Home » Jazz Articles » Album Review » Rez Abbasi: Snake Charmer

284

Rez Abbasi: Snake Charmer

By

View read count
Rez Abbasi: Snake Charmer
Los Angeles-raised and New York-resident guitarist Rez Abbasi states that "with my music I want to hold onto the the traditional aspects of each form (Indian music and jazz) and unite the best elements of both." The guitarist demonstrates prodigious chops throughout his fourth album, Snake Charmer, an eight-song, sixty-minute journey into jazz-rock fusion, grounded in Indian rhythms and ragas.

Typical throughout, as on the title track, the fleet-fingered Abbasi dances around the propulsive rock-like grooves of drummer Danny Weiss, and organist Gary Versace jumps into the fray. On "Pearl" (dedicated to slain American journalist Daniel Pearl) and "Rumi," guest soprano saxophonist Dave Liebman explores the outer realms, joined by the Indian-style singing of singer Kiran Ahluwalia.

On my favorite track, "Motherland," Abbasi and the band take the volume level down as Weiss' tablas lay down a steady rhythm, allowing Ahluwalia to vocalize with wordless vocals, producing a hypnotic and transcendent, almost otherworldly effect. She appears again on the closing "Thanks for Nothingness," with Abbasi playing acoustic guitar. Indeed, Ahluwalia's singing is the highlight of Snake Charmer and what prevents it from becoming just another East-meets-West musical exchange. The musicians in this tight group listen to one another, never getting in each other's way, and allow for lots of solo opportunities.

Track Listing

Snake Charmer; Pearl; Tantra; Motherland; Kismet; Rumi; Blood Orange; Thanks for Nothingness.

Personnel

Rez Abbasi
guitar, acoustic

Rez Abbasi: guitar, sitar; Gary Versace: organ; Danny Weiss: drums, tabla; Kiran Ahluwalia: vocals.

Album information

Title: Snake Charmer | Year Released: 2006 | Record Label: Earth Sounds

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.