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Billy Eckstine

By the time he reached his peak popularity in 1950, he rivaled Frank Sinatra as the country's most popular vocalist. In fact he was dubbed "the sepia Sinatra," although he was known most often as "Mr. B." Billy Eckstine was a smooth singer also noted as a premier jazz bandleader in the 1940s, gathering many of the performers in the innovative bebop style into a unique large band. Born William Clarence Eckstein in Pittsburgh, Pennsylvania, in 1914, Eckstine had the spelling of his name changed early in his career by a club owner. The family moved to Washington, D.C. Eckstine's parents stressed education, and he graduated from Washington's Armstrong High School

ARTICLE: PROFILE

Freddy Cole Leaves The Stage

Read "Freddy Cole Leaves The Stage" reviewed by Martin McFie

Freddy Cole died 27th June, 2020 after a career of almost seventy years singing and playing piano. He was 88 years old. Born Lionel Frederick Cole in jny:Chicago, October 15, 1931, Freddy Cole was younger brother to Eddie, Ike and Nat “King" Cole. Mr. Freddy was a late night cabaret singer, with impeccable phrasing and timing. ...

ARTICLE: REASSESSING

A Garland of Red

Read "A Garland of Red" reviewed by C. Michael Bailey

Like pianist Wynton Kelly and Kelly's debut recording New Faces -New Sounds (Blue Note, 1951), William McKinley Red Garland performed for years as a sideman before releasing his first recording as a leader, A Garland of Red. Originally from jny: Dallas, Texas, Garland migrated to jny: New York City after a stint with Hot Lips Page ...

ARTICLE: ALBUM REVIEW

Pharoah Sanders: Live In Paris (1975)

Read "Live In Paris (1975)" reviewed by Chris May

Pharoah Sanders' catalogue of newly-discovered album releases is expanding as fast as those of his fellow travellers Alice Coltrane and John Coltrane. Which is great, but... most of the albums were recorded live, sometimes with poor audio capture, and do not always find the musicians at their best. You have to pick and choose between them. ...

ARTICLE: ALBUM REVIEW

John Coltrane Quartet: Impressions: Graz 1962

Read "Impressions: Graz 1962" reviewed by Mark Corroto

This live concert is a welcome excuse to go to your happy place. Sixty years after John Coltrane's quartet toured Europe, this radio broadcast with its excellent audio fidelity opens like a capsule. Both a time capsule and a seed capsule, one that continues to pollinate today's music. The year was 1962 and Coltrane ...

ARTICLE: INTERVIEW

Pat Bianchi: B3 Master

Read "Pat Bianchi: B3 Master" reviewed by R.J. DeLuke

It may be that young Pat Bianchi had little choice but to follow a career in music. After all, his father and both his grandfathers played professionally in his hometown of Rochester, NY, an area that also produced the likes of the Mangione brothers (Chuck and Gap), pianist Frank Strazzeri, saxophonist Gerry Niewood and drum legend ...

ARTICLE: ALBUM REVIEW

Houston Person: I'm Just a Lucky So and So

Read "I'm Just a Lucky So and So" reviewed by Jack Bowers

Perhaps tenor saxophonist Houston Person is indeed A Lucky So and So, as he professes on his newly recorded album of that name, but it has taken far more than luck to sustain a long and successful career that spans more than half a century and numbers more than sixty albums as leader of his own ...

ARTICLE: LIVE REVIEW

Marcus Roberts And The Modern Jazz Generation At The Kimmel Center

Read "Marcus Roberts And The Modern Jazz Generation At The Kimmel Center" reviewed by Victor L. Schermer

Marcus Roberts and the Modern Jazz Generation Kimmel Center for the Performing Arts Perelman Theater Philadelphia, PA October 11, 2019 Marcus Roberts is one of the great jazz pianists of his generation, coming up in the 1980s in Wynton Marsalis' band and since then more ...

ARTICLE: ALBUM REVIEW

George Garzone/Peter Erskine/Alan Pasqua/Darek Oles: 3 Nights in L.A.

Read "3 Nights in L.A." reviewed by Jim Worsley

Any jazz cat will tell you that the art of improvising is the primary contributing factor in what sets jazz apart from other genres. It is the artists' ability to continuously and freely explore a composition. As they expand the notes and the feel, they expand and open our minds along with them. One ...

ARTICLE: MULTIPLE REVIEWS

La nicchia del canto jazz maschile

Read "La nicchia del canto jazz maschile" reviewed by Angelo Leonardi

A eccezione di pochi nomi--in particolare Kurt Elling, Gregory Porter, Bobby McFerrin e il veterano Tony Bennett--il canto jazz maschile è nettamente sottoesposto rispetto a quello femminile. Esempi eclatanti di questo sono stati Jon Hendricks e Mark Murphy, scomparsi di recente senza aver avuto la considerazione che meritavano. Allan Harris e Fred Farell ...


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