviewed by C. Andrew Hovan


As the years continue to roll by, the 1950s and '60s seem to take on an even more elevated significance. Those who were young enough to remember, and now even those who weren't but who keep an eye on the reissues, know what a positively monumental set of riches came from the most fertile period jazz ...

228

Article: Album Review

Barbara Dennerlein: Outhipped

Read "Outhipped" reviewed by C. Andrew Hovan


One of the best-kept secrets of the burgeoning revivalist movement involving the Hammond B3 organ has been the unusual, but consistently underrated efforts of Barbara Dennerlein. A native of Germany, the organist's career began almost 20 years ago and since then she has labored quietly while releasing a distinguished set of albums for Enja and most ...

159

Article: Album Review

David Kikoski: The Maze

Read "The Maze" reviewed by C. Andrew Hovan


Although his current claim to fame finds him as a member of Roy Haynes' fresh new band, pianist David Kikoski has been active on the scene since the early 80's and has recorded several times under his own name for the Triloka and Epicure labels. Making his first appearance on Criss Cross Jazz with Ralph Moore ...

295

Article: Album Review

Orrin Evans: Grown Folk Bizness

Read "Grown Folk Bizness" reviewed by C. Andrew Hovan


It's been a few years since pianist Orrin Evans placed in the Thelonious Monk Piano Competition. All the while, he's been maturing as an artist with a nice spate of Criss Cross dates along the way documenting that development. Grown Folk Bizness is Evans' third release for the label and it ups the ante even further ...

113

Article: Album Review

Larry Schneider: Ali Girl

Read "Ali Girl" reviewed by C. Andrew Hovan


Part of a ever-growing number of jazz artists who fall into a category that can be generally referred to as the “lost generation," for lack of a better phrase, 47- year-old saxophonist Larry Schneider is too old to be considered a young lion and not old enough yet to be properly referred to as an “elder ...


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