Results for "Electric Guitarist"

Joe Deninzon

Born: December 3, 1974

JOE DENINZON
www.joedeninzon.com

Joe Deninzon has been hailed by critics as “The Jimi Hendrix of the Violin,” because of his innovative style on the “Viper” seven-string electric violin. In addition to leading Joe Deninzon & Stratospheerius, Joe is the violinist/guitarist for classic rock band Kansas.

He has worked with the Who, Bruce Springsteen, 50 Cent, Sheryl Crow, Ritchie Blackmore, Alex Skolnick, Smokey Robinson, Les Paul, Peter Criss from KISS, Michael Sadler, Renaissance with Annie Haslam, Phoebe LeGere, Kurt Elling, and as a soloist with Jazz at Lincoln Center and the New York City Ballet.

Vironas Ntolas

Born: April 28, 1991

Vironas Ntolas is a guitarist/composer based in Athens, Greece.

Kerilie McDowall

Born: December, 1966

“Well there may be 8 million guitarists in the world, but Kerilie McDowall is certainly one of the best. Guitar Player magazine calls her playing 'smooth and elegant,' to which I would add, intelligent and original.” —Paul Grant, Host, CBC Hot Air, Vancouver, BC. ( June 12, 1999) The Kerilie McDowall Sextet as recorded/produced by Neil Ritchie

"Kerilie McDowall fronts a first-rate jazz quintet...Labels listen up...a very talented musician." “…an appealing Blue Note ambience.” “Smooth, elegant playing...warm relaxing tones.” “…impressive are her composing skills.”
—Guitar Player Magazine

Heddy Boubaker

Born: March 3, 1963

Born in 1963, Heddy started music by playing electric guitar in Rock bands as a teenager, since long time passed and he played many other musical styles and then progressively switched to the alto and bass saxophone. His main musical activities are now centered on improvised music and sound research; in solo or with others musicians, poets, dancers ... he is really found of musical meetings. He played on many international places with a lot of partners. He published many CDs and is very active in concerts organisation in the Toulouse area. Since 2011 he stopped playing saxophone and concentrate now on electric bass, guitar and analog modular synth.

Alexander Kelley

Jim Faulkner

Alex Hand

Alex Hand is a premier guitarist on the Texas scene, regularly performing with jazz, Celtic traditional, classic rock and gypsy swing groups. He graduated from the University of North Texas jazz performance program with a masters in 2021 and continues to perform and teach music in the Dallas/Fort Worth area. He studied traditional Balkan music in Bulgaria and Turkey in 2015 and released two self-produced albums of that music with San Francisco jazz players. Hand’s third album is incoming, featuring five original tunes and one wild, spooky take on the classic American song, “St. James Infirmary.” As a composer, he blends jazz improvisation and harmony with two decades of experience with various European folk styles and his love for baroque and romantic-era composers like Couperin, Debussy and Chopin

Randy Resnick

Born: July 9, 1947

Randy Resnick  is a guitarist who has played and recorded with many blues and jazz luminaries, such as Don "Sugarcane" Harris, John Lee Hooker, Red Holloway, John Mayall and Freddie King. He was developing a tapping style in the early 1970s. He published a CD of his own music, "To Love", in 1995, featuring musician friends from Tower of Power, Herbie Hancock Monster Band, and Tom Waits.

In October 2012, Randy played with Canned Heat  at blues festivals in Bergerac and Avignon, France.

Lauri Hyvärinen

Born: March 25, 1986

Lauri Hyvärinen (b. 1986, Helsinki) uses guitar as his main sound source. His sound and music related activities are of theoretical and practical nature, of which improvisation remains as his primary medium and interest. Hyvärinen utilises the possibilities of improvisation, compositional and minimalist structures in search for shared and intensified social and spatial constructions. 

James Hammel

James has had a passion for singing and playing guitar that spans decades. It was in Connecticut that James met Sal Salvador, (a former jazz great), who introduced him to jazz guitar. Sal ultimately challenged James that he belonged in the world of music, and that one day he would be compelled to embrace it completely. For the better part of his adult life, he considered those words to be wishful thinking and his music remained on the sidelines. Instead he took a 20-year detour building and leading large companies. Along the way he wrote pop songs about his life experiences that are part of his repertoire today