Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...


Enrico Pieranunzi: Proximity

Budd Kopman By

Sign in to view read count
Enrico Pieranunzi is the senior statesman of mainstream jazz piano in Italy. His recording career goes back to 1975, with more than forty albums on such labels as Soul Note, Enja, Egea and currently CAM Jazz. His music is romantic, lyrical mainstream using lush arrangements and harmonies. The current group could be termed his "American" quartet, with saxophonist Donny McCaslin (on tenor and soprano saxophones), stylistically wide-ranging trumpeter Ralph Alessi (on trumpet, cornet and flugelhorn) and bassist Matt Penman bringing Pieranunzi's compositions to life.

The drummer-less quartet's integration is remarkable as Pieranunzi shifts back and forth between harmonic/rhythmic support and soloing. Alessi and McCaslin both pay close attention to what is going on and play within the sound and atmosphere established by Pieranunzi and Penman. As an aside, Alessi's flugelhorn and McCaslin's soprano sax sound very similar at times, further integrating the players together. Penman's role is very important since he supports both the harmony and rhythm.

The overall feel of Proximity could be described as hard-edged Italianate romanticism with varying amounts of lushness, melancholy and intellect on each track. Pieranunzi's compositions are immediately accessible, with many beautiful melodies and harmonies, but this "mainstream" side of the music is balanced and deconstructed many times by subtle dissonances and structural feints which pique the ear. The music always has a distinct direction and forward motion which is created by the meshing of relatively clear harmony and rhythms. However, on top of this solid structure, the soloists (including Pieranunzi) exhibit a freedom which, however, feels completely natural and not forced —hence the descriptive phrase "seriously playful" or its reverse "playfully serious" feels extremely apropos.

The title tune opens with a melodic declamation that oozes Italy (somehow), mixing the romantic with the evocatively dangerous. This then breaks down into free playing of each member of the group, which, nevertheless, sounds cohesive —"Proximity" thus describes their close interaction. From there the piece moves to a fantastic duo between piano and bass, leading to a remarkable solo by Penman. McCaslin and Alessi rejoin with eerie high lines that overlap and intersect. Finally, there is a recap of the tune in quasi unison as in the opening. Simply put, this is a perfect track which shows everyone's (and the group's) strengths.

The next track, "Within The House Of Night" opens sparsely with just bass and sax playing another "Italianate" romantic melody. Alessi answers, supported by the piano, followed by the Penman playing the melody, which is answered by McCaslin and Alessi in harmony -gorgeous, with a bit melancholy. The second half opens with solo piano, and demonstrates Pieranunzi's exquisite touch, followed by McCaslin practically crying with his horn and answered by the bass and piano. The title is very descriptive of the musical imagery —walking alone at night in a possibly empty house, or at least alone with one's thoughts; a deeply moving track.

The album ends with "Five Plus Five" as Alessi and McCaslin play the boppish theme in unison, with nice counterpoint from Penman. Alessi's solo is very stretched bop accompanied by Pieranunzi playing inside the piano with more sharp Penman, adding the feeling of danger. McCaslin takes over Alessi's line and everything slows down as he does his thing —what a line! Who needs drums? Penman then leads to the recap, making this track an excellent example of that overused label, 'post bop.'

Pieranunzi knew what he was doing in picking McCaslin, Alessi and Penman. Each player's style, while different from each other, fits perfectly with Pieranunzi's overall style; they are clearly being themselves, yet just as clearly are working within the framework of the pianist.

Proximity is just about the perfect album— easy to listen to, but with such deep composition, arranging and playing that it will not leave the foreground. Multiple listens only enhance one's appreciation for the mastery of Pieranunzi.

Track Listing: (In) Canto; Line For Lee; Sundays; Simul; No-Nonsense; Proximity; Within The House Of Night; Five Plus Five.

Personnel: Enrico Pieranunzi: piano; Ralph Alessi: trumpet, cornette; flugelhorn; Donny McCaslin: tenor saxophone, soprano saxophone; Matt Penman: bass.

Title: Proximity | Year Released: 2016 | Record Label: CAM Jazz


comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Date Detail Price
11:00 pm
Enrico Pieranunzi
Assens, Denmark
€275 / 225 (årskort)

Related Articles

Read Drum Solos For Dancers Only CD/LP/Track Review
Drum Solos For Dancers Only
by David A. Orthmann
Published: December 18, 2018
Read Kikoeru - Tribute to Masaya Kimura CD/LP/Track Review
Kikoeru - Tribute to Masaya Kimura
by Karl Ackermann
Published: December 18, 2018
Read His Flight's At Ten CD/LP/Track Review
His Flight's At Ten
by John Sharpe
Published: December 18, 2018
Read First Lines CD/LP/Track Review
First Lines
by Mike Jurkovic
Published: December 18, 2018
Read Live At Cafe Amores CD/LP/Track Review
Live At Cafe Amores
by John Sharpe
Published: December 18, 2018
Read The Tale CD/LP/Track Review
The Tale
by Dan McClenaghan
Published: December 17, 2018
Read "We Two" CD/LP/Track Review We Two
by David A. Orthmann
Published: December 9, 2018
Read "Unbroken" CD/LP/Track Review Unbroken
by Walter Atkins
Published: July 7, 2018
Read "New Standards" CD/LP/Track Review New Standards
by Geannine Reid
Published: June 17, 2018
Read "Deuce" CD/LP/Track Review Deuce
by Paul Rauch
Published: June 2, 2018
Read "Chorando Sete Cores" CD/LP/Track Review Chorando Sete Cores
by Geannine Reid
Published: February 14, 2018
Read "Blue Dream" CD/LP/Track Review Blue Dream
by Doug Collette
Published: July 9, 2018