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ARTICLE: ALBUM REVIEWS

Paul Booth: Travel Sketches

Read "Travel Sketches" reviewed by Chris May

The intense media interest surrounding the rise of the British woke jazz movement is welcome, but it is increasingly monopolising local bandwidth. Great British jazz which adheres more closely to the founding American tradition is becoming sidelined. Babies and bathwater come to mind.

One of the few British labels looking at the 360-degree picture ...

ARTICLE: PROFILES

WOKE JAZZ: The Fast-Forward Evolution of British Jazz

Read "WOKE JAZZ: The Fast-Forward Evolution of British Jazz" reviewed by Chris May

After a lifetime in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a style which, while anchored in the American tradition, reflects the modern Caribbean and African cultural heritages of the majority of its vanguard players. The music also addresses the race, class ...

ARTICLE: LIVE REVIEWS

Steve Williamson & Guildhall Jazz Orchestra: Celebrating Coltrane at Milton Court

Read "Steve Williamson & Guildhall Jazz Orchestra: Celebrating Coltrane at Milton Court" reviewed by Chris May

Steve Williamson / Guildhall Jazz Orchestra / Scott Stroman
Milton Court Concert Hall
Celebrating Coltrane
London
July 10, 2019

The word “legendary" is bandied around so indiscriminately these days that it has all but lost its meaning. London saxophonist Steve Williamson is among a tiny number ...

ARTICLE: ALBUM REVIEWS

SEED Ensemble: Driftglass

Read "Driftglass" reviewed by Chris May

After decades in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a rebooted style which reflects both the Caribbean and African musical heritages of the majority of its vanguard players and also locally created musics such as grime and garage. Jazz was created ...

ARTICLE: ALBUM REVIEWS

Sarah Tandy: Infection In The Sentence

Read "Infection In The Sentence" reviewed by Chris May



Sarah Tandy made a mark on the alternative London jazz scene three years ago as the pianist on alto saxophonist Camilla George's luminous debut, Isang (Ubuntu). More recently, she has played piano and keyboards on two other headline albums: George's The People Could Fly (Ubuntu, 2018), and alto saxophonist Cassie Kinoshi's SEED Ensemble's debut, ...

ARTICLE: ALBUM REVIEWS

Camilla George: The People Could Fly

Read "The People Could Fly" reviewed by Roger Farbey

Camilla George's follow-up to her debut album Isang (Ubuntu, 2016) is, if anything, even better than her first. The record's title derives from a picture book of folktales by Virginia Hamilton portraying the plight of African slaves and how they could escape their oppression by flying back to their homeland. The titles of seven of the ...

ARTICLE: ALBUM REVIEWS

Camilla George Quartet: Isang

Read "Isang" reviewed by Roger Farbey

Isang is the long overdue debut album for alto saxophonist Camilla George, a graduate of London's renowned Trinity College of Music. George has worked with several leading bands including Tomorrow's Warriors, Nu Civilisation Orchestra and Jazz Jamaica. She's led her own quartet since 2014 and her love of African and Western music is influenced by her ...