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Results for "BENNIE MAUPIN"
Pat Metheny, Roland Hanna, Charlie Porter and more!
by Joe Dimino
We celebrate the early life of a Kansas City legend in guitarist Pat Metheny by way of the new book by author Carolyn Glenn Brewer called Beneath Missouri Skies. The 723rd Episode begins with a song off Side-Eye NYC. Then, we hear Pat's older brother Mike Metheny. From there, we celebrate new releases from Greg Germann, ...
Arbenz, Hart, Känzig: Conversation #2: Oracle / Conversation #3: Neologism
by Kyle Simpler
While much of the world was in lockdown and many musicians didn't have a chance to play live, Swiss drummer Florian Arbenz found a way to keep his creative juices flowing. He envisioned a series of twelve albums, each featuring musical conversations between a different group of musicians. Conversation #1: Condensed (Hammer 2021) featured guitar, trumpet, ...
Lee Morgan: The Complete Live at the Lighthouse
by Mike Jurkovic
Suffice to say that if Blue Note's original Live at The Lighthouse (1970) lit a fire under you and all the subsequent expanded iterations did nothing to douse said flames, this definitive final word on a very good thing is going to grab your attention fast and hold it hard. Fourteen previously unreleased whirlwind ...
Homage and Acknowledgment: A Conversation with Wallace Roney
by Stanley Péan
From the 1995-2003 archive: This article first appeared at All About Jazz in September 2001. The following conversation took place in Wallace Roney's room at Wyndham Hotel in downtown Montreal on Sunday, July 8th 2001, the day after he performed Miles and Miles: A Musical Journey, his tribute commemorating both the seventy-fifth anniversary of ...
Charles Lloyd, Coleman Hawkins and Brandi Disterheft
by Joe Dimino
From a brilliant crop of young bassists on the New York City scene, we begin the 703rd Episode of Neon Jazz with “My Foolish Heart" from Brandi Disterheft's Surfboard. We also hear from her mentor Ron Carter and a crop of the old guard and young lions. The great Charles Lloyd, Coleman Hawkins and Bennie Maupin ...
Marion Brown: Why Not? Porto Novo! Revisited
by Chris May
Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name ...
Arbenz, Mehari, Veras: Conversation #1: Condensed
by Kyle Simpler
One of the most appealing aspects in jazz is the interplay among musicians in a group. There is usually a continuous musical conversation occurring during any given session, which adds an element of spontaneity. Swiss drummer Florian Arbenz is concentrating on this concept of conversation in his upcoming releases, beginning with Conversation #1: Condensed.
Five New Ones from 577 Records and More!
by Bob Osborne
On this week's show we'll feature five brand new albums from 577 Records, and one each from Greenleaf, Tao Forms, International Anthem and ECM. We also dip in the archive for some classic tracks.Playlist Jakob Bro, Arve Henriksen, Jorge Rossy “Reconstructing A Dream" from Uma Elmo (ECM) 00:00 Michael Sarian & Matthew Putman “Caught ...
Bennie Maupin: Eric Dolphy: Out To Lunch!
by William Ellis
"My One LP--yes, it's the Eric Dolphy album he did on Blue Note called Out to Lunch! The album has Freddie Hubbard, Bobby Hutcherson, Richard Davis and Tony Williams, and it is such a phenomenal shift from anything that had been done on Blue Note Records. The compositions and the playing and the quality from Blue ...
A Different Drummer, Part 1: Mark Lomax II and Mauricio Takara
by Karl Ackermann
The drum is an instrument of power and presence. It is the heartbeat of music but with uncertain origins. In Africa, China, and Turkey, archeologists have found evidence to suggest that any of those regions may have been the forebearers of the beat, of the definitive expression of freedom. Data concludes that instrumental music is at ...
