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160

Article: Album Review

Ezra Weiss: Persephone

Read "Persephone" reviewed by Jerry D'Souza


Ezra Weiss says that he wrote the music for Persephone during a “depressed, cynical point in his life, but the end result came out “more uplifting than he had expected. The parallel muses of sorrow and joy played their roles well. The album has a fine balance, the brighter tunes bringing in a surge of joy, ...

193

Article: Album Review

Mark Sherman: One Step Closer

Read "One Step Closer" reviewed by John Kelman


Vibraphonist Mark Sherman has been on the scene for nearly two decades, working and recording with artists including Peggy Lee, Lena Horne, and Larry Coryell--with whom he was also producer, songwriter, and pianist for five years. So it's somewhat surprising that he's got such a small discography as a leader. Still, last year's The Motive Series, ...

108

Article: Album Review

Patrick Zimmerli: Phoenix

Read "Phoenix" reviewed by Andrew Velez


The notes accompanying this sixth release from Patrick Zimmerli, a New York-based composer/saxophonist, give no hint of when he may have fallen to earth from parts unknown, bringing with him an unclassifiable mix of jazz, strings, and electronics.The set opens with the dreamlike landscape of “M, which is dramatically revisited later mid-set with Kevin ...

475

Article: Album Review

Danilo P: Live at the Jazz Showcase

Read "Live at the Jazz Showcase" reviewed by Javier AQ Ortiz


The Danilo Pérez Trio recorded Live at the Jazz Showcase in December 2003, ensconcing the trio in the longstanding history of this Chicago club.Pérez leads drummer Adam Cruz and bassist Ben Street from the piano as they interpret a repertoire covering mostly original material, although there are hard bop renditions of material by Rubén ...

226

Article: Album Review

Mark Sherman: One Step Closer

Read "One Step Closer" reviewed by Jim Santella


Vibraphonist Mark Sherman lights fires with this straight-ahead session. His sterling sextet of all-star jazz veterans lends a cohesive hand to interpret his set of original compositions and standards with authority. Emulating the vocal qualities of his instrument, Sherman spins slow ballads and up-tempo romps with facility. The round edges of his vibraphone tones ...

136

Article: Album Review

Billy Childs Ensemble: Lyric: Jazz-Chamber Music Vol. 1

Read "Lyric: Jazz-Chamber Music Vol. 1" reviewed by Dan McClenaghan


Los Angeles-based pianist/composer Billy Childs mixes the intimacy of classical European sounds with the spontaneity of American jazz in a creative style he terms “Jazz-Chamber Music." The instrumentation of Lyric tells its story: piano, accoustic guitar, reeds, bass and drums say “jazz"; harp, flute, oboe, bassoon and a string quartet say “classical."The harmonic layering ...

124

Article: Album Review

The San Francisco ChamberJazz Quartet: SFCJQ

Read "SFCJQ" reviewed by Michael P. Gladstone


This is the second release by the San Francisco ChamberJazz Quartet, which is led by pianist and composer Gini Wilson (also called “The Duchess") and reedman Steve Heckman, who was heard to fine advantage on his own recent release, Live at Yoshi's. Most of the compositions were written by Gini Wilson and to her credit, the ...

165

Article: Album Review

Kerry Politzer Quartet: Labyrinth

Read "Labyrinth" reviewed by John Kelman


For her third outing as a leader, pianist/composer Kerry Politzer ups the ante by working with a couple of players who, while not exactly household names, have some cachet in the New York community. Chris Higgins, a lithe bassist with a tone not unlike Dave Holland's, may be as relatively unknown as Politzer, but saxophonist Andrew ...

145

Article: Album Review

Gene Bertoncini: Quiet Now

Read "Quiet Now" reviewed by Donald Elfman


This disc and the one that prececeded it (Body and Soul, also on Ambient) are the most stunning solo guitar records ever recorded. Not only are Bertoncini's little arrangements spare and gorgeous, the sound space that producer/engineer Mark Conese has created for his artist makes everything the guitarist plays come to you with quiet, personal clarity. ...

147

Article: Album Review

Michael Pagan Big Band: Pag's Groove

Read "Pag's Groove" reviewed by Dan McClenaghan


The saxophones come prowling out, darkly, on “Essential Trivia," the opening track on Pag's Groove. Then the bass and vibes lighten the feeling, and the Michael Pagán Big Band starts the show off swinging. Gorgeous tones prevail, vivid colors splashing all over the charts. Composer/arranger/bandleader Michael Pagán's arrangements use a palette that includes all the colors, ...


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