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Margherita Fava: Murrina
by Geannine Reid
The hum of modern jazz is strong from the first notes of Murrina. Margherita Fava emerges as a creative force at the piano with her crystalline single notes and cascade of piano chords that shimmer with the microcosms of the modern jazz piano tradition. Recorded in the autumn of 2025, the album captures a trio that performs ...
Gregory Groover Jr.: Old Knew
by Pierre Giroux
With Old Knew, tenor saxophonist Gregory Groover Jr. offers a mature and deeply rooted statement that gracefully balances reverence for tradition with openness to spontaneous expression. Recorded without rehearsal and driven by a diverse group of top-tier collaborators, including Joel Ross on vibraphone, Paul Cornish on piano, Harish Raghavan on bass, and Kendrick Scott on drums, ...
Daniel Bennett Group: We Are the Orchestra
by Tyran Grillo
To step into Daniel Bennett's music is to agree, quietly and without protest, to loosen your grip on the obvious. You enter as you might a half-lit room where conversations are already underway, familiar yet oddly angled, tethered to reality but leaning just far enough away from it to feel enchanted. This album opens that door ...
Gregory Groover Jr.: Old Knew
by Jack Bowers
Even though he has surely heard this more than a few times, Gregory Groover is a pretty hip name for a jazz saxophonist. Not so much for the pastor of Boston's Charles Street AME Church, the position held by the Groover for whom he is named, Gregory Sr., who no doubt grooves in his own way. ...
La Tanya Hall: If Not Now, When...
by Pierre Giroux
With If Not Now, When... , La Tanya Hall emerges not just as a vocalist but as a storyteller, deeply connected to the quiet power of a well-chosen song. This is her most personal statement yet, an album crafted with intention rather than for show, where each track earns its place through lyrical depth and emotional ...
Amaika Rude: The Ska and the Abstract Truth
by Don Phipps
A remake of a classic and fun to boot! Amaika Rude's album, The Ska and the Abstract Truth, evokes happy head nodding to the tunes found on Oliver Nelson's masterpiece Blues and the Abstract Truth (Impulse 1961). The original album, released in February 1961, featured Nelson on saxophone and included such jazz luminaries as Freddie Hubbard, ...
Rafael Enciso: Crossfade
by Jack Bowers
On Crossfade, his debut recording as leader, bassist Rafael Enciso wrests as much rhythmic and harmonic mileage as possible from what is basically a quartet date, using tenor saxphonist Dayna Stephens to add color and depth to one of his ten original compositions, organist Jahari Stampley to amplify two others. Elsewhere, Enciso and his ...
Tim Richards Trio: Four Aces
by Neil Duggan
Tim Richards has been plying his trade as a jazz pianist since 1982. In that time, he has been the guiding force behind numerous group projects: Spirit Level, Great Spirit, Hextet and his own trio. Followers of his recordings have had to exercise considerable patience--his last release was 2015's Telegraph Hill (33jazz), and his last trio ...
Bill Evans: Haunted Heart: The Legendary Riverside Studio Recordings (Remastered 2025)
by C. Andrew Hovan
The past five years have been a banner period for recordings drawn from the vast canon of Bill Evans work, encompassing both previously issued material and newly discovered performances. Adding to the fact that one can easily hunt down previously issued expansive reissues of Evans' Riverside, Verve, and Fantasy catalogs, many unearthed tapes have finally seen ...
Norbert Stein Pata Trio: Planetentochter
by Glenn Astarita
In the ever-expanding cosmos of European free jazz, Norbert Stein's Pata Trio arrives like a meteor--compact, unpredictable and tinged with pata-physical whimsy. Recorded in late 2024 in Cologne, the album runs just under 40 minutes across six tracks, a tightly plotted interstellar voyage led by Stein's tenor saxophone, alongside pianist Uwe Oberg and drummer Jörg Fischer. ...
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