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ARTICLE: LIVE REVIEWS

Moers Festival 2018

Read "Moers Festival 2018" reviewed by Martin Longley

Moers Festival
Moers, Germany
May 18-21, 2018

The long-established Moers Festival has undergone several changes in recent years. Its distinctive circus top tent was retired in 2013, making way for a custom-designed Halle to house most of the main concerts. Then, two years ago, the festival director and programmer switched ...

Meet Jacob Cartwright

Read "Meet Jacob Cartwright" reviewed by Tessa Souter and Andrea Wolper

Our August Super Fan is a visual artist with a special affinity for improvisational music, which has spilled over into his jazz-themed painting series. In jazz, as in art, Jacob Cartwright values the past while embracing the forward momentum of the new. Plus he's really “down with the jazz cats"--read on to see what we mean! ...

Chad Taylor: Myths and Morals

Read "Myths and Morals" reviewed by Jakob Baekgaard

In the beginning of it all: one sound, one language, but then there was the fall of Babel. One tongue turned into many. Difference became a reality and a way of exclusion. A myth can both unite and exclude like morality can judge and misjudge. The past becomes separated from the present and the future is ...

ARTICLE: LIVE REVIEWS

Vision Festival 2018

Read "Vision Festival 2018" reviewed by John Sharpe

23rd Annual Vision Festival
Roulette
New York, NY
May 23-28, 2018

Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...

ARTICLE: LIVE REVIEWS

JazzNorway in a Nutshell 2018

Read "JazzNorway in a Nutshell 2018" reviewed by Jakob Baekgaard

JazzNorway in a Nutshell
Bergen, Norway
May 23-27, 2018

If anyone should be in doubt, Norwegian jazz is thriving. Through many years, the musicians in Norway have continued to refine what might be called a particularly Norwegian approach to the jazz tradition. It is not about repeating any preconceived ideas ...

ARTICLE: LIVE REVIEWS

Kerava Jazz 2018

Read "Kerava Jazz 2018" reviewed by Anthony Shaw

Kerava Jazz Festival
Kerava, Finland
May 25-27, 2018

The town of Kerava plays as much roll in the lives of most Finns as just its fleeting name on the station that express trains speed through on their way to the capital Helsinki, 20 miles south. Or for the international traveler ...

Aruán Ortiz Trio: Live in Zürich

Read "Live in Zürich" reviewed by John Sharpe

Cuban pianist Aruán Ortiz just goes from strength to strength on his third release on the Intakt imprint, although it is his twelfth overall. While most of the repertoire on Live In Zurich appears on previous albums, what he does with it here, through dramatically extending and mashing pieces together, is nothing short of remarkable. This ...

ARTICLE: INTERVIEWS

Chad Taylor: Myths and Music Education

Read "Chad Taylor: Myths and Music Education" reviewed by Jakob Baekgaard

Few drummers know how to use rhythms like Chad Taylor. He makes the drum set sing melodies and paints different hues and shades on the cymbals and skins. He can play inside and outside and has performed with musicians like saxophonists Fred Anderson, Pharoah Sanders and James Brandon Lewis, pianists Cooper-Moore and Angelica Sanchez, guitarists Jeff ...

ARTICLE: LIVE REVIEWS

Bobby Zankel Wonderful Sound 4 at Da Vinci Art Alliance

Read "Bobby Zankel Wonderful Sound 4 at Da Vinci Art Alliance" reviewed by Victor L. Schermer

Bobby Zankel's Wonderful Sound 4 Featuring Sumi Tonooka
(Additional Performances by Vocalist Bonnie Lander and Sirius JuJu Quintet)
Fire Museum Presents @ DVAA
Da Vinci Art Alliance
Philadelphia, PA
March 24. 2018

This show afforded a rare opportunity in an intimate setting to ...

James Brandon Lewis: Radiant Imprints

Read "Radiant Imprints" reviewed by Vincenzo Roggero

Da quando è ritornato sulla scena musicale nel 2014 con Divine Travels -dopo l'esordio piuttosto convenzionale di Moments nel 2010 -facendo capire di non essere il solito fenomeno del sax tenore destinato a ballare il tempo di un estate, James Brandon Lewis non ha più sbagliato un colpo, sia sul versante discografico che nelle numerose esibizioni ...