6

Peter Kerlin Octet: Salamander

Glenn Astarita By

Sign in to view read count
Peter Kerlin Octet: Salamander With an unconventional group setting, initial impressions might suggest chamber-jazz of some flavor, but Brooklyn bassist Peter Kerlin's debut effort as a leader is framed on several tangents of classical and jazz. And the young musicians impart aspirations and ingenuity, often intimating the outcomes of a thirst for knowledge and unhindered commitment. Here, the band abides by an unhurried stride as Kerlin's unique and enlivening compositions honor the modern jazz and nouveau chamber strata. But these pieces also contain doses of minimalism and ambient ethereal persuasions with snappy rock grooves, entrancing ostinatos and polychromatic treatments.

At times Kerlin and associates execute programmatic grooves with layered strings and booming bass parts, coupled with loosely organized jazz-based improvisation. For example, on "Wanna Let The Bell-Tower Ring," the ensemble renders abrupt stops with a terse, odd- metered unison runs and radiant improv segments. Otherwise, the leader yields perceptive song-form stylizations and contrasting statements, brimming with transitory detours.

"Ballad Of The Bewildered Herd," features extended bass workouts amid cymbals-induced coloration and frothy beats by drummers Mike Pride and Charles Burst. Hence, the musicians articulate numerous viewpoints, enhanced by a little roughhousing in spots. The strings section closes it out with a gruff and steely imprint. Moreover, the band transcends a softly woven melody into an ostinato motif that seemingly comes out of nowhere, signifying one of many subtle surprises on this irrefutably persuasive offering. It's as though Kerlin lifts items from different categories; reassembles, organizes and customizes into a top-shelf product.


Track Listing: Bulbs; Snake Eats Electric Blanket; Cenozoan Warp; Wanna Let The Bell- Tower Ring; Ballad Of The Bewildered Herd.

Personnel: Peter Kerlin: bass; Taylor Bergren-Chrisman: bass; Brent Cordero: bass: Sam Sowyrda: vibraphone; Cesare Papetti: vibraphone; Amy Cimini: viola; Jessica Pavone: viola; Karen Waltuch: viola; Emily Manzo: organ, Wurlitzer; Mike Pride: drums, percussion; Charles Burst: drums, percussion.

Year Released: 2013 | Record Label: Innova Recordings


Shop

More Articles

Read Road to Forever CD/LP/Track Review Road to Forever
by Jack Bowers
Published: February 27, 2017
Read Goat Man & The House of the Dead CD/LP/Track Review Goat Man & The House of the Dead
by Dave Wayne
Published: February 27, 2017
Read Avenida Graham CD/LP/Track Review Avenida Graham
by Edward Blanco
Published: February 27, 2017
Read TAI Fest #1 (Vol.1&2) CD/LP/Track Review TAI Fest #1 (Vol.1&2)
by Nicola Negri
Published: February 27, 2017
Read Acceptance CD/LP/Track Review Acceptance
by Tyran Grillo
Published: February 26, 2017
Read The Wild CD/LP/Track Review The Wild
by Dan McClenaghan
Published: February 26, 2017
Read "Zenith" CD/LP/Track Review Zenith
by Budd Kopman
Published: March 1, 2016
Read "Routes" CD/LP/Track Review Routes
by Mark Sullivan
Published: May 4, 2016
Read "The Lightning Bell" CD/LP/Track Review The Lightning Bell
by John Eyles
Published: July 19, 2016
Read "So Beautiful, It Starts To Rain" CD/LP/Track Review So Beautiful, It Starts To Rain
by John Sharpe
Published: December 11, 2016
Read "City Colors" CD/LP/Track Review City Colors
by Tyran Grillo
Published: April 28, 2016
Read "Furiously Dreaming" CD/LP/Track Review Furiously Dreaming
by Dave Wayne
Published: July 1, 2016

Post a comment

comments powered by Disqus

Sponsor: Jazz Near You | GET IT  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!