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Ryan Truesdell: Shades Of Sound
by Pierre Giroux
Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer ...
Ivo Perelman & Matthew Shipp String Trio: Armageddon Flower
by Mark Corroto
Imagine our earliest ancestors huddled deep inside a cave, safe from the howling wind and stalking predators outside. A fire flickers at the center, casting erratic shadows onto the jagged walls. Among the tribe, someone watches those shadows--not with fear, but with imagination. Perhaps they see, in the dancing silhouettes, the outlines of animals hunted earlier ...
Phil Haynes: Return to Electric
by Glenn Astarita
Phil Haynes, a drummer who possesses an extensive and heralded resume, unleashes Return to Electric, a semiavant-garde fusion-fueled romp that feels like a love letter to the electric guitar's golden era, delivered with a sly wink. This album displays Haynes, guitarist Steve Salerno, and bassist Drew Gress capturing the experimental spirit of 1970s jazz-rock while demonstrating ...
Charles Mingus: Mingus in Argentina
by Jack Kenny
This latter-day Charles Mingus group is ripe for reassessment. The new guys, Ricky Ford, Robert Neloms and Jack Walrath carried a heavy burden as they toured South America. The two-CD collection is a great feast of Mingus played by a band that, as yet, has never had real recognition. Much of the music was written for ...
Phil Haynes / Ben Monder: Transition (s)
by Dan McClenaghan
The call of the electric guitar has enticed drummer Phil Haynes to revisit his early passion for the instrument. Two albums have resulted: Return to Electric (review here), and now Transition (s), both on Corner Store Records. The former is a trio album that has Haynes teamed with guitarist Steve Salerno and bassist Drew Gress, the ...
Phil Haynes: Return to Electric
by Dan McClenaghan
The band Return to Forever was a seminal jazz fusion group led by pianist Chick Corea. The eponymous first album, on ECM Records, was released in 1972, opening doors for scores of other like-minded ensembles. Electricity was a main aspect of the move away from acoustic jazz. The Fender Rhodes piano and plugged-in bass and guitars ...
Claire Cope: Every Journey
by Dan McClenaghan
Consider British pianist, composer/ bandleader Claire Cope. She debuted as a fully formed artist via her excellent septet set Small World (Self Produced, 2020), a deftly crafted classical/jazz hybrid. On her second recording, the album at hand, Every Journey, she employs an eleven-piece ensemble, building on the atmosphere of her debut, painting translucent layerings and weaving ...
Freddie Hubbard: On Fire: Live From The Blue Morocco
by Pierre Giroux
Freddie Hubbard was never one to play it safe. Even at a time when jazz was bending in myriad directions--from the structural freedom of Ornette Coleman's harmolodics to the modal explorations of Miles Davis--Hubbard maintained a singular focus on the power of his horn. In the newly unearthed performance On Fire: Live from Blue Morocco, Resonance ...
Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Jack Kenny
The vagaries of the jazz life are all over this release. Why Kenny Dorham should be underappreciated is a mystery. For the gig at the Blue Morocco he had assembled a great super group with a deep well of experience. Drummer Denis Charles had worked with Cecil Taylor. Kenny Dorham had accompanied Charlie Parker, at Parker's ...
Freddie Hubbard: On Fire--Live From The Blue Morocco
by Jack Kenny
Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John ...
