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Bill Crow
Born:
Hailing from the Pacific Northwest, Crow is best known as a bassist but has been a trumpeter, saxophonist, trombonist, and drummer. He is also one of the few musicians who has bothered trying to write about his craft, beginning with a series of reviews he contributed to Jazz Review in the late '50s and eventually including two full-length books. He was also in charge of the lighting for an off-Broadway show in 1958. Crow's first instrument was the piano, at the age of four. He started playing the trumpet in fourth grade and continued through baritone horn and valve trombone in various school and military bands
Rich Peare: Blues For Peter
by Jack Kenny
There is a special kind of pleasure in sitting in a jazz club, listening to talented musicians use their skills to explore some of the finest melodies of the last sixty years. In their debut album, Blues for Peter, Rich Peare (classical guitar) and Don Messina (double bass) offer just that experience. The album features eight ...
Spring in Stockholm
Label: New Land Records
Released: 2024
Track listing: As Catch as Catch Can;
I Can't Get Started With You;
Just in Time
Spring Is Sprung;
Blueport;
Utter Chaos.
Carmen McRae
by Carol Sloane
It was in the early 1960's. I had by that time lived in New York's Greenwich Village for a couple of years, and went to hear Carmen McRae when she made an appearance at one of the holy shrines of jazz located in my neighborhood, a club with a relaxed, friendly atmosphere and great Italian food. ...
The Gerry Mulligan 1950s Quartets
by Ian Patterson
The Gerry Mulligan 1950s Quartets Alyn Shipton240 Pages ISBN: 978-0197579763 Oxford University Press 2023 Several are the biographies of Gerry Mulligan, arguably jazz's most celebrated baritone saxophonist. None, however, have focused as specifically and as closely as this tome does on the quartets with which Mulligan made his name ...
New Releases Plus A Celebration Of Octogenarian Women Of Jazz
by Mary Foster Conklin
This broadcast includes new releases from vocalists Susan Krebs, Tracey Yarad, Hailey Brinnel and Lizzie Thomas, with singles from drummer Cecilia Sanchietti and harpist Brandee Younger, plus birthday shoutouts to Jessica Williams, Nat King Cole, Berta Moreno, Queen of the Organ Shirley Scott, Michele Rosewoman and Mark Murphy, among others. Also a preview of a special ...
Interview: Bill Crow, Part 4
Most non-musicians think all jazz bass players are fundamentally alike. They believe they aren't there for us but simply to keep time for the band, the way a transmission is for a car. As one person who isn't a bass fan told me some years ago, “There's a reason they stand in the back, behind the ...
Interview: Bill Crow, Part 3
In the ealry 1950s, Bill became exquisite on the bass while playing and recording with some of the era's finest collaborative jazz musicians. Yesterday, Bill and I covered his year with Stan Getz. Today, Bill talks about working with a growing number of leading artists in tjhe 1950s, including Al Haig, Jimmy Raney, Marian McPartland, Jackie ...
Interview: Bill Crow, Part 2
Bill Crow came to the bass accidentally in 1950. But he was ready for the challenge. Within two years, he was recording with Claude Thornhill and then Stan Getz. But Bill was no ordinary bassist. Listening to the Stan Getz recordings today. he's the second loudest instrument after Getz, his right hand driving the band with ...
Documentary: Bill Crow, Jazz Journeyman
What do the following five recordings have in common? Stan Getz Plays (1951), the tenor saxophonist's first for Norman Granz's Clef label, which would soon become Verve. Here's Stella by Starlight... Al Haig's Isn't It Romantic from Jazz Will O' the Wisp (1954), one of the pianist's most beautiful trio albums. Go here... Jackie & Roy's ...
