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161

Article: Album Review

Karl Denson: Dance Lesson #2

Read "Dance Lesson #2" reviewed by C. Andrew Hovan


While some of the jazz cognoscenti may suggest that the acid jazz scene has played out its welcome, the fact remains that artists such as Medeski, Martin & Wood and others of their ilk seem to be finding new things to say within the borders of improvisation and dance rhythms. Now add to the list saxophonist/flutist ...

186

Article: Album Review

Eric Alexander: The Second Milestone

Read "The Second Milestone" reviewed by C. Andrew Hovan


If you insist on your jazz being loud and of the avant variety, then this disc will not be for you. If you’ve convinced yourself that the young guys are just revisiting the past, then this disc won’t be for you either. But, if you’re interested in serious mainstream jazz performed by some of the greatest ...

436

Article: Album Review

Paul Chambers/Wynton Kelly: The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61

Read "The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61" reviewed by C. Andrew Hovan


Following hard on the heels of Mosaic’s already acclaimed Vee-Jay set collecting early works from Wayne Shorter and Lee Morgan, we get The Complete Vee Jay Paul Chambers-Wynton Kelly Sessions, a superlative companion piece that sets straight material that has been issued and reissued in haphazard form for many years now. In addition to a pair ...

261

Article: Album Review

Chris Potter: Gratitude

Read "Gratitude" reviewed by C. Andrew Hovan


Part of a triumvirate of heavy hitting young saxophonists that includes Joshua Redman and Eric Alexander, Chris Potter finally makes his major label debut on Verve with Gratitude. And while his track record via small label efforts for Criss Cross and Concord is without question, one always has to approach an artist’s first major label release ...

365

Article: Album Review

Mark Turner: Dharma Days

Read "Dharma Days" reviewed by C. Andrew Hovan


Jazz has its share of famous duos; names that just seem to go together. For example, let’s consider Al Cohn and Zoot Sims, Dexter Gordon and Wardell Gray, Eddie “Lockjaw” Davis and Johnny Griffin, Elvin Jones and John Coltrane, and the list goes on and on. Now we can add to this unofficial inventory the names ...

169

Article: Album Review

Tim Ries: Alternate Side

Read "Alternate Side" reviewed by C. Andrew Hovan


Let's see, where do we start? Tim Ries is a name that will probably be familiar to only the most perceptive jazz followers. He's made a handful of records under his own name as well as appearing with scores of name artists, and not just those of a jazz persuasion. In addition to work with Tom ...

97

Article: Album Review

Karl Denson: Dance Lesson #2

Read "Dance Lesson #2" reviewed by C. Andrew Hovan


While some of the jazz cognoscenti may suggest that the acid jazz scene has played out its welcome, the fact remains that artists such as Medeski, Martin & Wood and others of their ilk seem to be finding new things to say within the borders of improvisation and dance rhythms. Now add to the list saxophonist/flutist ...

135

Article: Album Review

Ralph Towner: Anthem

Read "Anthem" reviewed by C. Andrew Hovan


Now in his 61st year, guitarist and composer Ralph Towner can look back on the great tapestry that has made up his musical life over the preceding decades. For the past 30 years he's been associated with ECM Records, a distinction that has allowed him to express his own muse in a way that many artists ...

180

Article: Album Review

Robin Eubanks and Mental Image: Get 2 It

Read "Get 2 It" reviewed by C. Andrew Hovan


Music of lasting value seems to transcend time and place. In other words, if it has eternal worth it will sound as fresh ten or twenty years down the road as it did the day it was recorded. You can't say that about a lot of the jazz that has been documented over the past twenty ...

251

Article: Album Review

Freddie Hubbard: New Colors

Read "New Colors" reviewed by C. Andrew Hovan


The quintessential hard bop trumpeter, Freddie Hubbard has had his share of ups and downs since he made his precious debut on the ‘60s burgeoning jazz scene so eloquently fostered by Blue Note. The ‘70s were a time for commercial concessions that his critics seemed to condemn with undue fervor, while the ‘80s offered their own ...


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