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Jazz Stories: 2016
by Michael Ricci
All About Jazz--a longstanding internet destination for all things jazz--is a community bound by its love of the music. Since March, we've solicited jazz stories from our members asking them to answer any of a handful of questions and we wanted to recognize some of our submissions from 2016. New stories arrive daily and ...
Jazz Education: The Next Generation, Part 1
by Karl Ackermann
A Protracted Beginning Ken Prouty, an assistant professor of Musicology and Jazz Studies at Michigan State University and author of Knowing Jazz: Community, Pedagogy, and Canon in the Information Age (University Press of Mississippi, 2013) has written at length about the early history of jazz education in the US. In his writings, he ...
Lorenzo Gasperoni
by Vincenzo Roggero
01. James Brown with Oliver Nelson Conducting Louie Bellson Orchestra--Soul on Top -(King Records-1970). James Brown si mette in gioco ancora una volta. Soul on Top è un lavoro incredibile dove Mr. Brown cambia gli abiti per diventare il crooner di una jazz big band composta da musicisti straordinari. Pathos, energia e raffinatezza, un disco ...
Meet Roberta DeNicola
by Tessa Souter and Andrea Wolper
Roberta DeNicola, a favorite of musicians on New York City's downtown and experimental jazz scenes, has very broad taste in jazz--from straight-ahead to out--but the more out it is, the more she needs to experience it live. She saw her first jazz concert (jazz flutist Hubert Laws) on a date with her teenage boyfriend. However, it ...
Catherine Russell: Harlem on My Mind
by Angelo Leonardi
Dotata di brillanti doti vocali, ottimo gusto interpretativo e naturale esuberanza, Catherine Russell è giunta al successo tardivamente, dopo aver trascorso decenni a cantare come corista per rockstar di rilievo (David Bowie, Paul Simon, Cindy Lauper, Steely Dan). Dopo i cinquant'anni ha però bruciato le tappe e questo è il suo sesto disco da leader, dedicato ...
Nikolett Pankovits: Magia
by Mark Sullivan
Vocalist Nikolett Pankovits was born in Hungary, but she found her musical direction in New York City melding Hungarian songs with Latin American rhythms. She has a lovely warm voice, with almost no vibrato. Magia (the Spanish and Hungarian word for magic) is an eclectic mix of traditional Hungarian songs, torch songs, one Great American Songbook ...
The Big Shake-Up: The Big Shake-Up
by Roger Farbey
On first hearing Rusell Bennett's opener, the boisterously funky “Don't Block The Box," it's seems tempting to compare this tight brass heavy British octet with the considerably larger Loose Tubes ensemble. But the comparison is inaccurate for several reasons. The compositions (three are by Bennett) are relatively straightforward and certainly make less demands on an audience ...
European Jazz Conference 2016
by Ian Patterson
European Jazz Conference 2016 National Forum of Music Wroclaw, Poland September 22-25, 2016 We have two ears and only one mouth so perhaps we should listen more than we speak. This old maxim is often credited to Hellenistic philosopher Zeno of Citrium, though who's to say he didn't ...
Branford Marsalis Quartet with Special Guest Kurt Elling: Upward Spiral
by Stefano Merighi
Sembra che Branford Marsalis continui ad avere John Coltrane come stella polare nell'orientarsi in una luminosa maturità artistica. E come il maestro che, nel bel mezzo di un turbinoso oltrepassamento del linguaggio specifico del jazz, piazzava due disorientanti album di canzoni (i peraltro magnifici John Coltrane & Johnny Hartman e Ballads), così Branford interrompe l'intensa progressione ...
"Their technologies don't and won't last. Our art - if we do it right - will." - T Bone Burnett's AmericanaFest Keynote
Bashing Spotify and YouTube is easy. But T Bone Burnett did much more than that during his keynote address given at AmericanaFest, the Americana Music Festival & Conference last week in Nashville. He issued a call to arms, while reminding his fellow creators that “art is a holy pursuit." T Bone Burnett's keynote address given at AmericanaFest, ...
