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Pianist Joe Block: At the Start of His Big Bang
by Victor L. Schermer
According to cosmologists, our universe started as a tiny speck and within a fraction of a second exploded into a huge ever-expanding space with all the galaxies, stars, and planets condensing out of the dispersed matter within it. This picture of the origins of the cosmos provides an apt metaphor for the way in which some ...
Coleman Hawkins: Fifty Years Gone, A Saxophone Across Time
by Arthur R George
Fifty years ago this past year, Coleman Hawkins, considered the father of tenor saxophone in jazz, passed away. Thelonious Monk was pacing back and forth in the hallway outside Hawkins' hospital room when the saxophonist succumbed at age 64 on the morning of May 19, 1969, from pneumonia and other complications. Monk was holding a short ...
Kansas City and the Territory Bands (1927 - 1940)
by Russell Perry
Outside of the Chicago—New York nexus, jazz thrived during the late 1920's and 1930's in Missouri, Oklahoma and Texas, with its center in Kansas City. Under the careful control of Boss Pendergast, Kansas City was a wide open town with a thriving night club music scene, nurturing musicians like Joe Turner, Mary Lou Williams, Count Basie, ...
Eric Ineke: Surveying the European Jazz Scene
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the fourth of the All About Jazz series on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, and entrepreneurs who give ...
Eric Ineke: Let There Be Life, Love and Laughter
by Victor L. Schermer
Eric Ineke is a long time drummer, residing in the Netherlands, who is one of a coterie of sidemen favored by American expatriate jazz musicians for their European gigs. This fine compilation of his work with nine of the great tenor saxophonists gives the listener a golden opportunity to listen to some of their best workouts ...
Cannonball Adderley: Somethin' Else – 1958
by Marc Davis
Is there anything new to say about a jazz classic that features one of the greatest two-horn tandems ever to lay down a blue note? How about this: You must own this record. Period. I suspect that everyone with even a passing interest in jazz owns Miles Davis' Kind of Blue, the best-selling jazz ...
Ivo Perelman/Whit Dickey: Tenorhood
by Mark Corroto
For this meditation session, we ask you not to think about the legends of the tenor saxophone. Just listen to the interplay between Ivo Perelman and drummer Whit Dickey. Press play, and ignore the track titles dedicated to Hank Mobley, Ben Webster, John Coltrane, Albert Ayler, and Sonny Rollins. Why? Because, the saxophonist did just that ...
Vinterjazz Copenhagen: Carsten Dahl Trio w/ Reuben Rogers and Greg Hutchinson at Jazzhus Montmartre
by Henning Bolte
Carsten Dahl Trio w/ Reuben Rogers Vinterjazz 2014 Jazzhus Montmartre Copenhagen, Denmark February 20-21, 2014 Vinterjazz Vinterjazz has the same setup as the Jazzfestival Copenhagen in the summer. It is spread over the whole city but on a smaller scale. During the ten days in February ...
Frank Wess: Magic 201
by Dan McClenaghan
Saxophonist Frank Wess was born in 1922. He played in Billy Ecstine's orchestra, after World War II interrupted his burgeoning career, and he played in Count Basie's band from 1953 to 1964. With those early experiences on his resume, the fact that he was a traditionalist in the mode of saxophonists Ben Webster, of Duke Ellington ...
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