Return Journey, the fourth recording and first in four years by Daryl McKenzie's splendid Jazz Orchestra from Melbourne, Australia, was inspired in part by McKenzie's visit to the States in 2012 wherein he renewed ties with many of his onetime musical mates and colleagues and briefly returned "home" to the University of North Texas in Denton. One thing that sets the album apart from most other big-band enterprises is the fact that it is comprised entirely of bonzer original compositions (Australian for laudable), all of which were written by members of the ensemble.
McKenzie composed and arranged two of the songs, as did trombonist Roger Schmidli and alto Lachlan Davidson. Pianist John (Gianni) Turcio wrote the colorful "Streets of Naples," guitarist Jack Pantazis the dynamic "I'm Outta Here." Pantazis solos smartly on that one, as he does (with drummer Darryn Farrugia) on Davidson's graceful "New Black." The session ends on a buoyant Latin note with McKenzie's rhythmic "La Busqueda," enclosing animated solos by Farrugia, trumpeter Paddy McMullin, alto Tim Wilson, trombonist Jordan Murray and percussionist Phil Binotto. McKenzie's second composition is "The Return Journey," a light-hearted swinger that salutes his "road trip" of two years ago. Persuasive solos courtesy of alto Davidson, drummer Farrugia and tenor Tony Hicks.
Schmidli wrote the bluesy curtain-raiser, "A Good Hard Look," on which Hicks and trumpeter Vinnie Bourke (muted) share honors with the ensemble as a whole, and "The Stinger's Apprentice," a more tenacious theme whose ardent solos are by Davidson and electric bassist Kim May. Davidson composed the album's lone ballad, "New Beginnings," on which the orchestra's various sections again excel. This is yet another impressive album by McKenzie's intrepid ensemble, about which we wrote in a review of its first three, "If you appreciate fresh music that rests firmly on the bedrock of established big-band tradition, McKenzie's albums should put a smile on your face and a spring in your step." At its web site, the ensemble is applauded as "Melbourne's finest big band." No argument here, as it may in fact be Melbourne's only big band. If, however, there are other big bands in Melbourne, they'd have to be uncommonly talented to surpass this one.
Track Listing: A Good Hard Look; The Return Journey; The Stinger’s Apprentice; New Beginnings; Streets of Naples; The New Black; I’m Outta Here; La Busqueda.
Personnel: Daryl McKenzie: leader, composer, arranger, music director; Shane Hughes: trumpet, flugelhorn; Michael Fraser: trumpet, flugelhorn; Shane Gillard: trumpet, flugelhorn; Paddy McMullin: trumpet, flugelhorn; Danny Madden: trumpet, flugelhorn; Vinnie Bourke: trumpet, flugelhorn; Lachlan Davidson: alto, soprano sax; Tim Wilson: alto sax, flute; Tony Hicks: tenor sax; Remco Keijzer: tenor sax; Stuart Byrne: baritone sax, bass clarinet; Ian Bell: trombone; Roger Schmidli: trombone; Jordan Murray: trombone; Joe O’Callaghan: bass trombone; Jack Pantazis: electric guitar; John (Gianni) Turcio: acoustic, electric piano: Kim May: acoustic, electric bass; Darryn Farrugia: drums; Philip Binotto: percussion, vibraphone.
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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