Home » Jazz Articles » Album Review » Armen Donelian: Quartet Language
Armen Donelian: Quartet Language
An acrid alchemy festers among these players, especially Donelian and Chapin. Memorable moments, like the catchy 11-note theme of Jabberwackey and the swaying intro of 'Loose As A Goose,' are repeated, reversed, and explored until the players get caught up in a carousel of notes, tones, times, and timbre, all held together by Williams' intrepid drumming.
'The Germ' is a 12-minute exercise in extremes. Chapin's lavish gallivants on his horn are countered by Donelian's foray into minimalist syncopation. Then for the solos. Chapin prods and teases but his wry tale soon turns joyful. Donelian plays sassy vamps with the right hand, and dry staccato chords with the left. The last track, 'Brood Mood,' sashays somberly with Chapin's saxophone, awash with the sizzle of cymbals. Piano and bass lead themselves into lonely terrain, then regroup timidly, awkwardly, improvising nostalgically on each other's lines.
The moment of glory arrives with 'Mexico,' a seductive bolero brimming with dark-eyed passion. Chapin's long notes tremble, tortured by what can only be forbidden love. Donelian's keys weep with wistful longing against Hill's bass solo, like waves receding against the Acapulco coast, shimmering and consistent, but never exactly the same.
Dedicated to Chapin's memory, Quartet Language preserves a moment in four lives. At once bravely adventurous and breathlessly delicate, it's a relic to be contemplated, and somehow, the enigma of life seems a little bit clearer.
Track Listing
Jabberwackey; The Germ; Mexico; Loose as a Goose; Brood Mood.
Personnel
Armen Donelian
pianoArmen Donelian: piano; Thomas Chapin: alto saxophone; Calvin Hill: bass; Jeff Williams: drums.
Album information
Title: Quartet Language | Year Released: 2004 | Record Label: Playscape Recordings
About Armen Donelian
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







