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7

Article: Album Review

Funkwrench Blues: Soundtrack For A Film Without Pictures

Read "Soundtrack For A Film Without Pictures" reviewed by Chris May


Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. ...

10

Article: Album Review

Fire! Orchestra: Echoes

Read "Echoes" reviewed by Chris May


The story of supersized jazz orchestras is not pretty. The scene was set by the bleaching deracination of Paul Whiteman and the elephantine bombast of Stan Kenton, bandleaders whose craving for approval by the music establishment fatally compromised their art. Good taste came later with leaders such as Carla Bley and London's Keith Tippett, who proved ...

30

Article: Building a Jazz Library

From George Coleman to Meeco: Ten Overlooked Classics

Read "From George Coleman to Meeco: Ten Overlooked Classics" reviewed by Chris May


The only thread running through this installment of Building A Jazz Library is that of unsung quality. No particular artist is spotlighted, nor any particular genre. There are simply ten, randomly selected albums, recorded in the US and Europe between 1953 and 2021, which show jazz off at its finest, but which, for one reason or ...

7

Article: Album Review

Mark Lockheart: Dreamers

Read "Dreamers" reviewed by Chris May


As a founder member of Loose Tubes and Polar Bear, saxophonist Mark Lockheart was at the forefront of two waves of reinvigoration of British jazz, one in the 1980s, the other in the 2000s. By age and experience, in 2022 he qualifies as close to an elder statesman of the music. But somehow one still thinks ...

Album

Notturni

Label: Space Echo
Released: 2021
Track listing: Nightfall (Solitary Walk In The Twilight); Evening Lights (Lost Memories Under The Headlights); Where Are You (Solitude On The Sidewalk: Dedicated To Bernard Herrmann); In The Middle Of The Darkness (Max's Car Whizzes In The Storm); Triptych Of The Deep (Last Lover's Night, Liz's Nightmare, The Tears Of Those Who Stay); At The End Of The Night (Beyond Darkness); Morning Star (Stars Like Thoughts Shine}; Dawn (Shadows Grow Longer, Light Rises Again).

5

Article: Album Review

Slowly Rolling Camera: Where the Streets Lead

Read "Where the Streets Lead" reviewed by Chris May


You might imagine jazz musicians are well suited to run record companies, for risk taking and creativity are fundamental to both activities. Mostly, however, musician-led labels have unhappy histories. Either the musician is not from the top drawer and their A&R skills suffer accordingly; or they lack the administrative skills to run a business enterprise effectively. ...

10

Article: Album Review

Meroli: Notturni

Read "Notturni" reviewed by Chris May


Jazz has a great track record when it comes to film scores. Standouts include Miles Davis' soundtrack for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959) and Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962). There are dozens more, particularly from the 1950s and 1960s, before rock became the ...


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