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OJC Odds & Ends: From Cal Tjader to Mal Waldron
by C. Andrew Hovan
Once the vinyl renaissance confirmed that record labels could bring in a steady income just by tapping their holdings, they began combing their archives to fuel a steady stream of reissues. With a catalog of more than 1.2 million songs, Concord Records was uniquely positioned to capitalize on this resurgence. Its Craft Recordings subsidiary has emerged ...
Introducing Trumpeter Kal Ferretti
by Sanford Josephson
When she was attending the LaGuardia High School of Music & Art, Kal Ferretti rode the subway to Manhattan from her home in Staten Island. The music on her phone was Art Blakey's Moanin' (Blue Note, 1958). “I would wear that out every train ride," she said. The 22-year-old Ferretti always wanted to play the trumpet, ...
Gary Bartz Quintet at Jazz Alley
by Paul Rauch
Gary Bartz Quintet Jazz Alley Seattle, WA April 29, 2025 As an alto saxophonist, NEA Jazz Master Gary Bartz has merged freedom and form in historic fashion, in the process acquiring an understanding of the art of improvisation, or what Bartz refers to as “informal composition," in a unique ...
Steve Hirsh: Root Causes
by Mark Corroto
Although Steve Hirsh's name appears on the masthead of Root Causes, you might not immediately recognize it as a drummer-led recording. Unlike the unmistakable leadership of Art Blakey, Elvin Jones, and Tony Williams, Hirsh leads with subtlety, functioning more as a selfless, responsive collaborator than a dominant force. The album features a classic piano ...
Freddie Hubbard: On Fire--Live From The Blue Morocco
by Jack Kenny
Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John ...
Altin Sencalar: Unleashed
by C. Andrew Hovan
Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the “tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn ...
Kenny Dorham: Blue Bossa in the Bronx: Live from the Blue Morocco
by Troy Dostert
On their 1955 live recording At the Cafe Bohemia (Blue Note), the Jazz Messengers' Art Blakey introduced his trumpet player, Kenny Dorham, as the “Uncrowned King," a title that was perhaps fitting at the time given Dorham's still-rising trajectory. But even in his prime, Dorham arguably never received his proper accolades, and he would typically be ...
Christian McBride & Ursa Major at Assembly
by Mike Jurkovic
Christian McBride & Ursa Major Assembly Kingston, New YorkMarch 18, 2025 More than a West Philly kid who fell in love with the city's smooth '70s soul, bassist/bandleader/composer Christian McBride is a true ambassador of the vibe. The man radiates good times and good intent. With over three hundred recordings ...
The History of Jazz Drums: An Archival Treasure Rediscovered
by Hank Hehmsoth
In the vast landscape of jazz history, few archives offer the depth and insight found in The History of Jazz Drums--an extraordinary 8-part radio series recorded in 1989. Featuring compelling conversations between Mel Lewis (1929-1990), a master drummer whose swing propelled The Thad Jones-Mel Lewis Orchestra and Loren Schoenberg, senior scholar at the National Jazz Museum ...
Rodney Jordan: Memphis Blue
by Jack Bowers
On Memphis Blue, acclaimed bassist Rodney Jordan bows deeply to his Tennessee hometown via a series of charming and largely blues-tailored themes that are designed to trace the city's unique character and heritage. Jordan wrote four of them, including the album's title song and animated tributes to trumpeter Roy Hargrove and drummer Art Blakey.
