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Wadada Leo Smith: String Quartets Nos. 1-12
by Mark Corroto
Wadada Leo Smith's seven CD boxset String Quartets Nos. 1-12 summons two words, epic and ineffable. The 5½ hours of music chronicle three of his four periods writing for string quartets from 1965 until 2019. The remaining work, “String Quartets Nos. 13, 14, and 15" inspired by the 13th, 14th, and 15th Amendments to the US ...
The Montreal Jazz Festival Is Back In Full Swing
by Leo Sidran
After a two-year slowdown due to COVID, the Montreal International Jazz Festival came back this year. I had been there a couple times, in and out, as a musician. I went this year to cover the festival's full return for The Third Story. When you're a musician at a festival like MJF, the job ...
Festival International de Jazz de Montréal 2022
by Mark Sullivan
Various Venues Festival International de Jazz de Montréal Montréal, Canada June 30-July 4, 2022 Like everything else, the Covid-19 pandemic stopped the Festival International de Jazz de Montréal in its tracks. Forced to cancel the 2020 festival, they instead presented a four-day virtual festival online on June 27-30. Another abbreviated ...
Wadada Leo Smith: The Emerald Duets
by Karl Ackermann
The pioneering British photographer/author Val Wilmer said of Wadada Leo Smith, “he no longer relates to the restrictions of scales and chords. To him, music is about two things only: sound and rhythm." Her assessment, from the essential book As Serious As Your Life (Allison & Busby Ltd, 1977), was published in 1977. But in the ...
Wadada Leo Smith: Inspiration Incarnate
by Doug Collette
Wadada Leo Smith's The String Quartets Nos. 1-12 and The Emerald Duets are right in line with his well-established, iconoclastic means of creativity. Material composed and arranged with consummate care and attention to detail is also fodder for improvisation replete with a dignified abandon. And much like the trumpeter/composer/bandleader himself, Tum Records bestows a supreme reverence ...
Wadada Leo Smith: The Emerald Duets
by Dan McClenaghan
Wadada Leo Smith's music is often celestial, but the man himself is of this Earth—of America, in particular, the progeny of people brought to the Western Hemisphere involuntarily. People who have historically been treated as less than human, for the “sin" of having dark skin. This goes on. The true sin, the flames of racism, are ...
Abraham Burton-Swingin' with Gratitude in Central Park
by David Bixler
Season five begins with saxophonist Abraham Burton. During the pandemic, photographer and engineer Jimmy Katz produced an informal concert series at the sight of the historically significant Seneca Village in Central Park. One of the concerts that Katz recorded was a trio performance featuring Burton, drummer Eric McPherson, and bassist Dezron Douglas. This energetic performance is ...
Wadada Leo Smith: String Quartets Nos. 1-12
by Karl Ackermann
In the thirty-page booklet that accompanies Wadada Leo Smith's String Quartets Nos. 1-12, the trumpeter & composer devotes a few paragraphs to the subject of inspiration. He traces an irregular line whose points include Claude Debussy, Dmitri Shostakovich, Muddy Waters, Ornette Coleman, and others. But those diverse artists, who came and went before Smith, have no ...
Jason Palmer: Live From Summit Rock In Seneca Village
by Mark Corroto
It must have been a feeling of great happiness and triumph in the midst of the Covid-19 pandemic for musicians to actually perform for an audience. A live, in-person audience that is, not a Zoom session from a home studio. That joyous feeling is quite evident on Jason Palmer's Live From Summit Rock in Seneca Village ...
Felipe Salles, Zaccao Curtis, Avery Sharpe, Jonathan Butler: Tiyo's Songs Of Life
by Dan McClenaghan
Embarking on an errant path in his youth led saxophonist Tiyo Attallah Salah-El to life in prison, without the possibility of parole. That is about as grim as it gets, but Salah-El, rather than giving in to defeat, turned himself into a behind-the-bars composer, author and activist. He passed in 2018, but his music came to ...
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