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Food For Thought
by John Eyles
Where is the boundary between composed and improvised music? How many renowned improvisers use tried and trusted phrases that they have turned to so often that they have become cliches? How many classically-trained players are able to freely improvise despite never having been taught to do so? These and other similar questions are sure to be ...
Jeff Lederer: Guilty!!!
by Mark Corroto
Note to conservative Republicans: stop reading this review now. Note to self: There cannot be but a handful of folks who are both MAGA and jazz and improvised music listeners. Jeff Lederer's Guilty!!! recalls a time when jazz was at the forefront of the zeitgeist. Max Roach, John Coltrane, and Charles Mingus were creating ...
MOVE: Free Baile - Live in Shenzhen
by Glenn Astarita
Portugal-based trio Move's live album, Free Baile, is more than just a recording; it is an electric charge in musical form. Capturing the raw, unfiltered energy of saxophonist Yedo Gibson, bassist Felipe Zenicola and drummer João Valinho, this album propels listeners into a world where jazz, free improvisation and a kaleidoscope of genres collide and meld ...
Tony Oxley: Unreleased 1974 - 2016
by Chris May
The British drummer and bandleader Tony Oxley passed in 2023, aged 85, after a career which began in the mid 1960s as the drummer in the house band at Ronnie Scott's club. From this prestigious but relatively codified platform, Oxley soon steered into less travelled waters. In 1969 he was in the quartet which recorded John ...
Brilliant ECM Luminessence Series Shines New Light On Classic Vinyl
by Joshua Weiner
Blue Note. Verve. Impulse! ESP-Disk. Just saying the name of such storied jazz record labels immediately conjures up each one's distinct aesthetic, from the music to the cover art. By the close of the 1960s, jazz was undergoing a period of intense change, with an unprecedented mixing and matching of styles and influences--both musical and political--that ...
My Conversation with Anthony Braxton
by AAJ Staff
This article first appeared on All About Jazz in September 2001. In Puccini's Tosca, the lead heroine sings “Vissi d'arte" in the second act. It is with passion and anguish then that the audience understands the opera singer Floria Tosca is asking the heavens why she has suffered so much for her art when ...
Greg Reitan: Bounding Line
by Dan McClenaghan
Los Angeles-based pianist/composer Greg Reitan jumped into the scene with an elegant splash in 2009 with his debut recording, Some Other Time (Sunnyside Records). He followed this up in 2010 with Antibes (Sunnyside Records). Both recordings were critically lauded, drawing comparisons to the work of legendary pianist Bill Evans. Reitan possesses a supple Evans-esque touch, with ...
Albert Ayler: Live Greenwich Village To Love Cry Revisited
by John Eyles
When Ezz-thetics' previous Albert Ayler album More Lost Performances Revisited was released in December 2023, it felt as if it might be the label's final Ayler release; not only was it the eleventh of the series but, rather than featuring an Ayler album, it comprised recordings of significant points in Ayler's career such as his playing ...
Jon De Lucia: The Brubeck Octet Project
by Chris May
Synchronicity is a wondrous thing. Item: At around the same time that Albert Ayler was developing his sound in the U.S.A., the Ethiopian tenor saxophonist Getatchew Mekurya was forging a strikingly similar one in Addis Ababa. Neither player had heard the other, and Mekurya had never heard any jazz at all. Feel the Force?
Wadada Leo Smith, Amina Claudine Myers: Central Park’s Mosaics of Reservoir, Lake, Paths and Gardens
by Giuseppe Segala
Amina Claudine Myers e Wadada Leo Smith sono stati protagonisti fin dalle prime mosse del fermento artistico che ha preso il nome di Association for the Advancement of Creative Musicians, a Chicago nel 1965 per iniziativa di Muhal Richard Abrams, Malachi Favors, Fred Anderson e altri artisti più giovani, che cercavano nuove strade, mescolando in modo ...
