Home » Search Center » Results: Brian Eno
Results for "Brian Eno"
U2: From the Sky Down

by Nenad Georgievski
U2From the Sky DownDocumentary Partners2012Music documentaries get more viable and interesting as more and more renowned film directors grab their chance to prove themselves in the genre. Apart from ordinary documentaries that only provide biographical data or sketches, some of them serve as a modern day visual novels, ...
EMEFE: Good Future

by Chris May
EMEFEGood FutureEMEFE Music2012For a glorious week and a half in November, London seemed like the epicenter of Afrobeat. Antibalas played Islington Town Hall. Dele Sosimi's Afrobeat Orchestra played Hackney's New Empowering Church. Seun Kuti & Egypt 80 played Kentish Town Forum. If only every month could be like ...
Erik Honore: Small Sonic Postcards

by Nenad Georgievski
Compared to the rest of Europe, Norway's thriving music scene--be it jazz, pop, electronic or in-between genres--seems to be the most varied. Since1996/97, with the release of a number of seminal recordings including trumpeter Nils Petter Molvær's Khmer (ECM, 1997), keyboardist Bugge Wesseltoft's New Conception of Jazz (Jazzland, 1996) and noise improv quartet Supersilent's triple-disc debut, ...
1982 + BJ Cole: 1982 + BJ Cole

by John Kelman
With musical cross-pollination the norm, it's not just about pan-cultural blending; it's just as much about finding ways to blend the contemporary and the antiquated. Since inception, 1982 has combined instruments from across the centuries--harmonium, hardanger fiddle and drum set--wonderfully blending Norwegian traditionalism, millennium-spanning classicism and modernistic free improvisation on its self-titled, 2010 NORCD debut. If ...
Kiril Djaikovski: West Meets East

by Nenad Georgievski
The career of composer and keyboardist Kiril Djaikovski, with a span of over 30 years, literally splits in two distinguished categories- soundtrack and dance/electronic music. The output in both categories suggests there are almost no meeting points to indicate that this is the work of the same person. Except for the use of Macedonian traditional instruments ...
Punkt 2012: Kristiansand, Norway, September 6-8, 2012

by John Kelman
Punkt Festival Kilden Performing Arts Centre Kristiansand, Norway September 6-8, 2012Another year, another Punkt. If that sounds flippant or dismissive, that's not the intention; instead, it's a reflection that a year simply isn't complete without visiting Kristiansand, Norway, for the Live Remix festival that continues to expand its network and garner attention ...
Travis & Fripp: Follow

by John Kelman
The potential of the improvising duo has been tremendously extended thanks to the seemingly limitless possibilities of technology. King Crimson co-founder/guitarist Robert Fripp has always been on the cutting edge of that technology, whether in the context of his now-deserted flagship group, on his groundbreaking duo recordings with Brian Eno or alone, with his series of ...
kandodo: kandodo

by Glenn Astarita
Multi-instrumentalist Simon Price offers shades of vintage Brian Eno ambient-electronica, with psychedelic hooks and minimalist terrestrial planes, via his one-man solo effort, bearing the group moniker kandodo. He also intersperses an off-center new age vibe into the grand mix via oscillating guitar parts, thought-provoking textural components and tasteful themes sprinkled throughout. Lord Hyena, ...
Dan DeChellis Trio: My Age of Anxiety

by Karl Ackermann
If anything in jazz approaches the status of a commodity, it would be the piano trio. The inevitable comparisons run the gamut from Bill Evans and Keith Jarrett to Cecil Taylor and, more often than not, those benchmarks are either unattainable or unsustainable. A more accessible measure may be in the ability to differentiate one group's ...
The Wine of Silence (with Andrew Keeling and David Singleton)

by John Kelman
It's strange how things sometimes come around full circle...well, almost. After helping to define symphonic prog with King Crimson and the seminal In the Court of the Crimson King (DGM Live, 1969)--mellotrons screaming instead of a real orchestras swirling--the rigors of the road, and keeping a band together, caused co-founder/guitarist Robert Fripp to desert such problems ...