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Lee Morgan On Music Matters
by Greg Simmons
Somewhere up in the sky there's a pantheon of jazz legends. Lee Morgan rightfully has a seat in the top tier, and the jam must be extraordinary. Morgan hit the scene in 1956, an obvious prodigy who'd scored two triumphs at the tender age of eighteen: a standing gig in Dizzy Gillespie's big band ...
Organ Grinder Swing–Adrienne Fenemor, Little Charlie, Matthew Kaminski, Music Soup, King Louie & LaRhonda Steele
by C. Michael Bailey
There are certain things that evoke memory more than smells and sound. Unfiltered Lucky Strike cigarettes, just lit, make me think of my dad's office in the 1960s. Unfiltered Lucky Strike cigarettes, iced-cold Budweiser in the bottle, and organ jazz and blues, make me think of what dark, urban dives should smell, taste and sound like ...
Brandi Disterheft: Blue Canvas
by Dan Bilawsky
A canvas is often viewed as a neutral starting point, but it needn't be so. Even a so-called “blank" space can be suffused with certain color(s) before brushstrokes are ever applied, as Brandi Disterheft reminds us. Her fourth album is a trio date painted atop, around, over, and with the color blue. It's a work that ...
Oscar Pettiford & Jan Johansson: In Denmark 1959-1960
by Chris Mosey
Oscar Pettiford was born in Okmulgee, Oklahoma, in 1922, of a Choctaw Indian mother and a half Cherokee, half African American father. He became one of the most influential bass players in the history of jazz, building on the innovations of Jimmie Blanton to make the bass a genuine solo instrument. He jammed ...
Annie Ross: A Handful Of Songs
by Roger Farbey
This release on British label Él Records sells itself short since it's very much more than just A Handful Of Songs. It's actually more like a veritable cornucopia of songs. Covering two CDs, in addition to the title album there's A Gasser! and the original cast of the London Production of the revue Cranks, named after ...
Alyssa Allgood: Out Of The Blue
by Mark Sullivan
Chicago vocalist Alyssa Allgood devotes her first full length album to an unexpected source: the classic hard bop repertoire of Blue Note Records. The label is mainly known for instrumental jazz, and all of these selections were originally instrumental. This presents no problem for Allgood, who demonstrates equal facility scatting, singing wordless vocalise, and writing lyrics ...
Jazz Quanta Vocals: Carol Bach-y-Rita, Sara Serpa, Alyssa Allgood, Gina Sicilia, Ilse Huizinga
by C. Michael Bailey
Carol Bach-y-Rita minha casa / my house Self Produced 2016 Polyglot exotic Carol Bach-y-Rita released her conspicuous debut, What Love Is in 2009. Since then, she has kept busy performing, taking her sweet time in developing her new project, the self-produced Minha Casa / My House. Her selected ...
Whisper Not: The Autobiography Of Benny Golson
by Ian Patterson
Whisper Not Benny Golson and Jim Merod 335 Pages ISBN: 9781439913338 Temple University Press 2016 Philadelphia has always been a cradle for outstanding jazz talent, though when it comes to durability surely none can match Benny Golson, who began playing seventy years ago. At 87, Golson--an NEA Jazz ...
Three Days At The Barber Shop, Part 3
by David A. Orthmann
Rehearsal | Part 1 | Part 2 | Part 3 When I walk into the live room, a little early, on Day 3, Gillespie has already swapped out the piano for a Hammond B-3 organ and Leslie speaker. Three boom mics are positioned in the area closest to the window to the control room. ...
Heine Hansen Trio: Signature
by Chris Mosey
Heine Hansen is a moderately talented Danish jazz pianist who, to fit the age, is being billed as eco-friendly. The liner notes, for this, his first album, are titled “The Green Groove" and kick off with a quote from Van Morrison: “Rave on, Walt Whitman, nose down in wet grass." Next minute we ...
