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8

Article: Album Review

Kenny Barron: So Many Lovely Things: Live in Brecon

Read "So Many Lovely Things: Live in Brecon" reviewed by Dan McClenaghan


Pianist Kenny Barron (b. 1943) has paid his dues, working in the bands of Yusef Lateef and Dizzy Gillespie as well as a three-year stint in trumpeter Freddie Hubbard's band. His work as a leader has also soared. His first album under his own name was titled You Had Better Listen (Atlantic, 1967). That title offered ...

1

Article: Album Review

Simon Hanes: Gargantua

Read "Gargantua" reviewed by Mark Corroto


Two quotes come to mind in the wake of Simon Hanes' Gargantua. The first is from Perry Farrell of Jane's Addiction: “Camera got them images / Camera got them all / Nothing's shocking... “ The second, often attributed to William S. Burroughs: “Nothing is true, everything is permitted." Taken together, they suggest a world where boundaries ...

8

Article: Album Review

Buster Williams: Pinnacle

Read "Pinnacle" reviewed by C. Andrew Hovan


As if producer and archival sleuth Zev Feldman weren’t already busy enough unearthing lost jazz treasures, he has recently launched a new imprint, Time Traveler. A devoted collector in his own right, Feldman has turned his attention—at least initially—to the storied catalog of Muse Records. Founded in 1972 by Joe Fields, with significant contributions from Don ...

9

Article: Album Review

Myra Melford - Satoko Fujii: Katarahi

Read "Katarahi" reviewed by Mark Corroto


When four hands meet across 176 keys, is it even possible for pianists to check their egos at the stage door? Piano duets, by their very nature, often invite comparison--even confrontation. Consider the 1977 encounter between Mary Lou Williams and Cecil Taylor, the high-profile 1978 concerts by Herbie Hancock and Chick Corea, or Kris Davis and ...

2

Article: Album Review

Yusef Lateef: Alight Upon the Lake: Live at the Jazz Showcase

Read "Alight Upon the Lake: Live at the Jazz Showcase" reviewed by Pierre Giroux


Some nights vanish into the ether, while others wait, patiently, until the world is ready to hear them. Such is the case with Alight Upon the Lake: Live at the Jazz Showcase. Resonance Records has released this adventurous 1975 recording as a limited-edition 180-gram 3-LP set and a 3-CD release, which feels less like an archival ...

5

Article: Radio & Podcasts

Maria Schneider: Composing In The Age Of Curated Rage

Read "Maria Schneider: Composing In The Age Of Curated Rage" reviewed by Lawrence Peryer


Today, The Tonearm's needle lands on composer and avid birdwatcher Maria Schneider. Few composers working today have Maria Schneider's range. She holds seven Grammy Awards, was named an NEA Jazz Master, and this year took home the Rolf Schock Prize in Musical Arts, one of the most prestigious honors in the field.

5

Article: Album Review

Yusef Lateef: Alight Upon the Lake: Live at the Jazz Showcase

Read "Alight Upon the Lake: Live at the Jazz Showcase" reviewed by Troy Dostert


One of the legendary figures of Detroit jazz, Yusef Lateef experienced a truly distinctive path of artistic development, with a trajectory which took him from swing, bebop and R&B in the 1940s and 1950s through a deep immersion in world music, funk and classical idioms during the 1960s and beyond. Somehow incorporating all of these disparate ...

8

Article: Album Review

Cecil Taylor: Fragments: The Complete 1969 Salle Pleyel Concerts

Read "Fragments: The Complete 1969 Salle Pleyel Concerts" reviewed by Mike Jurkovic


Another insanely good Record Store Day release from Elemental Music, Fragments, The Complete 1969 Salle Pleyel Concerts, is available as a limited-edition, 180-gram, 3-LP gatefold set or as your standard 2-CD version, but truth be told and told plainly, any version will serve one well. Talk about rumble in the jungle. Fragments, The Complete ...

9

Article: Multiple Reviews

Old and New Bottles: A Pair of Essential Releases from Joe Henderson

Read "Old and New Bottles: A Pair of Essential Releases from Joe Henderson" reviewed by C. Andrew Hovan


Especially among those who knew him well, Joe Henderson was a true Renaissance man. Born into a large family in Lima, Ohio, he made his way to New York City by way of Detroit--a fertile proving ground for jazz musicians in the 1950s and '60s. While studying at Wayne State University, he counted Donald Byrd, Barry ...

7

Article: Album Review

Buster Williams: Pinnacle

Read "Pinnacle" reviewed by Andrew Schinder


Bass legend Buster Williams has built a long, prolific career traversing the innerwebs of diverse jazz styles and sub-genres, developing into a beloved sideman and one of the finest rhythmists of jazz's modern period. Williams' bass can elevate any material, and he has contributed to some of the most treasured recordings in the jazz canon, in particular ...


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