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Lucinda Belle: Think Big: Like Me
by Paul Naser
Jazz vocalist and harpist Lucinda Belle has an infectious enthusiasm and personality. Her newest single, Baby Don't Cry" is a determined appeal to stay strong through tough times while looking forward to better times ahead. The soul-inspired groove keeps the song moving while her lyrics acknowledge hardship while putting things in perspective. Baby Don't ...
Joachim Kuhn: Melodic Ornette Coleman: Piano Works XIII
by Karl Ackermann
Reportedly, Ornette Coleman did not have a great affinity for pianists, but it was the instrument--rather than the musicians--that put Coleman off. As an innovator in free jazz, Coleman found the chordal instrument too intrusive and preferred a more sympathetic bass/soloist interaction. Coleman did record with pianists Geri Allen and Paul Bley, but he established a ...
Lucian Ban and Alex Simu: Free Fall
by Peter J. Hoetjes
Romanian musicians Lucian Ban and Alex Simu may not have met in their native country but, after a serendipitous meeting in Amsterdam, the two endeavored to play a series of shows there. The product of that tour, titled Free Fall, is an unexpectedly nuanced album. Though a compelling release by its own merits, Free ...
Zlatko Kaućić: Diversity
by Mark Corroto
This 5-CD box Diversity was produced to honor Slovenian percussionist Zlatko Kaučič's 40 years in music. It is many things, but what it is not, is a career retrospective. How could it be? For quite awhile the drummer was a nomad, moving to Barcelona in 1976, then Amsterdam where he absorbed the new Dutch swing. His ...
Elsa Nilsson & Jon Cowherd: After Us
by Paul Rauch
The music of Swedish/American flutist and composer Elsa Nilsson is widely influenced, interconnecting and transcending cultural boundaries from Sweden, to northern Europe, through the heart of American jazz, and stretching south to the sounds of Rio de Janeiro. She willfully takes the leap from one musical outpost to another without compromise, along the way finding interesting ...
Wayne Shorter: Etcetera
by Patrick Burnette
The mid-sixties was an incredibly busy time for Wayne Shorter, who in 1965 had transitioned out of being Art Blakey's musical director into serving more or less the same roll for Miles Davis. By that point, he already had three Vee-Jay and two Blue Note leader dates under his belt and, in '65, he went on ...
Dave Ballou: The Windup
by Giuseppe Segala
Impegnato sia sul versante del jazz che della musica classica e barocca, Dave Ballou sfoggia un timbro pulito e cristallino, un fraseggio impeccabile. Nell'ambito afroamericano il suo lavoro ha spostato volentieri le proprie coordinate, passando dal moderno mainstream allo scandaglio dell'improvvisazione libera e della composizione aperta. Nel periodo a cavallo tra i nostri due secoli, Ballou ...
Chuck Redd: Groove City
by Dan Bilawsky
How do you get into the zone, where do your thoughts travel, and what realm do you occupy when playing and recording? The answer to that multi-pronged question, while no doubt slightly different for every musician, can be boiled down fairly easily. To paraphrase Chuck Redd's thoughts on the matter, you just appreciate the moment and ...
Jay Thomas with the Oliver Groenewald NewNet: I Always Knew
by Jack Bowers
There aren't many jazz musicians who play both brass and woodwinds, fewer still who play them as well as the veteran Seattle-based virtuoso Jay Thomas (the word virtuoso" is used with due care). On I Always Knew, recorded in January 2018 with German-born trumpeter / arranger Oliver Groenewald's NewNet, Thomas traverses the ballad form on a ...
Julian Lage: Love Hurts
by Chris Mosey
Julian Lage is a tremendously talented acoustic guitarist and by all accounts a polite, mild mannered kind of guy. Though this might not be the whole story. The cover picture of his album is of twenty used matches, which is thought to refer to his worries of becoming burnt-out after being hailed as a child prodigy ...


