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Results for "Barry Altschul"
Michel Edelin Trio: Kuntu
by John Sharpe
Perennially unfashionable and plagued by perceptions of insufficient heft and timbral variation, it's not surprising that flute-based trios are rarer than an apologetic banker. Not that this troubles the Paris-based RogueArt label, as straight after the Indigo Trio's Anaya (2009) comes another, this time under the direction of flautist Michel Edelin. Past associations for the Frenchman ...
Anthony Braxton: The Complete Arista Recordings
by Clifford Allen
Anthony BraxtonThe Complete Arista RecordingsMosaic2008 Few artists in the realm of improvised music can claim as important or varied a series of recordings as reedman-composer Anthony Braxton did during his contract to Arista Records in the 1970s. With the financial backing provided by what was then an upstart ...
Ullman/Swell 4 Tet with Barry Altschul in Ann Arbor, 5-2; Live from Blue Lake, 5-4 @ 8PM
Friday, May 2nd in Ann Arbor the Kerrytown Concert House “Jazz @ the Edge Series" presents the GEBHARD ULLMAN/STEVE SWELL 4TET featuring drummer Barry Altschul, an international ensemble with bassist Hillaird Greene. Then, Sunday, May 4th at 8 p.m. eastern time the Gebhard Ullman/Steve Swell 4 tet with Barry Altschul appears live on Blue Lake Public ...
Drummer Barry Altschul Interviewed at AAJ
Born in the Bronx on January 6, 1943, drummer Barry Altschul was quickly ensconced in the hard bop scene of the late 1950s, but it was a gig with pianist Paul Bley's trio that put him among the ranks in New York's burgeoning free-jazz scene of the next decade, one which resulted in tours of Europe ...
Barry Altschul: Another Time, Another Place
by Clifford Allen
Born in the Bronx on January 6, 1943, drummer Barry Altschul was quickly ensconced in the hard bop scene of the late 1950s, but it was a gig with pianist Paul Bley's trio that put him among the ranks in New York's burgeoning free-jazz scene of the next decade, one which resulted in tours of Europe ...
Dave Holland: A Weekend of Bass
by Dave Roberts
There may be no instrument that is more vital yet less heralded in a jazz group than the bass. The bass provides much of the rhythmic and harmonic foundation as well as outlining the form. If the bassist is solid, locking in with the drums and piano, everyone else in the group can relax. And often, ...
