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Something Grand
By Shrimp Boat
Label: AUM Fidelity
Released: 2005
Track listing: Rocks Are Oil; Born In A Sour; Bumble Bees; Collecting Me; Only Making Fools; Shimmy Shimmy Shimmy; Mimi; Sourwood Mountain; Melon Song; Pillars Pond; Can You Spare Some Change; I Can't Wait I Cannot; Married In A Fever; Welcome To The Way It Is; Basin Slip; Ollie's Song; 65; Hey Buddy, What's Wrong; The Light Between Your Knees; Watched Pot; Heart Of The City; London Dew; Wonderful Wonderful; Warzone; You Are My Flower; Sanchez River; Charm Lost; How Sweet She Was; Anna E; Medea Rising; She Ra; Kickball; Fuzzy Tremelo; Limerick Dub; Honeyside; Those Hookers; Truck; Steam; Motorcade; Slave Reel; Shoes; Well, I Love My Baby; I Don't Mind The Bums; Weeping Into A Pond; Shrimpcore; I Loves You, Porgy; When My Hand Is On The Wheel; Drought Of '43; Columbo; Mudpin; The Sultan's Eyes; 44; As A Salt Lick Block; Beanfield; Boots Of Spanish Candy; Medullary Pinata; Brown-Eyed Western Radio; Greek Song; Early Settlers; Hello Stranger; Here Comes Your Ride; Snowcloud; Western Plains; Seen This Mexico; Those Were The Days; /// !!! ///; Man Alive (Reprise); Intro To Man Alive.
Speckly
By Shrimp Boat
Label: AUM Fidelity
Released: 2005
Track listing: Planter's Song; Seven Crows; Melon Song; Greenhouse; Shady Grove; Lemmings Leap; An Orchid Is Not A Rose; Triangle Song; Green Island; Speckly; Houston Tower; Drought Of '43; Hyatt Ridge Circle Dance; Country Wagon.
Sound Unity
Label: AUM Fidelity
Released: 2005
Track listing: Hawaii; Wood Flute Song; Poem for June Jordan; Sound Unity; Harlem; Groove. Recorded at the Vancouver East Cultural Centre, 7/2/2004 (1,2,5,6); and La Sala Rossa, Montreal, 6/27/2004 (3,4). Total time 70:32.
The Beautiful
Label: AUM Fidelity
Released: 2005
Track listing: All Up In It; Frida K. The Beautiful; Trident; Spiraling Out; Pooch (for Wilber Morris); A Time
To; Last Minute Trip Part One; Last Minute Trip Part Two; Poppa's Gin in the Chicken Feed;
Robinia Pseudoacacia.
Triptych Myth: The Beautiful
by Kurt Gottschalk
With the formation of his Triptych Myth trio several years ago, Cooper-Moore announced his intention to return to the days of a working group, as opposed to the one-off meetings that dominate the jazz scene. He has also lamented the fact that his handmade string and percussion instruments have left him considered a novelty, rather than ...
Triptych Myth: The Beautiful
by AAJ Staff
Abstract music tends to come in one of two varieties: either it's intensely intellectual, using complexity as a means to self-consciously explode stylistic boundaries; or it's a language of the soul, whose means of expression does not easily fit into preformatted norms, and therefore exploration inevitably represents a constant attempt to translate the full range of ...
Triptych Myth: The Beautiful
by Michael McCaw
Cooper-Moore is his own man, and in a perfect world, more listeners would revere him. Best known for his association with William Parker's groups, Cooper-Moore is capable of creating music with whatever tools and means he has available at the time. Whether playing homemade original instruments such as the xylophone-like ashimba or more conventional ones like ...
William Parker: Sound Unity
by Michael McCaw
Years of gigs in various formations with the same musicians can create relationships where you learn your partners' tendencies and how to push them in ways that others simply cannot. And when these musicians come together to record, the results can often mark an apex in their respective recording careers. Sound Unity, taped during 2004 live ...
William Parker Quartet: Sound Unity
by Rex Butters
From the musicians responsible for the classic O'Neal's Porch session (Centering Music, 2001; AUM Fidelity, 2002) comes Sound Unity, the William Parker Quartet recorded live in Canada in 2004. Bassist William Parker, drummer Hamid Drake, alto saxophonist Rob Brown, and trumpeter Lewis Barnes swing hard and bluesy, haunted and lyrical. These four musicians create palpable magic ...
William Parker Quartet: Sound Unity
by John Kelman
One aspect of being a bandleader these days is that you simply have to diversify. With road trips longer than two or three weeks now the exception rather than the rule, you need a variety of delineated projects to remain viable. And with the proliferation of independent record labels that, unlike the majors, don't demand exclusivity, ...
