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Dan Willis: Velvet Gentlemen
by John Kelman
Even those who get the titular reference of woodwind multi-instrumentalist Dan Willis' Velvet Gentlemen will be challenged to find a clear link. Those with only a passing acquaintance with classical composer Erik Satie (1866-1925)--nicknamed The Velvet Gentleman because of his predilection for velvet jackets--will find little in Willis' sometimes complex, often electric and improvisation-oriented music to ...
Delfeayo Marsalis: Minions Dominion
by Budd Kopman
Delfeayo Marsalis Minions Dominion Troubador Jass 2006 What does the term mainstream" mean to you? In jazz, the label is applied to music which has time-tested, codified rhythm and structure. After that, it can get more mainstream if the melody and harmony are easily understood. This is not ...
Gato Libre: Nomad
by Dan McClenaghan
Trumpeter Natsuki Tamura's trip into European folk sounds is one of the stranger, off-on-a-tangent jazz journeys around. His new Gato Libre group, with one previous CD, Strange Village (Muzak, 2005), to its credit, is an accoustic quartet with his wife and musical collaborator Satoko Fujii (accordion), Kazuhiko Tsumura (guitar) and Norikatsu Koreyasu (bass). Nomad carries on ...
Torben Waldorff Quartet: Brilliance
by Dan McClenaghan
Don't expect Brillance to blow the roof off the house or light up any fireworks in the sky. This quartet outing--recorded live at the 55 Bar, NYC--stays for the most part in a subdued and reflective mode.Guitarist Torben Waldorff was born in Denmark and is now based in the Oresund Region of Malmö, Sweden. ...
Steve Herberman: Action:Reaction
by Dan McClenaghan
One extra string--from six to seven--does indeed make a difference on the guitar. It extends the bass range, and it lends an added richness to the harmonies. Like fellow guitarist Fred Fried, Steve Herberman plays a seven string instrument to craft a distinctive sound. Herberman's previous CD, Thought Lines (Reach Music, '02) mixed standards and originals. ...
Satoko Fujii Four: When We Were There
by Jerry D'Souza
Satoko Fujii, Natsuki Tamura, Mark Dresser and Jim Black took time off from their touring schedule in the fall of 2005 to record this CD. There were a couple of changes from their earlier efforts: this was the first time they had Tamura in the studio, and the pieces are shorter than what one has come ...
J.A. Granelli and Mr. Lucky: Homing
by John Kelman
Bassist J.A. Granelli's Mr. Lucky may be a totally revamped lineup from the group that released Gigantic (Love Slave, 2004), but its philosophy remains the same. Homing lives in a place somewhere between Ry Cooder's loose, pre-Buena Vista Social Club work and Bill Frisell's Good Dog, Happy Man, a collection of roots-oriented material that's about groove ...
Natsuki Tamura / Elliott Sharp / Hideki Kato / Satoko Fujii: In The Tank
by Ivana Ng
Live concerts strive for a transcendent quality that can never be translated into CD form. This is especially true for free improvisation, and In the Tank is archetypical of this fact. Natsuki Tamura (trumpet), Elliott Sharp (soprano sax and guitar), Takayuki Kato (guitar) and Satoko Fujii (piano) recorded this concert in 2001 in Japan. The uncomfortable ...
The Paul Carlon Octet: Other Tongues
by Elliott Simon
Taking exceptional advantage of the octet format, tenor saxophonist Paul Carlon's sophomore effort as a leader, Other Tongues, presents his wide-ranging compositional skills in the context of a lively, Latin-based showcase. Rhumba-tap dancer Max Pollak adds additional rhythmic spice; the exceptional vocal stylings of Ileana Santamaria lend a beauty to this otherwise fairly muscular presentation. Carlon ...
Andy Biskin: Trio Tragico
by Karla Cornejo Villavicencio
Andy Biskin spins a musical tragicomedy on Trio Tragico. With Dave Ballou (trumpet) and Drew Gress (bass), he presents a melancholic but discretely jovial blend of chamber music and exciting new rhythms. The clarinetist's live set at Cornelia Street Café in early October captured the electricity of the trio. The improvisational bits of ...


