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John Brown: Quiet Time
by Angelo Leonardi
"Le donne odiavano il jazz, non si capisce il motivo" cantava Paolo Conte in un celebre tema, ricordando l'Italia degli anni cinquanta. Oggi il quadro è mutato ma se avete qualche amica o amico (non esiste una specificità femminile in questo) che giudica il jazz “poco melodico" regalategli Quiet Time e cambierà idea. ...
Ben Sidran: The First Existential Jazz Rapper
by Joan Gannij
Ben Sidran is an old school hipster in the authentic sense of the word. He's a no frills, musician's musician who's got the heart, got the chops. He's been there, done that, and ready to do more. Sidran has never been interested in following trends or squeezing into categories and is not about to start now. ...
David Friesen e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. David Friesen Melodie cantabili e progressioni armoniche inconsuete. AAJ La qualità che desidero nei musicisti che suonano con me. D.F. La capacità di ascoltare. AAJ Come musicista, il momento in cui sono stato più felice. ...
Oscar Peterson, Ben Webster: During This Time
by Maurizio Zerbo
Se qualcuno vi chiede cosa è il jazz, fategli ascoltare questo magnifico set del 1972. Sensuale, vellutato ed intriso di blues, è una magistrale lezione di classe, talento, verve, souplesse esecutiva. Sottraendosi alle prevedibili gabbie della jam session, i due leader offrono controllati spunti solistici volti a condensare in goduriose chases l'essenza del jazz. Grazie all'implacabile ...
Michael Blake: Tiddy Boom
by Maurizio Comandini
Michael Blake cita espressamente tre sassofonisti nelle rarefatte note di copertina di questo album: Coleman Hawkins, Lester Young e Ross Taggart. I primi due sono la fonte di ispirazione di questo eccellente Tiddy Boom, mentre Taggart viene menzionato soprattutto per ricordarne la figura, di recente scomparsa. Ma non sarebbe sbagliato tirare fuori dall'armadio anche ...
Danish Radio Big Band: A Good Time Was Had By All
by Chris Mosey
To paraphrase Shakespeare, there is something rockin' in the state of Denmark. It's the Danish Radio Big Band, best of its kind in Europe, indeed--depending on who is conducting and the mood of the players--on occasion best in the world. Against all the odds in these cash-strapped times, the DRBB, as it is universally known, is ...
Bimhuis at 40: Older, Better, Business as Usual
by Joan Gannij
The Bimhuis is turning 40 and is still very much in its prime. Beginning October 1, Amsterdam's venerable jazz club will celebrate this milestone with a variety of concerts, activities and special events. The Bimhuis opened in 1974 after a lengthy search for a suitable venue for improvising musicians. Over the next decades it would become ...
Steve Heckman Quintet: Search for Peace
by Dan McClenaghan
Saxophonist Steve Heckman has been dishing up rock solid mainstream jazz in the quartet and quintet settings since 2003's For John (World City Music), a tribute disc to the legendary saxophonist John Coltrane. That debut and his two subsequent offerings, Live at Yoshi's (World City Music, 2005) and Born to Be Blue (Jazzed Media, 2013), held ...
Ben Webster: London, 1964
In December 1964, tenor saxophonist Ben Webster was at London's Marquee Club to film the BBC's Jazz 625. Webster was joined by Stan Tracey (p), Rick Laird (b) and Jackie Dougan (d). Saxophonist and London club owner Ronnie Scott appears on A Night In Tunisia. Here's the clip. A special thanks to Jimi Mentis in Athens... ...
Jens Jefsen: Jam Me Up
by Eyal Hareuveni
Veteran Danish double bassist and educator Jens Jefsen, who performed with legendary jazz musicians as Ben Webster, Dizzy Gillespie, Dexter Gordon, and Johnny Griffin, gives a new meaning to the term “jam up." For Jensen, it does not mean malfunction or inefficiency but an opportunity to rethink his playing when guest musicians are put to the ...
