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124

Article: Album Review

Barry Guy/Marilyn Crispell/Paul Lytton: Ithaca

Read "Ithaca" reviewed by Andrey Henkin


In 1968, three Europeans--pianist Irene Schweizer, bassist Peter Kowald and drummer Pierre Favre--privately released Santana , on the surface a traditional piano trio, but in fact a violent refutation of jazz' most dependable format. Laden with a brutality that may have made Cecil Taylor blanche, Santana was another example of European free improvisation cutting the cord ...

Album

Symmetries

Label: Maya Recordings
Released: 2002

Album

Improvisations Are Forever Now (1977-9)

Label: Maya Recordings
Released: 2002

157

Article: Album Review

Barry Guy: Symmetries

Read "Symmetries" reviewed by Mark Corroto


Bassist Barry Guy has stepped away from his London Jazz Composers Orchestra to perform in small group settings and perform solo. His associations with the old and the new of the avant-garde have him collaborating with among many, Evan Parker and Mats Gustafsson. His solo recordings for bass, date back to 1976 with Statements V-XI For ...

Album

Odyssey

Label: Double-Time Records
Released: 2001

Album

Synopsis

Label: Emanem
Released: 2001
Track listing: 1) Mandrel 2) Sirens 3) Quantum 4) Ingot 5) Runes

Album

Dividuality

Label: Maya
Released: 2001
Track listing: Frondescence; Dividuality; Aulos; Shifting; Scion; Zool; Spinney; Transmute; Calyx

Album

Frogging

Label: Maya
Released: 2001
Track listing: Bufo Punctatus; Hyla Pickeringii; Scaphiopus Couchii; Lythodytes Ricordii; Discoglossidae; Hyla Versicolor; Rana Clamitans; Hyla Gratoisa; Chorophilus Ocularis.

190

Article: Album Review

Evan Parker/Barry Guy/Lawrence Casserley: Dividuality

Read "Dividuality" reviewed by Mark Corroto


The United Kingdom musicians Evan Parker and Barry Guy have met and collaborated on many a project over the years. From the early days (1960s & 1970s) with the Spontaneous Music Ensemble and London Jazz Composers Orchestra to a myriad of present day projects, they have defined and refined European creative music. In the late 1990s ...

211

Article: Album Review

Mats Gustafsson/Barry Guy: Frogging

Read "Frogging" reviewed by Mark Corroto


Spontaneous creative music, i.e. ‘free jazz,’ usually tends toward high-energy output and daredevil antics. The appeal is like that of theater, generated in the immediacy of the moment and sometimes the physicality of the creation. The charms of spontaneous music are often lost in the conversion from ‘live’ event to recorded disc. Nothing though seems lost ...


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