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Peter Brotzmann: Lost & Found
by Nic Jones
It's important to point out that this is Peter Brötzmann entirely solo on various reeds because, with this particular advocate of the free, the solo context has always amounted to something entirely different to his group work. As an unaccompanied soloist, he has always been an antithesis of Evan Parker's seamless flow on soprano sax in ...
Svend Asmussen: Rhythm Is Our Business
by Chris Mosey
Once, as they were jamming, Duke Ellington's drummer Sam Woodyard called out to Danish violinist Svend Asmussen, “Man, you play your ass off," to which The Fiddling Viking replied, with that charmingly naïvely innocent wit so typical of his homeland, “From now on then my name is only Mussen." There is just one ...
Harry Allen-Joe Cohen Quartet with Rebecca Kilgore and Eddie Erickson: The Harry Allen-Joe Cohn Quartet Plays Music From South Pacific
by Andrew Velez
The days when recordings were routinely issued covering a current Broadway hit musical are long past. Fortunately no one told that to Arbors Records. With Rodgers & Hammerstein's South Pacific enjoying a smash revival, here comes the Harry Allen/Joe Cohn Quartet and vocalists Rebecca Kilgore and Eddie Erickson with innovative, knockout performances of one of the ...
The Story Of Jazz Saxophone
by AAJ Staff
For some, the saxophone is the sound of jazz. The unique fusion of brass and woodwind that is the sax found an electrifying vibrato in the hands of jazzmen that truly changed the world. The pale “pure" tone of the instrument, as first used in classical compositions, vanished in a musical blast of slurs ( Coleman ...
Roger Rosenberg: Baritonality
by Raul d'Gama Rose
Even in the day when the sound of baritone voices like Ernie Cacares, Harry Carney, Charlie Fowlkes and Joe Temperley streaked across the sonic stratosphere, solos were graceful, granular and short. It was only when Cecil Payne, Gerry Mulligan,, Pepper Adams and a handful of other players up until Hamiet Bluiett,, John Surman and Howard Johnson ...
Three Pairs of Aces - Wild!
by Chris M. Slawecki
Corina Bartra & Her Azu Project Afro Peruvian Jazz Celebration Blue Spiral Music 2009 Corina Bartra does more than compose and sing in a style that merges music from North and South America--she lives this style by splitting her days between her native Peru and adopted hometown of New York ...
Join #jazzlives and Show 'em!
by Fradley Garner
WITH THE JAZZ PUBLIC “SHRINKING," a new group of activists formed a “#jazzlives" campaign on Twitter to buck the trend. Surveys by the National Endowment for the Arts picture jazz being viewed by ever more Americans as a high-culture art form, like classical music. Fewer are hearing it live than at any time since the late ...
Jed Levy: One Night At The Kitano
by George Kanzler
Some live jazz albums transport the listener. If you shut your eyes, you can picture the dim lights of the candles on the tables, the clinking sound of ice cubes falling into glass tumblers... you might even find yourself looking around for someone to take your drink order. One Night at The Kitano makes you feel ...
Frank Wess: Once is Not Enough
by Chris M. Slawecki
Dominated by the sound of swinging, good-time blues, Once Is Not Enough indisputably plants NEA Jazz Master Wess in the tradition of Count Basie, in whose Count Basie Orchestra Wess played flute, alto, and tenor saxophones for more than a decade. This set jumps from the very start: Wess' tenor on his opening, title ...
Brett Favre Isn't The Only Comeback Kid
by Jack Bowers
The ink was barely dry on last month's report that trumpeter Rob Parton had decided to break up his superlative Chicago-based JazzTech Big Band after more than twenty years at the helm before Parton was back with a brand new ensemble, one whose purpose, he says, “is to mirror that of the European Radio Orchestras where ...
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