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Article: Album Review

Nightcrawlers: Get Ready

Read "Get Ready" reviewed by Pierre Giroux


The common thread between the Nightcrawlers and nightcrawler earthworms is that they both come out at night, and while the former is at home in a jazz club before a live audience, the latter is feeding on decaying organic material. Some may say that is a distinction without a difference. Nevertheless the latest nightly ritual for ...

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Article: Multiple Reviews

London Crate-Diggers BBE Reveal Lost J-Jazz Gems

Read "London Crate-Diggers BBE Reveal Lost J-Jazz Gems" reviewed by Chris May


In his introduction to The Blue Note Years: The Jazz Photography Of Francis Wolff (Rizzoli, 1995), the late Charlie Lourie reported a remarkable event he had witnessed at the inaugural Mt. Fuji Jazz Festival in 1985. “Where else but in Japan," wrote Lourie, “can one see a field packed with fifteen thousand teens and twentysomethings roar ...

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Article: Jazz in Long Form

Jam Session: How Armenian Jazz Improvised Its Way Onto The World Stage

Read "Jam Session: How Armenian Jazz Improvised Its Way Onto The World Stage" reviewed by Michael Sarian


Note: Originally published in the December 2021 issue of AGBU Magazine. At the turn of the 20th century, world events began to mark a major shift in the cultural and socio-political landscape that would reverberate across the globe for the next hundred years. During this period, as the drum beat of existential ...

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Article: Album Review

Matt Wilson: Live at The Cafe Bohemia

Read "Live at The Cafe Bohemia" reviewed by Mike Jurkovic


From its modest opening in 1955 until its closing in 1960, 15 Barrow Street in Greenwich Village, aka Cafe Bohemia, housed such progressive jazz creators as Oscar Pettiford, Horace Silver and Kenny Dorham. Charlie Parker, who lived across the street, was booked to open the club and play for drinks but passed away before his run ...

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Article: Liner Notes

Lou Donaldson: Say It Loud

Read "Lou Donaldson: Say It Loud" reviewed by C. Andrew Hovan


It's hard to imagine now, but there was a time when the sound of jazz could be heard lingering in the smoky corners of neighborhood bars in every major city from New York to Los Angeles. These ghetto hangouts were on what was often called the 'chitlin' circuit,' a network of predominantly black operated venues that ...

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Article: Radio & Podcasts

A Wayne Shorter Tribute

Read "A Wayne Shorter Tribute" reviewed by Jerome Wilson


This show is a tribute to Wayne Shorter and touches on his work with Art Blakey, Miles Davis, and Weather Report as well as his recordings as a leader. It also includes interpretations of Shorter compositions by other musicians, including Fred Hersch and Terence Blanchard. Playlist The Henry Threadgill Sextett “I Can't Wait Till ...

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Article: Liner Notes

Steve Davis: Correlations

Read "Steve Davis: Correlations" reviewed by C. Andrew Hovan


Surely it must be considered a milestone to chalk up Correlations as Steve Davis' 20th session as a leader. Just contemplate how much the world has changed since the trombonist started turning heads as a member of Art Blakey's Jazz Messengers back at the start of the '90s. The record business in particular occupies a vastly ...

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Article: Liner Notes

Gard Nilssen's Acoustic Unity: To Whom Who Buys A Record

Read "Gard Nilssen's Acoustic Unity: To Whom Who Buys A Record" reviewed by Chris May


In July 2019, Gard Nilssen will be Artist-in-Residence at the prestigious, future-facing Molde Jazz Festival. It will be a busy week for the Norwegian drummer, composer and sonic adventurer. As well as guest appearances, he will perform with several of his bands--SpaceMonkey, an electronica/dance music mash-up he co-founded five years ago; Bushman's Revenge, which may be ...

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Article: New York Beat

Eric Reed Quartet at Smoke

Read "Eric Reed Quartet at Smoke" reviewed by Nick Catalano


A garrulous Eric Reed traveled from his teaching gig at the University of Tennessee to lead a quartet at Smoke on March 9, 2023. Before the first set began Reed delivered lengthy commentary on Miles Davis, Benny Golson and the recently deceased Wayne Shorter, and included compositions by the latter two in the opening set. His ...

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Article: Big Band in the Sky

Wayne Shorter remembered as Jazz's Shaman Of Musical Influence

Read "Wayne Shorter remembered as Jazz's Shaman Of Musical Influence" reviewed by Doug Hall


The voice, tone, phrasing--in effect, the signature sound of the saxophone has distinguished a number of artists. The late Wayne Shorter, having just passed away at 89, has been a profound force of interpretation on the tenor, and on the soprano--there is no greater master. He remained at the forefront of influence with his instrument and ...


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