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Results for "Braithwaite & Katz Communications"
Jeff Denson, Romain Pilon and Brian Blade: Finding Light
by Pierre Giroux
Boston's Berklee College of Music has the reputation as an incubator of some top rated musicians including Quincy Jones, Diana Krall and Melissa Etheridge among others. So it should come as no surprise that the threesome attached to this recording, bassist Jeff Denson, guitarist Romain Pilon and drummer Brian Blade were all standout students and friends ...
Gordon Grdina: Night's Quietest Hour
by Mark Corroto
Gordon Grdina might be proof of the saying you can't keep a good man down." With Night's Quietest Hour he turns his attention once again to traditional Iraqi and Arabic folk music. This release by his small big band Haram follows Her Eyes illuminate (Songlines, 2012) and includes a guest appearance by Marc Ribot. Much like ...
Gordon Grdina: Boiling Point
by Mike Jurkovic
For all its unstinting muscularity, feverish virtuosity and concentrated interplay, Canadian guitarist/oudist Gordon Grdina's first of two simultaneous summer releases, Boiling Point, could easily have been entitled Shock and Awe or Scorched Earth or perhaps even Ground Zero. Because as densely and wirily structured as these six Grdina comps are, Lower East Side piano legend Matt ...
Russian Poet Marina Tsvetaeva Reimagined In A New Song Cycle By Lena Bloch
Acclaimed saxophonist/composer Lena Bloch reimagines work of Russian poet Marina Tsvetaeva in a new jazz suite, commissioned by Chamber Music America Premieres of My Name Is Marina for jazz ensemble and voice on Sunday, October 2 in Manhattan and Sunday, October 16 in Brooklyn, both at 7 PM On the 130th anniversary of the birth of ...
Columbia Icefield: Ancient Songs of Burlap Heroes
by Troy Dostert
Nate Wooley refuses to make trivial music. Whether the endlessly creative trumpeter and composer is rethinking the relationship between artistic production and community, as on Mutual Aid Music (Pleasure of the Text, 2021), or pursuing ways to re-envision music's spiritual potential, seen most recently on 2020's Seven Storey Mountain VI (Pyroclastic Records), he always provides his ...
Gordon Grdina's Nomad Trio: Boiling Point
by Dan McClenaghan
Even if Gordon Grdina does not release another album in 2022, the year should be considered as the time when it all came together for the Vancouver-based guitarist and oud-ist. Oddly Enough: The Music Of Tim Berne, Night's Quietest Hour and Pathways, all on Attaboygirl Records, were released in the first six month of 2022--a productive ...
Frank Kimbrough: Frank Kimbrough 2003 - 2006
by Pierre Giroux
Frank Kimbrough, who died in December 2020, was a pianist of passionate originality, whose playing can be defined by an ease of technique coupled with a flow of ideas and meticulous execution. This current release, Frank Kimbrough 2003-2006, features newly mixed and remastered versions of the pianist's 2003 album Lullabluebye and the 2006 follow-up release Play. ...
John Yao: Off-Kilter
by Mark Corroto
In all great ensemble recordings one pays no attention to the compositions and arrangements. The music just seems to dance without inhibitions and flow over the ears. Correction: excellent ensemble performances compel one to recognize and appreciate the compositions and arrangements. With composer, arranger, trombonist John Yao both statements are true and both are in opposition ...
Frank Kimbrough: Frank Kimbrough 2003 - 2006
by Dan McClenaghan
Pianist Frank Kimbrough (1956 -2020) was involved in a good deal of collaboration throughout his career, with the Herbie Nichols Project and, most notably, his twenty-four year, seven CD stint in the piano chair of the Maria Schneider Orchestra, where he elevated an already high altitude music to an even loftier level. Such was Kimbrough's willingness ...
Gordon Grdina/Mark Helias/Matthew Shipp: Pathways
by Dan McClenaghan
Gordon Grdina, guitarist and oud player, has cranked things up into high gear in terms of CD release productivity. This is a good thing. When artists regularly release albums--two to four or five or six a year, which was common during Blue Note Records' heyday in the late 1950s and early 60s--their artistry evolves more quickly. ...


