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George Coleman: George Coleman with Strings
by Dan McClenaghan
Tenor saxophonist George Coleman decided to leave the orbit of trumpeter Miles Davis in 1964. Or he got an elbow to the ribs and a hip check to leave the quintet, to be replaced by Wayne Shorter in the saxophone slot. Three top-notch live albums came out of the group that featured Coleman: In Europe: Live ...
Emma Hedrick: Newcomer
by Pierre Giroux
In the competitive world of young jazz vocalists, Emma Hedrick stands out as an artist who both respects tradition and offers a distinctive personal voice. On her confident debut album Newcomer, she channels seven years of lived experiences into 10 original compositions that serve as a musical memoir of that period, while never losing sight of ...
Silke Eberhard Trio: Being-A-Ning
by John Sharpe
Adventurous German saxophonist Silke Eberhard has long favored the trio format as a proving ground, even as she splits her time with her larger Potsa Lotsa ensemble, and other projects. With bassist Jan Roder and drummer Kay Lübke, she has cultivated a rapport that feels both intuitive and restless. Being-A-Ning, the group's fifth release--each one bearing ...
The Summer Knows (Un été 42)
by Artur Moral
Not so young, but still foolish: arduous is the path chosen by pianist, composer and singer Franck Amsallem, a lesser-known figure--outside his immediate performance circle--even among some of the jazz world's most avid and encyclopedic enthusiasts. Nevertheless, this musician's name should appear in that roster of outstanding French baby boomer keyboardists mentioned in Pierre de Bethmann: ...
Dino Saluzzi: El Viejo Caminante
by Doug Collette
El Viejo Caminante is a natural and logical extension of Dino Saluzzi's Albores (ECM, 2020). On that solo album, the bandleader used his instrument (the bandoneon--an accordion-like instrument with origins in Germany) to mesmerize and during this companion piece/sequel, Saluzzi's interplay with his two bandmates is comparably hypnotizing. As such, the album belies the ...
Ches Smith: Clone Row
by Glenn Astarita
Ches Smith, the San Diego-born Sacramento-raised drummer who studied philosophy at the University of Oregon before diving headfirst into the Bay Area's experimental music scene, has long been one of modern jazz's most restless spirits. His deep resume includes work with Marc Ribot, Tim Berne, John Zorn, Mary Halvorson and Nels Cline, cementing his reputation as ...
Rodney Crowell: Airline Highway
by Doug Collette
The best entries in Rodney Crowell's twenty-plus entry discography emphasize simplicity in material, musicianship and production. As such, Airline Highway has much in common with But What Will the Neighbors Think (Warner Bros., 1980) and The Chicago Sessions (New West, 2023). Unlike (too) many contemporary country artists, Crowell does not affect a pose. Instead, ...
Ned Rothenberg: Looms & Legends
by Troy Dostert
Solo recordings, at least when they feature instruments other than piano or guitar, can be a challenge even for the most committed jazz listeners. The excitement generated by the dialogue of multiple instrumentalists is, of course, missing, and even the most talented artists can have trouble sustaining one's interest for an entire album. Such releases can ...
Aki Rissanen: Imaginary Mountains
by Neil Duggan
Finnish pianist Aki Rissanen has built an impressive discography through collaborations with artists including Rick Margitza, Dave Liebman and Randy Brecker, contributing to 18 albums as either leader or co-leader. Yet he is perhaps best known for the part he plays in leading one of European jazz's most distinctive piano trios, the Aki Rissanen Trio.
Miguel Zenón Quartet: Vanguardia Subterránea: Live at The Village Vanguard
by Mark Corroto
The perfect sports analogy for saxophonist and composer Miguel Zenón might just be baseball legend Roberto Clemente. Both were born in Puerto Rico, and both are revered as masters of their respective crafts. Clemente was a perennial All-Star, a World Series MVP, a Gold Glove winner and a National League batting champion. Zenón, for his part, ...


