All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Vocalist Christ Bennett publishes her 11th recording, Sail Away: The Tahiti Sessions amid an impressive population of like-minded recordings, and still manages to attract attention. Bennett dons the silk of a jazz singer and composer as easily as she navigated such disparate genre as disco and adult contemporary pop. Sail Away is approximately 50/50 standards and Bennett originals. Her choice of standards, while "standard," still manage to provide new and careful insight into the American Songbook.
"These Foolish Things" was composed by the songwriting team of Eric Maschwitz (lyrics) and Jack Strachey (music) in 1936. The song was part of a group called "May Fair Songs,"that also included "A Nightingale Sang in Berkeley Square," written by Maschwitz under the pen-name Holt Marvell. It has since become a ballad standard, demanding a certain sensitivity of its interpreters.
Bennett elects to give the song a light treatmentjust her, pianist Eric Doney, and a tasteful hint of strings. Bennett's voice is perfectly suited for such fare. Perfectly balanced with a crystalline quality that is both durable and delicate, Bennett's singing immediately captures the longing of the song's protagonist. Doney never burdens Bennett, strolling with her wistfully. Bennett adheres to the melody, a reminder that the composers did know that they were doing. There is precious little song craft like this today.
Personnel: Chris Bennett: vocals; Eric Doney: piano.
Jazz is a continuing revelation. The best show I ever attended was the
Roots Picnic at Penn's Landing in Philadelphia, or was it Robert
Glasper's Experiment at Lincoln Center, or was it Chick Corea with
Brian Blade at Oberlin College? Most of all I enjoy playing guitar and
composing beats with my Brooklyn-based group Space Captain.