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Matthew Shipp: On The Ascent
by Doug Collette
The simultaneous release of two markedly different efforts documents pianist/composer Matthew Shipp's arguably inevitable ascent into the upper echelons of contemporary jazz. The man's rise to prominence has been inexorable to be sure, but all the more laudable for the slow but steady nature of his journey. As such, the arc of Shipp's career not surprisingly ...
Phil Haynes: Electricity Incarnate!
by Doug Collette
In the annals of jazz both short-term and long, the influence of drummer-led initiatives is immeasurable. There is Art Blakey and his Jazz Messengers, of course, plus Tony Williams' Lifetime and, in addition, numerous single-minded efforts like these two coincidental releases of Phil Haynes. Each is a largely freewheeling exercise in revisitation gestated during COVID lockdowns: ...
John Yao and his 17 Piece Instrument: Points In Time
by Pierre Giroux
Trombonist and composer John Yao presents a heartfelt and personal retrospective with Points In Time. This ambitious album delves deeply into the emotional and professional journey he has undertaken over the past twenty years in New York City. Leading his precisely coordinated ensemble, aptly called His 17-Piece Instrument, comprised of talented musicians from various points along ...
Rico Jones's "Bloodlines": A Journey Through Heritage and Sound
by David Bixler
Tenor saxophonist Rico Jones's debut recording, Bloodlines, is a thoughtful exploration of his Latino and indigenous heritage. Recorded live at Ornithology in Brooklyn, the album features Jones alongside guitarist Max Light, a fellow Denver native, and veteran musicians Joe Martin on bass and Nasheet Waits on drums.In this episode of LINER NOTES, Jones reflects ...
Felipe Salles: Camera Obscura
by Katchie Cartwright
"I've been wanting to do a project like this for decades," Amherst-based Brazilian composer and multi-reedist Felipe Salles writes of Camera Obscura. The album combines jazz and classical quartets in a program of original music inspired by a phenomenon that has intrigued artists and thinkers worldwide since the Stone Age. A camera obscura is created when ...
Noah Haidu: Standards III
by Pierre Giroux
Noah Haidu's Standards III is a study in jazz fluency--an exploration of melody, form, and interplay that reanimates familiar repertoire with both reverence and daring. Following the strong creative thread laid in the first two installments of the standards theme (Standards, 2023 and Standards II, 2024; both on Sunnyside), Haidu again enlists legendary bassist Buster Williams ...
Julian Shore: Sub Rosa
by Jack Kenny
Sub Rosa demonstrates that Julian Shore now plays a key role in the evolution of the jazz piano trio. The jazz piano trio can be seen as the genre's answer to the classical string quartet. Both demand exceptional playing skills, intense listening, and a delicate balance among musicians. However, achieving this quality in a ...
The Large Ensembles of Ryan Truesdell and Claire Cope
by Jerome Wilson
These are two excellent recent large ensemble jazz recordings. One celebrates the work of a venerated master composer and arranger while the other showcases an outstanding newer writing talent. Ryan Truesdell Shades of Sound Outside in Music 2025 This is the third release from Ryan Truesdell's Gil ...
Ingrid Laubrock: Purposing The Air With Music And Voices
by Lawrence Peryer
Today, the Spotlight shines on saxophonist and composer Ingrid Laubrock. Ingrid's just released Purposing The Air (Pyroclastic Records, 2025), a double album that sets 60 brief poems by Erica Hunt to music through four different vocal-instrumental duos. It's an ambitious project that transforms Hunt's emotionally sharp koans into what Ingrid calls “a library of ...
Dave Liebman / Billy Hart / Adam Rudolph: Beingness
by Mike Jurkovic
There is something very other-worldly about Beingness. It runs on some taut meta-rhythms, courtesy of NEA Jazz Master, drummer Billy Hart, who hangs loose and fearless with award-winning, world music percussionist/composer Adam Rudolph. It sounds like free-falling. But not in a monochromatic death plunge. No, this is more a sure glide, like a leaf flirting across ...
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