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News: Interview

Interview: Lew Tabackin, Part 2

Interview: Lew Tabackin, Part 2

On the tenor saxophone, Lew Tabackin has a strong, bossy sound. Other major saxophonists who came up at the same time include Joe Henderson and Joe Farrell. On flute, Lew has a warm, pronounced tone. Lew will be making a rare live appearance on New York's Upper East Side at 92NY on Saturday, July 19, at ...

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News: Interview

Interview: Lew Tabackin, Part 1

Interview: Lew Tabackin, Part 1

Lew Tabackin is a jazz legend but less well-known than he should be. A tenor saxophonist and flutist, Lew came up in the mid-1960s and played and recorded with dozens of jazz stars, including Maynard Ferguson, Duke Pearson, Donald Byrd, Frank Foster, Frank Wess, and most famously with pianist Toshiko Akyoshi. They began fronting small groups ...

News: Video / DVD

Backgrounder: - Happen to Bossa Nova (1963)

Backgrounder:  - Happen to Bossa Nova (1963)

For July 4th, America's birthday, I thought The Hi-Lo's Happen to Bossa Nova (Reprise), from 1963, would be a fitting Backgrounder. It's summery, breezy and my favorite Hi-Lo's album. Arranged by Chuck Sagle, the Hi-Lo's are in top form and in sync with the surfy feel of the bossa nova, BG/G. That's short for “Before Getz/Gilberto," ...

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News: Video / DVD

Perfection: Elliot Lawrence - But Not For Me (1955)

Perfection: Elliot Lawrence - But Not For Me (1955)

In need of cash in the late 1940s, Gerry Mulligan sold bandleader Elliot Lawrence a trove of arrangements. As Elliot told me in an interview before his death in 2021, “Early on, I had bought all of Gerry's arrangements. I paid him $50 per chart. If he wrote an original and arranged it, I’d pay him ...

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Article: Year in Review

Best Jazz Albums of 2025: All-Star Break Edition

Read "Best Jazz Albums of 2025: All-Star Break Edition" reviewed by AAJ Staff

by AAJ Staff

As we hit the halfway mark of 2025, All About Jazz has adopted Major League Baseball's All-Star break approach but swapping homers for albums. Our team of 55 writers convened to name their top three albums of the year so far, with Mary Halvorson's About Ghosts (Nonesuch) emerging as the clear favorite and an early contender ...

News: Obituary

Lalo Schifrin (1932-2025)

Lalo Schifrin (1932-2025)

Lalo Schifrin, an Argentine-American pianist and composer-arranger who began as a jazz musician and wound up in Hollywood creating suspenseful soundtracks for popular American films and TV shows, died on June 26. He was 93. Lalo not only had enormous admiration for jazz musicians but also worked with Dizzy Gillespie and virtually every major jazz star. ...

News: Recording

Backgrounder: George Wallington - Showcase (1954)

Backgrounder: George Wallington - Showcase (1954)

George Wallington doesn't get enough credit for being one of bebop's earliest pianists. He played with Dizzy Gillespie and other nascent boppers in clubs on New York's 52nd Street in the mid-1940s. His compositions include Lemon Drop, recorded by Woody Herman, and Godchild, which was included on Miles Davis's Birth of the Cool recordings. He's a ...

News: Video / DVD

Perfection: Keely Smith - The Song Is You (1958)

Perfection: Keely Smith - The Song Is You (1958)

Few pop singers in the 1950s could swing like Keely Smith. Anita O'Day was certainly one of them, but Smith was the finer vocalist and surely knew more songs and required fewer takes in the studio. In some respects, Smith was the female Frank Sinatra, able to move ahead of the beat, behind it and go ...

News: TV / Film

10 Favorite Movie Trumpet Solos

10 Favorite Movie Trumpet Solos

No instrument better expresses dignity, loneliness and wistfulness in movie themes than the trumpet. For more than two decades after the arrival of talkies, movie themes were largely an orchestral affair, especially after arranger-conductors who had escaped Nazi Germany in the late 1930s went to work in Hollywood. The exception during this period was Harry James's ...

News: Video / DVD

Forget it, Jake, It's Chinatown

Forget it, Jake, It's Chinatown

Whenever temperatures soar into the high 90s, my thoughts turn to the Chinatown film score. My Pavlovian reaction dates back to the summer of 1974, when I worked as a ticker-ripper and usher at a General Cinema duplex movie theater before the start of college. Among the many great movies out that summer was the Jack ...


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