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144

Article: Album Review

Joe Magnarelli: Mr. Mags

Read "Mr. Mags" reviewed by C. Andrew Hovan


At a time when many contemporary jazz trumpeters seem to be pushing to the extremes (i.e. Russell Gunn’s rap/world beat groove or Dave Douglas’ avant stance), a player like Joe Magnarelli might seem more like a throw back to the past. A great reader and reliable sideman, Magnarelli can run down the bebop or blow pretty, ...

114

Article: Album Review

Tardo Hammer: Somethin' Special

Read "Somethin' Special" reviewed by C. Andrew Hovan


Piano man Tardo Hammer is the perfect poster boy for the category of “one of the greatest jazz musicians you’ve never heard of.” His record dates have been few in number and his musical activity is confined primarily to the New York area, but his world-class stature is categorically undeniable. Now thanks to Sharp Nine, the ...

172

Article: Album Review

Valery Ponomarev: The Messenger

Read "The Messenger" reviewed by C. Andrew Hovan


It’s been quite some time since Russian trumpeter Valery Ponomarev defected from his native land in order to play jazz in America. Landing a gig with Art Blakey and the Jazz Messengers almost immediately, Ponomarev has gone on to practice the jazz tradition while being documented on a distinguished series of dates for the Reservoir label. ...

152

Article: Album Review

John Campbell: Workin' Out

Read "Workin' Out" reviewed by C. Andrew Hovan


Like so many guys out there who are doing their thing without much fanfare or public recognition, forty-five year old pianist John Campbell has been active on the jazz scene long enough to be called a veteran. A native of the Chicago area, Campbell gained valuable mainstream experience through past gigs with Clark Terry and the ...

158

Article: Album Review

George Colligan: Agent 99

Read "Agent 99" reviewed by C. Andrew Hovan


As writer Mark Gardner so succinctly points out in his liners to pianist George Colligan’s latest SteepleChase side, “George is not about to sit back on his laurels. His curiosity and restless creativity will continue stimulating him to make and record music of a most singular stripe.” Looking at his previous six SteepleChase recordings, covering standards ...

470

Article: Album Review

Pat Martino: Live at Yoshi's

Read "Live at Yoshi's" reviewed by C. Andrew Hovan


Ever since Pat Martino signed with Blue Note, we've been waiting for the release that would break things wide open while harkening back to those ground-breaking Prestige sides that had every young guitarist at the time shaking in his boots. Live at Yoshi's is definitely that record. With no gimmicks, special guests on revolving tracks, or ...

151

Article: Album Review

Randy Johnston: Detour Ahead

Read "Detour Ahead" reviewed by C. Andrew Hovan


One of the few no nonsense guitarists of the current set following in the footsteps of Tal Farlow, Chuck Wayne, Johnny Smith, and other mainstream legends, Randy Johnston has built a solid catalog with varied and disparate albums for such labels as Muse, HighNote and J Curve. He also counts among his supporters and employers Houston ...

238

Article: Album Review

Nicholas Payton: Dear Louis

Read "Dear Louis" reviewed by C. Andrew Hovan


At the risk of stating the obvious, the best tribute albums involve musicians with their own personalities capable of interpreting the material in such a way as to bring something new and fresh to the table. That is exactly what Nicholas Payton does with Dear Louis. And things could have come out quite to the contrary ...

237

Article: Album Review

Nicholas Payton: Dear Louis

Read "Dear Louis" reviewed by C. Andrew Hovan


At the risk of stating the obvious, the best tribute albums involve musicians with their own personalities capable of interpreting the material in such a way as to bring something new and fresh to the table. That is exactly what Nicholas Payton does with Dear Louis. And things could have come out quite to the contrary ...

130

Article: Album Review

Pat Martino: Live at Yoshi's

Read "Live at Yoshi's" reviewed by C. Andrew Hovan


Ever since Pat Martino signed with Blue Note, we’ve been waiting for the release that would break things wide open while harkening back to those ground-breaking Prestige sides that had every young guitarist at the time shaking in his boots. Live at Yoshi’s is definitely that record. With no gimmicks, special guests on revolving tracks, or ...


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