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2016: The Year in Jazz
by Ken Franckling
The year 2016 bubbled with events and initiatives to strengthen jazz's place in American and world culture, as well as a variety of venue openings, closings and cancellations. Jazz hit the silver screen in many ways throughout the year, and International Jazz Day continued to thrive--complete with a major all-star concert at the White House. Pop ...
Jazz Education: The Next Generation, Part 1
by Karl Ackermann
A Protracted Beginning Ken Prouty, an assistant professor of Musicology and Jazz Studies at Michigan State University and author of Knowing Jazz: Community, Pedagogy, and Canon in the Information Age (University Press of Mississippi, 2013) has written at length about the early history of jazz education in the US. In his writings, he ...
Paul Winter Sextet: Count Me In
by Duncan Heining
The Paul Winter Sextet might just be one of the best early sixties groups you never heard. Their story, and that of their leader and altoist Paul Winter's, is certainly one of the most remarkable in jazz. Had some director made a film of the Sextet's short life, jazz buffs would have scoffed at the conceit. ...
Tim Davies Big Band: The Expensive Train Set
by Jack Bowers
Tim Davies, who led a big band in his native Australia before relocating to Los Angeles in 2000, reprises that experience on parts of The Expensive Train Set, returning home to supervise his Melbourne ensemble on four selections, presiding over his Los Angeles-based band on four others, and somehow managing to blend the two groups together ...
Weekend Extra: Eddie Duran
In 1980 when Benny Goodman appeared at the Aurex Jazz Festival in Tokyo, he called on Eddie Duran to solo on Duke Ellington’s “Prelude to a Kiss.” The video allows us an opportunity—far too rare—to see and hear the elegance of a guitarist whose vast experience includes playing with Charlie Parker, Cal Tjader, Stan Getz, Vince ...
Michael Gamble: And the Rhythm Serenaders
by Jack Bowers
Nothing deep or inscrutable here, simply good, clean, appetizing swing served with gusto by bassist Michael Gamble and the Rhythm Serenaders. While the size and makeup of the group varies from track to track, there's no doubt that everyone on the premises is in the proper frame of mind and fully attuned to Gamble's purpose, which ...
Michael Gamble and The Rhythm Serenaders: Michael Gamble and The Rhythm Serenaders
by Mark Sullivan
Swing Era music was exciting, infectiously rhythmic music, played for dancers. Bassist and bandleader Michael Gamble and the company of musicians making up The Rhythm Serenaders stay true to both the sound and the spirit of that time in this program of well known Swing standards, plus a few more obscure standards that might have been. ...
Three New Releases from Peter Kuhn
by Dave Wayne
Clarinetist Peter Kuhn came up in the 1970s. In those days, one could count the number of modern jazz clarinet specialists on one hand: John Carter, Perry Robinson, Theo Jorgensmann, Alvin Batiste andif you include the bass clarinetMichel Pilz. So, one hand and a finger. Still associated with Benny Goodman, Dixieland and Swing, the clarinet was ...
Meet Sal Capozucca
by Tessa Souter and Andrea Wolper
In memory of our good friend and our first Super Fan recipient, Sal Capozucca, who passed away at age 97 on August 4, 2020. This article was first published in June 2016. He came, he saw, he took a picture! Our first Super Fan, 94-year-old Sal Capozucca, has been going out to hear live ...
Little Charlie and Organ Grinder Swing: Skronky Tonk
by James Nadal
The organist/guitarist combination was popularized by the legendary Jimmy Smith in 1957. Grant Green and Larry Young took it a step further in 1964, but Smith and Wes Montgomery on their 1966 Dynamic Duo," album, arguably defined the format. Smith also catapulted the jazz organ trio into another dimension, and set the standard for that ensemble ...





