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Satoko Fujii Orchestra Tokyo: Kikoeru - Tribute to Masaya Kimura

by Karl Ackermann
Satoko Fujii closes out the celebration of her sixtieth birthday with her final monthly album of 2018, Kikoeru: Tribute to Masaya Kimura. This album is more than a celebration of one life; it's a cathartic, full-circle tribute to lives that have touched the composer and been integral to her music. This sixth recording from Fujii's Orchestra ...
Josh Sinton's Predicate Trio: Making Bones, Taking Draughts, Bearing Unstable Millstones Pridefully, Idiotically, Prosaically

by Mark Corroto
Considerate isn't an adjective you generally apply to creative new jazz recordings these days. Vanguard musicians are accustomed to employing the shock and awe required to get attention and satisfy their constituents. Maybe that is why Making Bones, Taking Draughts, Bearing Unstable Millstones Pridefully, Idiotically, Prosaically is such a breath of fresh air. Josh Sinton's Predicate ...
Alister Spence / Satoko Fujii: Intelsat

by Glenn Astarita
This is the ninth of twelve CDs celebrating leading-edge pianist, composer Satoko Fujii's 60th birthday. On this album Fujii and Australian keyboardist Alistir Spence (Barre Phillip, Myra Melford) perform a series of over-the-top duets in front of a live audience in 2017 at the Intelstat jazz venue in Kiracho, Nishio, Japan. The artists first met when ...
Mark Corroto's Top Ten (Ok Fifteen) of 2018

by Mark Corroto
Another trip around the sun. In the AllAboutJazz universe, the stars were especially bright this year. Which is a good thing, unless you are like me, trying to pare down a huge list of favorites to just ten. At that task, I've failed once again. So here are my 15 favorite recordings of 2018 in no ...
Fred Hersch: Fred Hersch Trio '97 @ The Village Vanguard

by Doug Collette
Pianist Fred Hersch's discography has been both broadening and deepening in recent years. Besides solo and group recordings, he has released collaborations such as Live in Healdsburg (Anzic, 2018), with multi-instrumentalist Anat Cohen. In addition, the archiving of his past work has borne fruit in the form of a remastered Heartsongs (Sunnyside, 2018) and now Fred ...
Don Byron/Aruan Ortiz: Random Dances And (A)Tonalities

by Dan McClenaghan
Jazz albums have a history of featuring cool cover art, from drummer Chico Hamilton's Ellington Suite (World Pacific, 1959) and bassist Charles Mingus' Ah Um (Columbia, 1959) to almost all of the ECM Records catalog. Maybe grabbing the music-shopper's eye helps in the pulling of the wallet out the pocket or the purse. On the terrific ...
Kyle Nasser: Persistent Fancy

by Mark Corroto
Kyle Nasser's Persistent Fancy is kind of like the old Reese's Peanut Butter Cups commercial, where the two actors protest, You got chocolate in my peanut butter." and No, you got peanut butter in my chocolate." The saxophonist's second release, following Restless Soul (AISA, 2015), combines erudite compositions with shrewd improvising. Listeners can decide which of ...
Satoko Fujii / Yuko Yamaoka: Diary 2005-2015: Yuko Yamaoka Plays the Music of Satoko Fujii

by Karl Ackermann
Diary 2005-2015: Yuko Yamaoka Plays the Music of Satoko Fujii is the eleventh of twelve releases to be issued as part of Satoko Fujii's year-long, sixtieth birthday celebration. The previous ten releases this year have shown us an exceptional artist as she works in a variety of musical modes, and in formations from solo to orchestra, ...
Darrell Katz and the JCA Orchestra: Rats Live on No Evil Star

by Jerome Wilson
Listening to Darrell Katz's music, it boggles the mind that he is not celebrated as one of the best jazz composers-arrangers around. He has been creating ambitious and accessible works full of humor, social conscience and creativity for decades in the Boston area with the Jazz Composers Alliance Orchestra and other groups, yet you rarely hear ...
Miguel Zenon: Yo Soy La Tradicion

by Jerome Wilson
Alto saxophonist Miguel Zenon has undertaken several projects over the years exploring the folk music traditions of Puerto Rico, but he takes that to a new level with this work featuring the string playing of Chicago's Spektral Quartet. The interplay of saxophone and strings here sometimes recalls the lush conversations of the classic Stan Getz / ...