Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!


Ricardo Villalobos / Max Loderbauer: Re: ECM

David McLean By

Sign in to view read count
Over the past decade or so, the ECM label has been flirting with elements of electronic music in varying degrees. Evan Parker's Towards The Margins (1997) introduced electronic manipulation in the live processing of sound as a new improvisational tool, embellishing the saxophonist's already avant-garde collection of instrumentation. Since then, subtle machinations have crept into other releases from the label, But with Re:ECM, label head/producer Manfred Eicher has made a clear and bold statement—a full embracement of electronic music-making.

Over the course of two discs, acclaimed DJ/producers Richard Villalobos and Max Loderbauer redefine a wealth of varied source material from the likes of Arvo Part, Christian Wallumrod, Paul Giger and John Abercrombie. Evoking sounds as varying minimal techno, ambient music, glitch and, in one instance, "straight" jazz, the music is never laborious, due to the range of musical textures covered, and those devoted to the label will be eager to hear the reimagining of some of their favorite artists.

The ECM albums Villalobos' selections were based on feature tracks recorded singularly, in different rooms to allow the maximum manipulation of sound. The main theme running through the record is the appropriation of ECM's classic use of silence—the delicious reverb in-between notes often being the ambient basis for most of the duo's experimentation. This is particularly true for the remix of Arvo Part's seminal Kanon Pokajanen (2000). The choral vocals are all but reduced to ghostly tendrils of sound—coruscating around the thick ambience like coils of smoke. Those of the opinion that electronic music is cold and clinical need only hear this piece, which manages to be resolutely human and beautiful through only the suggestion of sound. Almost in reversal, Tatiana Melentieva's soprano' on "Resole" pushes the vocal to the fore, backed by low-key synths and granular glitch beats that sound like Supersilent at its most subdued.

Wallumrød's canon is give particular focus throughout the set. "Reblop" kicks off the album, establishing its core; the Cage-ian percussiveness of the piano melody matched by the spliced sounds of drum kits creaking, and snippets of broken harp melodies showering the melody figure like confetti. The duo is unafraid to play it straight though, toying only slightly with bassist Miroslav Vitous' composition on "Reemergence"—almost as a statement that both these men possess an astute knowledge of ECM jazz.

And it is this knowledge—more fittingly, love—that can be felt with these experiments. Each track is treated with respect and in keeping with the label's aesthetic, yet unafraid to push boundaries, which is what Re:ECM does in abundance. It lacks the academic coldness of similar recording on the Raster Noton label and feels more mature then neoclassical stylings of electronic composers like Deaf Centre. Hopefully, this recording will work as a two-way street—giving jazz fans an insight into experimental electronics and vice-versa. With an appearance scheduled, along with Wallumrød at this year's Unsound festival, here's hoping that this experiment isn't a one off. It would be exciting to see what recordings the duo turns its hands to next.

Track Listing: Tracks: CD1: Reblop (source: Christian Wallumrød Ensemble, Fabula Suite Laguna (2009)); Recat (source: Christian Wallumrød, The Zoo is Far (2007)); Resvete (source: Alexander Knaifel, Svete Tikhiy (2003)); Retimeless (source: John Abercrombie, Timeless (1975)) ; Reemergence (source: Miroslav Vitous, Emergence (1985)); Reblazhenstva (source: Alexander Knaifel, Blazhenstva (2008)); Reannounce (source: Louis Sclavis, L'Imparfait des Langues (2007));Recurrence (source: Wolfert Brederode Quartet, Currents (2007)); Requote (source: Christian Wallumrød, Fabula Suite Laguna (2009)). CD2: Replob (source: Christian Wallumrød, Fabula Suite Laguna (2009)); Reshadub (source: Paul Giger, Ignis (2000)); Rebird (source: Rava/Bollani/Motian, Tati (2005)); Retikhiy (source: Alexander Knaifel, Svete Tikhiy (2003)); Rekondakion (source: Arvo Pärt, Kanon Pokajanen (1998)); Rensenada (source: Bennie Maupin, The Jewel in the Lotus (1974)); Resole (source: Alexander Knaifel, Svete Tikhiy (2003)/Amicta Sole (2005)); Redetach (source: Christian Wallumrød, Fabula Suite Laguna (2009)).

Personnel: Ricardo Villalobos: electronics; Max Loderbauer: electronics.

Title: Re: ECM | Year Released: 2011 | Record Label: ECM Records


comments powered by Disqus

More Articles

Read Acknowledgement CD/LP/Track Review Acknowledgement
by Don Phipps
Published: November 23, 2017
Read Lessons And Fairytales CD/LP/Track Review Lessons And Fairytales
by Jerome Wilson
Published: November 23, 2017
Read The Child in Me CD/LP/Track Review The Child in Me
by Friedrich Kunzmann
Published: November 23, 2017
Read The Way Home CD/LP/Track Review The Way Home
by Joe Gatto
Published: November 23, 2017
Read Shadow Work CD/LP/Track Review Shadow Work
by Phil Barnes
Published: November 22, 2017
Read Veterans of Jazz CD/LP/Track Review Veterans of Jazz
by Mark Sullivan
Published: November 22, 2017
Read "Regards To You II" CD/LP/Track Review Regards To You II
by Geannine Reid
Published: December 4, 2016
Read "Hourglass" CD/LP/Track Review Hourglass
by Paul Rauch
Published: May 18, 2017
Read "Where Fortune Smiles" CD/LP/Track Review Where Fortune Smiles
by Roger Farbey
Published: September 13, 2017
Read "Agrima" CD/LP/Track Review Agrima
by Dan McClenaghan
Published: October 18, 2017
Read "Queen City Blues" CD/LP/Track Review Queen City Blues
by Mike Jurkovic
Published: November 18, 2017
Read "Goat Man & The House of the Dead" CD/LP/Track Review Goat Man & The House of the Dead
by Dave Wayne
Published: February 27, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Please support out sponsor