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Benny Golson at Jazz Standard
by Peter Jurew
Benny Golson Quartet Jazz Standard New York, NY October 21, 2016 By now it's well established that you don't go to see the octogenarian Benny Golson expecting to be blown away by a titan of the tenor sax--a fact he's only too happy to confess to his audience ...
Kurt Elling With The Keith Ganz Trio at Jazz Standard
by Dan Bilawsky
Kurt Elling With The Keith Ganz Trio Jazz Standard New York, NY July 31, 2016 If there's any genre of music that's truly built on the idea of spur-of-the-moment change, it's jazz. And so, in that very spirit, we had this performance. The audience that came down to hear ...
Contemporary Musicians Mika And Richard Stoltzman Join Forces For One-night Only Concert At Carnegie Hall Featuring Guest Artists Miki Orihari, Eddie Gomez, And More
World-renowned artists Mika (marimba) and Richard Stoltzman (clarinet) return to Carnegie Hall on November 5, 2015, to showcase their amazing versatility and crossover ability in a one-night only concert event. The program includes works by Chick Corea, John Zorn, Toru Takemitsu, Bach, Ravel, and Stravinsky, as well as the world premiere of William T. McKinley’s 22-movement ...
John Schott: Actual Trio
by Glenn Astarita
San Francisco Bay Area guitarist John Schott presents the debut recording of his long-running jazz trio, and third album for New York City-based producer, composer and saxophonist John Zorn's Tzadik record label. As expected, Schott doesn't solely adhere to the tried and true within the jazz guitar trio format. It's not too radical, but not an ...
Wayne Horvitz: Some Places Are Forever Afternoon
by Karl Ackermann
Poet and essayist Richard Hugo, a celebrated son of Seattle, was best known in his short life for his straight-forward but moving portrayals of the stark realities of the Pacific Northwest, both people and places. His works have previously been documented in print and on film and now by pianist/composer Wayne Horvitz who pays tribute to ...
Wayne Horvitz: Some Places Are Forever Afternoon (11 Places For Richard Hugo)
by Dan Bilawsky
Nature's gifts, depressive streaks, undiluted tastes of reality, and everyday slices of twentieth century northwestern American life all strongly inform the work of poet Richard Hugo (1923-1982); all of those elements, not surprisingly, also find there way into pianist Wayne Horvitz's Some Places Are Forever Afternoon (11 Places For Richard Hugo)--an absorbing collection of music that ...
Composer/Musician Wayne Horvitz Releases New Album Inspired By Poet Richard Hugo
Composer/Musician Wayne Horvitz Releases Some Places Are Forever Afternoon (Songlines), Paying Tribute to Poet Richard Hugo SEATTLE, WA — Known for his multifaceted musical personality, composer/musician Wayne Horvitz ventures into progressively-inclined acoustic jazz and ultra-modern classicism in his latest album, Some Places Are Forever Afternoon. Written in honor of the iconic Northwest poet Richard Hugo (1923-82), ...
Composer/Percussionist Lukas Ligeti Celebrates 50th Birthday With Premiere-filled Concerts June 11 + 14
Composer/Percussionist Lukas Ligeti Celebrates 50th Birthday With Two Premiere-Filled Concerts June 11 + 14 New York City, NY: On the occasion of his 50th birthday (June 13, 2015), the Austrian Cultural Forum New York presents an unprecedented overview of composer/percussionist Lukas Ligeti's work as a composer including new pieces written specifically for the occasion. The concert ...
Composer/Percussionist Lukas Ligeti 50th Birthday Celebrations
Special Performances, Recordings, and Events to Celebrate the 50th Birthday of Innovative Composer/Percussionist Lukas Ligeti New York City, NY — Composer/percussionist Lukas Ligeti today announced a robust 2015 season in anticipation of his 50th birthday (6.13.15). A champion of intercultural music and arguably one of the world’s most ingenious composers, Lukas is celebrating with world premieres ...
Tierney Sutton Band at Jazz Standard
by Dan Bilawsky
Tierney Sutton Band Jazz Standard New York, NY February 19, 2015 In jazz circles, educated and experienced listeners often steer clear of first nights and opening sets of multi-night engagements. They rigidly adhere to that maxim about bands--be it an ad hoc formation or a working band--being a bit rusty ...
