There are always new wrinkles to be found in the familiar. That's a philosophical stance that seems to serve the Joe Policastro Trio well. This Chicago-based outfit's debut albumWest Side Story Suite (Self Produced, 2013)served as a distillation and expansion on Bernstein's masterpiece, turning Broadway on its head; Pops! (Self Produced, 2016) referenced both the venue that served as the band's birthplace and the titular musical strain, presenting newly drafted takes on the music of The Pixies, Neil Young, Stevie Wonder, Prince, and other popular culture figures; and this third platter tackles television and film music, putting alternately gritty and focused touches on songs we've come to love.
While Ennio Morricone's Spaghetti Western music didn't make the cut for this project, Policastro's crew seems to channel that composer's dark urgency in numerous places. Dave Miller's razor-edge guitar, both cutting and raw in certain spaces, speaks directly to what Morricone always managed to transmit. Even those with only a passing knowledge of that legend's work can manage to hear the link in this outfit's takes on pieces like Masaru Sato's "Yojimbo (Main Theme)" and "Nadia's Theme (Theme From "Young And The Restless")." Elsewhere there's no obvious connection, inadvertent or otherwise, to any particular figure or sound beyond each composition's true origins. The Harry Nilsson-associated "Everybody's Talkin'" moves along with pass-the-baton melodicism between Policastro and Miller, "Cool Hand Luke (Main Theme)" takes on a swinging stride, and "Angela (Theme From "Taxi")" juxtaposes Miller's classy and slick directness against drummer Mikel Avery's salt-of-the-Earth grooving.
The song that gives off the most favorable impression is one of the lesser-known numbers"Summer Kisses, Winter Tears." It's a piece that once fell from Elvis' lips and later had its day on the soundtrack to Wim Wenders' Until The End Of The World (Warner Bros., 1991). Here, it comes off like the background of a motile Tom Waits narrative drifting on the Hawaiian breeze. Miller, once again, steals the show, but this time with clean and fluid lines. Certain numbers here sag under the weight of their familiarityan Americana-country walk through Leonard Cohen's "Hallelujah" adds little to the album, Policastro's arco work sells "The Godfather (Main Title And Love Theme)" shortbut the majority of the material is pleasing and/or different enough to hold up. Policastro and company have found their niche by tapping into different breeds of treasured songs. It'll be more than interesting to see where the fourth go-round takes them.
Track Listing: Yojimbo (Main Theme); Everybody's Talkin'; Nadia's Theme (Theme From "The Young And The Restless"); Cool Hand Luke (Main Title); Summer Kisses, Winter Tears; Twin Peaks Theme; Angela (Theme From "Taxi"); Hallelujah; The Godfather (Main Title And Love Theme); Blade Runner (Love Theme); Having An Average Weekend (Theme From "Kids In The Hall").
Personnel: Joe Policastro: bass, vocals (5); Dave Miller: guitar, vocals (5); Mikel Avery: drums, auxiliary percussion.
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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