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Joey DeFrancesco: In The Key Of The Universe
by Chris Mosey
This is an important, even historic album. It marks--unannounced--the return of a great figure of the free jazz era, Pharoah Sanders. Saxophonist Albert Ayler once famously declared, “Trane was the Father, Pharoah was the Son, I am the Holy Ghost." Hammond organist Joey DeFrancesco has orchestrated Sanders' return from oblivion. Without it, the ...
Anders Svanoe: 747 Queen Of The Skies: State Of The Baritone Vol. 3
by Mark Corroto
Recall a common theme you would hear on an episode of Star Trek, the 1960s television show, not the fatuous films and modern remakes. Captain Kirk would order “more power Mr Scott," and the reply always was, “I've giv'n her all she's got captain, an' I canna give her no more." The same lines come to ...
Long Time No Time: First Time Full Time
by Jim Olin
The Canadian band Long Time No Time must have a fondness for wordplay. The title of their new album, First Time Full Time, is quite clever, already revealing that this five-piece band wants to have fun. It is also a group with a passion for combining the energy of rock with the intricacy of jazz. That's ...
Allan Holdsworth: Live in Japan 1984
by John Kelman
The loss of Allan Holdsworth in the spring of 2017 remains the passing of one of the most distinctive and innovative guitarists of the past half century. Born in the U.K in 1946, but moving to the U.S.A. in the early '80s, most who are familiar with Holdsworth's work also know how vastly influential he became, ...
Alfredo Rodriguez: Duologue
by Chris Mosey
Alfredo Rodriguez is the classically trained son of Cuban singer/composer “Alfredito" Rodriguez. In 2009, he accompanied his father on a concert tour of Mexico, decided not to return to his homeland, and asked for political asylum in the U.S. Once there, he began a music career aided by veteran producer Quincy Jones. In 2015, he won ...
Atomic: Pet Variations
by Mark Corroto
The Scandinavian supergroup Atomic has always pushed back against “tradition," be it the customary sound of Nordic jazz or--maybe more importantly--what most believe to be the avant-garde. Each member has a thriving career outside the quintet: bassist Ingebrigt Håker Flaten with The Young Mothers, The Thing, Rempis Percussion Quartet, and his own trio and quartets, drummer ...
Yelena Eckemoff / Manu Kache: Colors
by Dan McClenaghan
Pianist Yelena Eckemoff brings the top drummers into her recording sessions, whether it's Billy Hart on Lions (2014), or Peter Erskine on Glass Song (2012) and Desert (2015), or Jon Christensen for Everblue (2014)—all of these on her own L & H Production label. The year 2019 finds the prolific Eckemoff presenting her first ...
Iro Haarla: Around Again: The Music Of Carla Bley
by Troy Dostert
Longstanding piano-bass tandem Iro Haarla and Ulf Krokfors team up with drummer Barry Altschul for Around Again, a reverent and eminently rewarding tribute to Carla Bley. All three musicians possess a deep familiarity with Bley's work. Haarla's dates from her earliest conservatory studies at Finland's Sibelius Academy in the 1970s, while Altschul played on Paul Bley's ...
Chris Jentsch Group No Net: Topics in American History
by Jack Bowers
Brooklyn-based guitarist / composer Chris Jentsch writes with clear images in mind and invites the listener to see and hear them as he does. On his sixth and latest CD, Jentsch draws on a longstanding interest in historical events and trends to describe in musical terms Topics in American History ranging from 1491 (the year before ...
Rymden: Reflections And Odysseys
by Roger Farbey
Is it mere coincidence, or fate, that Bugge Wesseltoft and the late Esbjo Svensson were both born in the same quarter of 1964? More to the point, Wesseltoft, having effectively merged his New Conception of Jazz with the two surviving members of Svensson's e.s.t., has now hatched a veritable Scandinavian supergroup. The formation of Rymden is ...
