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Sonny Rollins and Bill Evans: Icons In Action
by Doug Collette
As icons of contemporary jazz, saxophonist Sonny Rollins and pianist Bill Evans deserve the carefully-researched and fastidiously-annotated packages Resonance Records has created in the form of Rollins In Holland and Live At Ronnie Scott's. The curators and producers for the label aim to formulate releases in line with each man's exacting approach, so while it is ...
Bill Evans: Bill Evans Live at Ronnie Scott's
by Pierre Giroux
The emergence of Bill Evans as one of the jazz world's preeminent pianists was propelled by a unmistakeable style: a pensive note striking with harmonic transpositions resulting in unique voicings. This 1968 recording marks the fifth collaboration between Resonance Records and the Bill Evans Estate to bring previously unreleased material into the public domain. This 2xLP ...
Satoko Fujii / Natsuki Tamura: Pentas: Tribute To Eric and Chris Stern
by Glenn Astarita
Unquestionable beauty and grace are two of many attributes that help define this pioneering duo's seventh duet album. Pianist/composer Satoko Fuji and trumpeter Natsuki Tamura enjoy acclaimed legacies as leaders. They are contributors to large and small ensembles often cast in futurisms, encompassing progressive jazz, neo-jazz, improvisation and offshoots of world music and indigenous folk. And ...
Bill Evans: Bill Evans Live at Ronnie Scott's
by Troy Dostert
All fans of Bill Evans, and piano trio enthusiasts generally, owe a huge debt of gratitude to Resonance Records, which over the last decade has released a formidable series of Evans discs featuring previously unreleased material (unless you count bootlegs). Beginning with Live at Art D'Lugoff's Top of the Gate in 2012, showcasing Evans' trio with ...
Rich Halley: The Shape Of Things
by Dan McClenaghan
Nobody rips it up like Portland, Oregon-based tenor saxophonist Rich Halley. Whether he is playing with his West Coast crews on sets like The Literature (Pine Eagle Records, 2018) or The Outlier (Pine Eagle Records, 2016), or recording with his New York City compatriots on Terra Incognita (Pine Eagle Record, 2019). And now we have--with, again, ...
Fred Hersch: Songs From Home
by Victor L. Schermer
As Fred Hersch is sometimes wont to do, this album is built around a story, some of which is intended, and some of which may be embedded in the pianist's unconscious and manifested in his imagination and the way that he plays. The conscious part is simple, and basically stated in the liner notes. Hersch leaves ...
Ikue Mori / Satoko Fujii / Natsuki Tamura: Prickly Pear Cactus
by Dan McClenaghan
Musical collaboration is problematic in Covid-19 times. Rubbing elbows with fellow musicians can translate to positive test results. But the music must roll on. At least that is how electronics wizard/laptopist Ikue Mori, pianist Satoko Fujii and trumpeter Natsuki Tamura feel. Instead of getting together body and soul, the trio decided to swap sound files on ...
Fred Hersch: Songs From Home
by Pierre Giroux
In order for solo piano playing to be maintained at a high standard, the artist must exhibit a prolific imagination, a wealth of conviction and self-assurance, note-striking precision and a firm sense of swing. Throughout his career, Fred Hersch has exhibited these qualities. Since performers (be they musicians, dancers or actors) are ...
Satoko Fujii / Natsuki Tamura: Pentas: Tribute To Eric and Chris Stern
by Dan McClenaghan
Pianist Satoko Fujii and trumpeter Natsuki Tamura came off a European tour in 2019 and went into the studio in Krakow, Poland, and recorded Pentas, their seventh duo disc, an effort that joins the Fujii/Tamura pairings How Many (Libra Records, 1997), Clouds (Libra Records, 2002), Like In Krakow, In November (Not Two Records, 2006), Chun (Libra ...
Raphaël Pannier Quartet: Faune
by Dan Bilawsky
The debut from drummer Raphaël Pannier has no difficulty laying out references to modern modes of impressionism and the nature of wildlife implied in its title. Its opener --a ten-minute take on Ornette Coleman's “Lonely Woman" that offers slinky melody, sophisticated coloring, intense upheaval, a bass soliloquy and a return to the shadowy theme--is but the ...
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