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196

Article: Old, New, Borrowed and Blue

John Williams' Jazz

by Dan Bilawsky
January 3, 2011

The idea for this edition of Old, New, Borrowed and Blue isn't new. The seeds were actually sown with an experience I had a few years back. About four years ago, I was writing for a different jazz publication and I received a package of recordings in the mail. This parcel contained the usual mixture of ...

Album

The Polyhedric Buddy Collette

By Buddy Collette

Label: Sabu Music
Released: 2010
Track listing: 01. A Taste of Fresh Air (Collette) - 4:02; 02. Pickford Street (Collette) - 4:17; 03. Skater for Mater (Collette) - 3:27; 04. Blues (Collette) - 5:56; 05. Orfeo Negro (Bonfa) - 2:32; 06. Blues for Nicola (Collette) - 4:10; 07. Mounya Labely Matatu (Collette) - 5:10; 08. Paddy (Collette) - 4:09.

News: Interview

Buddy Collette Said It

December 20, 2010

In addition to being a superb reed and woodwind musician, the late Buddy Collette also was a courageous advocate for civil rights in Los Angeles. Up through the late '40s and early '50s, integration was actively discouraged by the city. Even the musicians' union had two locals—one for whites and another for blacks. By 1950, the ...

625

Article: Interview

Randy Weston: African Stories, African Rhythms

by Ian Patterson
November 8, 2010

In over 60 years as a leader, pianist Randy Weston has achieved an incredible amount. He has recorded nearly 50 albums and has been hailed in the process as the natural heir to Duke Ellington and Thelonious Monk. Three times he has been voted Downbeat's composer of the year, and his compositions have been recorded by ...

514

Article: Big Band Report

Musical Talent Is (Now and Then) All in the Family

by Jack Bowers
November 3, 2010

The induction of almost the entire Marsalis family (father Ellis, piano, and sons Wynton, trumpet; Branford, saxophones; Delfeayo, trombone; and Jason, drums) set me to thinking about how musical talent sometimes runs in families. In the pop world, almost everyone knows about the Jacksons, the Kings, the Osmonds and others. The same is true in jazz, ...

151

Article: Live Review

Charles Lloyd New Quartet: Los Angeles, California, September 25, 2010

by Greg Camphire
October 31, 2010

Charles Lloyd New QuartetNate Holden Performing Arts CenterLos Angeles, California, USASeptember 25, 2010 The audience at the Nate Holden Performing Arts Center in Los Angeles witnessed something akin to a Saturday night prayer service on September 25th, 2010. As Charles Lloyd led his New Quartet in support of their latest ...

762

Article: Interview

Jason Robinson: The New Western

by Gordon Marshall
October 25, 2010

Saxophonist Jason Robinson is alert and ready to work his place in the scheme of things, from jazz itself to music at large, to the existential particulars of philosophy. A supple technician with a penchant for abstract thought, he splices together different strains of theory and logic with combinatory takes on period, school and style. A ...

180

News: Obituary

Remembering William Marcel "Buddy" Collette

September 24, 2010

By Ed Hamilton Saxophonist and flautist Buddy Collette brought color to white TV game show orchestras, before Martin Luther King fought for civil rights in the Montgomery, Alabama bus boycott. He paved the way for the hiring of musicians of color into all-white TV and film orchestras: Clark Terry, J.J. Johnson, Count Basie, Quincy Jones, Benny ...

229

News: Obituary

Buddy Collette dies at 89; L.A. jazz saxophone player, bandleader

September 21, 2010

Collette helped merge the black and white musicians' unions in L.A. and mentored many African American musicians. He was active in preserving and promoting L.A. jazz history. Buddy Collette, a Grammy-nominated jazz saxophonist, flautist, bandleader and educator who played important roles in Los Angeles jazz as a musician and an advocate for the rights of African ...

108

News: Interview

Interview: Buddy Collette (Part 4)

May 24, 2010

In 1953, a full year before the Supreme Court's Brown v. Board of Education decision, Buddy Collette and other California musicians helped end the “separate but equal" practices of the American Federation of Musicians in Los Angeles. For decades, there were two union locals in the city--one for whites and another for blacks. Buddy, like many ...