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Al Foster: Love, Peace and Jazz!
by Terrell Kent Holmes
This article was first published on All About Jazz on May 3, 2009. Drumming great Al Foster has spent nearly a half-century playing with some of the greatest musicians, and on some of the most memorable albums, in jazz history, from Miles Davis' On The Corner and Agharta to Joe Henderson's State of the ...
Jazz Interpretations of the film music of Henry Mancini, Part 1
by Larry Slater
Henry Mancini was one of the greatest composers in the history of film, and many of Mancini's scores swung. Henry Mancini was born Enrico Nicola Mancini in the Little Italy neighborhood of Cleveland to Italian immigrant parents. It's no surprise that many of Mancini's tunes have jazz sensibilities because he had deep jazz roots. ...
Mark Masters Ensemble: Sam Rivers 100
by Dan McClenaghan
The Mark Masters Ensemble released Porgy and Bess Redefined! (Capri Records) in 2005. The music was taken from the George Gershwin/DuBose Heyward English-language opera, which was first performed in 1935. Masters' take on the classic was brilliantly expressed by the ensemble, who dug into his adventurous charts with freedom mixed with respect for the familiar and ...
Introducing Pianist Holly Bean
by Sanford Josephson
For Holly Bean, in her last semester at Juilliard, it was the summit of a long journey that began when, as a three-year-old, she started playing on the piano in her Oak Ridge, TN, home. “I would hop on top of the bench and try to copy my mom, who plays piano and organ," she said. ...
OJC Odds & Ends: From Cal Tjader to Mal Waldron
by C. Andrew Hovan
Once the vinyl renaissance confirmed that record labels could bring in a steady income just by tapping their holdings, they began combing their archives to fuel a steady stream of reissues. With a catalog of more than 1.2 million songs, Concord Records was uniquely positioned to capitalize on this resurgence. Its Craft Recordings subsidiary has emerged ...
Introducing Trumpeter Kal Ferretti
by Sanford Josephson
When she was attending the LaGuardia High School of Music & Art, Kal Ferretti rode the subway to Manhattan from her home in Staten Island. The music on her phone was Art Blakey's Moanin' (Blue Note, 1958). “I would wear that out every train ride," she said. The 22-year-old Ferretti always wanted to play the trumpet, ...
Gary Bartz Quintet at Jazz Alley
by Paul Rauch
Gary Bartz Quintet Jazz Alley Seattle, WA April 29, 2025 As an alto saxophonist, NEA Jazz Master Gary Bartz has merged freedom and form in historic fashion, in the process acquiring an understanding of the art of improvisation, or what Bartz refers to as “informal composition," in a unique ...
Steve Hirsh: Root Causes
by Mark Corroto
Although Steve Hirsh's name appears on the masthead of Root Causes, you might not immediately recognize it as a drummer-led recording. Unlike the unmistakable leadership of Art Blakey, Elvin Jones, and Tony Williams, Hirsh leads with subtlety, functioning more as a selfless, responsive collaborator than a dominant force. The album features a classic piano ...
Freddie Hubbard: On Fire--Live From The Blue Morocco
by Jack Kenny
Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John ...
Altin Sencalar: Unleashed
by C. Andrew Hovan
Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn ...
