Results for "Buddy DeFranco"
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Buddy DeFranco
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Buddy DeFranco has the unprecedented distinction of winning twenty Downbeat Magazine Awards, nine Metronome Magazine Awards, and sixteen Playboy All-Stars Awards as the number one jazz clarinetist in the world. Buddy is generally credited with leading the way for jazz clarinetists from the exciting era of swing to the exhilarating age of bop. Along the way he has set the example for all jazz musicians for technical brilliance. Improvisational virtuosity and creative warmth. He is one of the most imaginative clarinetists playing today. Born in Camden, New Jersey, Buddy was raised in South Philadelphia and began playing the clarinet at age nine
Jazz Musician of the Day: Buddy DeFranco
All About Jazz is celebrating Buddy DeFranco's birthday today! Buddy DeFranco has the unprecedented distinction of winning twenty Downbeat Magazine Awards, nine Metronome Magazine Awards, and sixteen Playboy All-Stars Awards as the number one jazz clarinetist in the world. Buddy is generally credited with leading the way for jazz clarinetists from the exciting era of swing ...
Backgrounder: Buddy DeFranco & Tommy Gumina
In 1960, clarinetist Buddy DeFranco and accordionist Tommy Gumina got together with bass and drums to record the first of five albums—Pacific Standard (Swingin') Time. It was on Decca. The next four were on Mercury, including their first for the label—Presenting the Buddy DeFranco/Tommy Gumina Quartet, recorded in 1961. The tracks on Presenting were When Lights ...
Jazz Musician of the Day: Buddy DeFranco
All About Jazz is celebrating Buddy DeFranco's birthday today! Buddy DeFranco has the unprecedented distinction of winning twenty Downbeat Magazine Awards, nine Metronome Magazine Awards, and sixteen Playboy All-Stars Awards as the number one jazz clarinetist in the world. Buddy is generally credited with leading the way for jazz clarinetists from the exciting era of swing ...
Coltrane's Progeny: Giant Steps for Late Beginners
by Richard J Salvucci
For many listeners, the name John Coltrane is synonymous with the tune “Giant Steps." Whether or not you happen to agree with the proposition that this was the “greatest" or most important composition Coltrane ever recorded—for some, it would be “My Favorite Things," and for still others, “A Love Supreme." This is not an attempt, largely ...
Lee Morgan & Ulysses Owens Jr.
by Joe Dimino
From one of the most powerful drummers in jazz today who is has released a big band album, we start the 717th Episode of Neon Jazz with Ulysses Owens, Jr. and a tune off his latest CD Soul Conversations. As is the case with all Neon Jazz shows, we trace the history of influences for each ...
Norman David: Forty-Year Wizard of The Eleventet
by Victor L. Schermer
A few years ago, a musician friend suggested I go hear a band that was playing at a place in Bella Vista, Philadelphia, a neighborhood with a significant jazz history (violinist Joe Venuti and guitarist Eddie Lang lived there and are honored with several plaques and a mural) -but not much current music to speak of. ...
Jazz Musician of the Day: Buddy DeFranco
All About Jazz is celebrating Buddy DeFranco's birthday today! Buddy DeFranco has the unprecedented distinction of winning twenty Downbeat Magazine Awards, nine Metronome Magazine Awards, and sixteen Playboy All-Stars Awards as the number one jazz clarinetist in the world. Buddy is generally credited with leading the way for jazz clarinetists from the exciting era of swing ...
Susie Meissner: I Wish I Knew
by C. Michael Bailey
Over the past decade and three previous recordings, Philadelphia-based vocalist Susie Meissner has crafted an intelligently conceived and thoughtfully paced survey of the Great American Songbook. Meissner's considerations of the standard jazz repertoire, in concert with pianist John Shaddy's sturdy arrangements and educated performance manner, have emerged, evolving from chaste and reverent beginnings, into rich and ...
Dial "S" for Sonny
by C. Michael Bailey
Pianist Sonny Clark was culturally marginalized in much the same way as his contemporary Elmo Hope—both heroin-addicted jazz musicians in the 1950s: at the time, and romantically, a cliche. Both pianists have been sorely lumped into the “Bud Powell school of bop piano" which superficially may seem accurate until one considers the evolutionary continuum of jazz ...
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