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Art Blakey - Il tamburo e l'estasi
by Angelo Leonardi
Art Blakey--Il tamburo e l'estasi Vincenzo Martorella 190 pagine ISBN: # 978-8862319461 Arcana 2017 Euro 16,50 Torna in libreria un volume indispensabile per seguire il percorso artistico di Art Blakey grande protagonista del jazz moderno tanto nel ruolo di batterista che in quello di bandleader e talent scout. ...
Philadelphia Jazz: A Brief History
by Jack McCarthy
This article was first published at the Encyclopedia of Greater Philadelphia website. Jazz began to emerge as a distinct musical style around the turn of the twentieth century, a merging of two vernacular African American musical styles—ragtime and blues—with elements of popular music. New Orleans, the “cradle of jazz," was the most important city ...
Champian Fulton: Speechless
by Dan Bilawsky
Speechless is a date that may be best classified as a centrist statement, but it's far from the norm for Champian Fulton. While many have come to know and admire Fulton for her arresting vocals and piano work, both usually given in service to Great American Songbook classics, she's not conforming to those expectations here. For ...
John Swana: Bright Moments
by Victor L. Schermer
Simply put, this album is so listenable and stood out so noticeably among the many CDs I've been spinning for myself recently, that I thought All About Jazz readers ought to know about it. I first heard then trumpeter John Swana a decade or more ago when he jammed at pianist Tom Lawton's memorable long-term gig ...
Lee Morgan On Music Matters
by Greg Simmons
Somewhere up in the sky there's a pantheon of jazz legends. Lee Morgan rightfully has a seat in the top tier, and the jam must be extraordinary. Morgan hit the scene in 1956, an obvious prodigy who'd scored two triumphs at the tender age of eighteen: a standing gig in Dizzy Gillespie's big band ...
Organ Grinder Swing–Adrienne Fenemor, Little Charlie, Matthew Kaminski, Music Soup, King Louie & LaRhonda Steele
by C. Michael Bailey
There are certain things that evoke memory more than smells and sound. Unfiltered Lucky Strike cigarettes, just lit, make me think of my dad's office in the 1960s. Unfiltered Lucky Strike cigarettes, iced-cold Budweiser in the bottle, and organ jazz and blues, make me think of what dark, urban dives should smell, taste and sound like ...
Brandi Disterheft: Blue Canvas
by Dan Bilawsky
A canvas is often viewed as a neutral starting point, but it needn't be so. Even a so-called “blank" space can be suffused with certain color(s) before brushstrokes are ever applied, as Brandi Disterheft reminds us. Her fourth album is a trio date painted atop, around, over, and with the color blue. It's a work that ...
Oscar Pettiford & Jan Johansson: In Denmark 1959-1960
by Chris Mosey
Oscar Pettiford was born in Okmulgee, Oklahoma, in 1922, of a Choctaw Indian mother and a half Cherokee, half African American father. He became one of the most influential bass players in the history of jazz, building on the innovations of Jimmie Blanton to make the bass a genuine solo instrument. He jammed ...
Annie Ross: A Handful Of Songs
by Roger Farbey
This release on British label Él Records sells itself short since it's very much more than just A Handful Of Songs. It's actually more like a veritable cornucopia of songs. Covering two CDs, in addition to the title album there's A Gasser! and the original cast of the London Production of the revue Cranks, named after ...
Alyssa Allgood: Out Of The Blue
by Mark Sullivan
Chicago vocalist Alyssa Allgood devotes her first full length album to an unexpected source: the classic hard bop repertoire of Blue Note Records. The label is mainly known for instrumental jazz, and all of these selections were originally instrumental. This presents no problem for Allgood, who demonstrates equal facility scatting, singing wordless vocalise, and writing lyrics ...
