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Article: Album Review

Lucinda Belle: Think Big: Like Me

Read "Think Big: Like Me" reviewed by Paul Naser


Jazz vocalist and harpist Lucinda Belle has an infectious enthusiasm and personality. Her newest single, “Baby Don't Cry" is a determined appeal to stay strong through tough times while looking forward to better times ahead. The soul-inspired groove keeps the song moving while her lyrics acknowledge hardship while putting things in perspective. “Baby Don't ...

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Article: Album Review

Joachim Kuhn: Melodic Ornette Coleman: Piano Works XIII

Read "Melodic Ornette Coleman: Piano Works XIII" reviewed by Karl Ackermann


Reportedly, Ornette Coleman did not have a great affinity for pianists, but it was the instrument--rather than the musicians--that put Coleman off. As an innovator in free jazz, Coleman found the chordal instrument too intrusive and preferred a more sympathetic bass/soloist interaction. Coleman did record with pianists Geri Allen and Paul Bley, but he established a ...

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Article: Album Review

Lucian Ban and Alex Simu: Free Fall

Read "Free Fall" reviewed by Peter J. Hoetjes


Romanian musicians Lucian Ban and Alex Simu may not have met in their native country but, after a serendipitous meeting in Amsterdam, the two endeavored to play a series of shows there. The product of that tour, titled Free Fall, is an unexpectedly nuanced album. Though a compelling release by its own merits, Free ...

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Article: Album Review

Zlatko Kaućić: Diversity

Read "Diversity" reviewed by Mark Corroto


This 5-CD box Diversity was produced to honor Slovenian percussionist Zlatko Kaučič's 40 years in music. It is many things, but what it is not, is a career retrospective. How could it be? For quite awhile the drummer was a nomad, moving to Barcelona in 1976, then Amsterdam where he absorbed the new Dutch swing. His ...

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Article: Album Review

Elsa Nilsson & Jon Cowherd: After Us

Read "After Us" reviewed by Paul Rauch


The music of Swedish/American flutist and composer Elsa Nilsson is widely influenced, interconnecting and transcending cultural boundaries from Sweden, to northern Europe, through the heart of American jazz, and stretching south to the sounds of Rio de Janeiro. She willfully takes the leap from one musical outpost to another without compromise, along the way finding interesting ...

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Article: Album Review

Wayne Shorter: Etcetera

Read "Etcetera" reviewed by Patrick Burnette


The mid-sixties was an incredibly busy time for Wayne Shorter, who in 1965 had transitioned out of being Art Blakey's musical director into serving more or less the same roll for Miles Davis. By that point, he already had three Vee-Jay and two Blue Note leader dates under his belt and, in '65, he went on ...

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Article: Album Review

Dave Ballou: The Windup

Read "The Windup" reviewed by Giuseppe Segala


Impegnato sia sul versante del jazz che della musica classica e barocca, Dave Ballou sfoggia un timbro pulito e cristallino, un fraseggio impeccabile. Nell'ambito afroamericano il suo lavoro ha spostato volentieri le proprie coordinate, passando dal moderno mainstream allo scandaglio dell'improvvisazione libera e della composizione aperta. Nel periodo a cavallo tra i nostri due secoli, Ballou ...

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Article: Album Review

Chuck Redd: Groove City

Read "Groove City" reviewed by Dan Bilawsky


How do you get into the zone, where do your thoughts travel, and what realm do you occupy when playing and recording? The answer to that multi-pronged question, while no doubt slightly different for every musician, can be boiled down fairly easily. To paraphrase Chuck Redd's thoughts on the matter, you just appreciate the moment and ...

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Article: Album Review

Jay Thomas with the Oliver Groenewald NewNet: I Always Knew

Read "I Always Knew" reviewed by Jack Bowers


There aren't many jazz musicians who play both brass and woodwinds, fewer still who play them as well as the veteran Seattle-based virtuoso Jay Thomas (the word “virtuoso" is used with due care). On I Always Knew, recorded in January 2018 with German-born trumpeter / arranger Oliver Groenewald's NewNet, Thomas traverses the ballad form on a ...

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Article: Album Review

Julian Lage: Love Hurts

Read "Love Hurts" reviewed by Chris Mosey


Julian Lage is a tremendously talented acoustic guitarist and by all accounts a polite, mild mannered kind of guy. Though this might not be the whole story. The cover picture of his album is of twenty used matches, which is thought to refer to his worries of becoming burnt-out after being hailed as a child prodigy ...


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