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Camilla George

Camilla George is a London based saxophone player, improviser, composer and teacher. She began playing when she was 11 years old where she won a music lesson and as a result, won saxophone lessons. Camilla has studied with many jazz greats such as sax giant, Jean Toussaint (of Art Blakey fame), Tony Kofi, Christian Brewer, Julian Siegal and Martin Speake. In 2012 she graduated with a Masters in Jazz from Trinity College of Music where she also won the Archer Scholarship for outstanding performance.Since 2004 Camilla has been working with both Tomorrows Warriors and the Nu Civilisation Orchestra (including a UK tour performing at many prestigious venues such as the Queen Elizabeth Hall), as well as leading workshops for the younger members of The Warriors family. In 2009 she joined award winning band, Jazz Jamaica whose alumni have included Jason Yarde, Soweto Kinch and Nathaniel Facey

ARTICLE: INTERVIEWS

Camilla George: Warrior Charge

Read "Camilla George: Warrior Charge" reviewed by Chris May

In 2017, alto saxophonist and composer Camilla George's band was the support act for a Dee Dee Bridgewater gig at the London Jazz Festival. After George had finished her set, Bridgewater, who had been listening in the wings, came onstage, took the mike, and announced: “The world is safe because we have Camilla." Others in Cadogan ...

ARTICLE: ALBUM REVIEWS

Yazz Ahmed: Polyhymnia

Read "Polyhymnia" reviewed by Chris May

The British-Bahraini trumpeter, flugelhornist and composer Yazz Ahmed went clear in 2017 with La Saboteuse (Naim). The album is an otherworldly mix of jazz, electronics and Arabic folk music which carries traces of Miles Davis' In A Silent Way (Columbia, 1969) and Bitches Brew (Columbia, 1970) and Jon Hassell's Dream Theory In Malaya: Fourth World Volume ...

ARTICLE: YEAR IN REVIEW

Chris May's Best Releases of 2019

Read "Chris May's Best Releases of 2019" reviewed by Chris May

The world may be going to hell in a handcart, but the year has been full of uplifting jazz. Here are ten of the best albums--the first seven newly recorded, the final three reissued or recently unearthed. Each one is the coyote's cojones. Yazz Ahmed Polyhymnia Ropeadope The eagerly ...

ARTICLE: LIVE REVIEWS

Yazz Ahmed & The Guildhall Jazz Orchestra

Read "Yazz Ahmed & The Guildhall Jazz Orchestra" reviewed by Chris May

Yazz Ahmed / The Guildhall Jazz Orchestra / Scott Stroman Milton Court Concert Hall Yazz Ahmed & The Guildhall Jazz Orchestra London November 27, 2019 Performances by student orchestras rarely qualify as must-see events. Audiences tend to be composed of fellow students and friends and ...

ARTICLE: ALBUM REVIEWS

Binker Golding: Abstractions Of Reality Past & Incredible Feathers

Read "Abstractions Of Reality Past & Incredible Feathers" reviewed by Chris May

None of the new, legion improviser-composer tenor saxophonists on London's underground scene are more accomplished than Binker Golding, and unlike many avant-garde players, Golding has a thorough knowledge of the saxophonists who preceded him. His originality is, in a phrase coined by Harold Rosenberg, art critic on The New Yorker in the 1970s, “emblazoned with the ...

ARTICLE: ALBUM REVIEWS

Paul Booth: Travel Sketches

Read "Travel Sketches" reviewed by Chris May

The intense media interest surrounding the rise of the British woke jazz movement is welcome, but it is increasingly monopolising local bandwidth. Great British jazz which adheres more closely to the founding American tradition is becoming sidelined. Babies and bathwater come to mind. One of the few British labels looking at the 360-degree picture ...

ARTICLE: PROFILES

WOKE JAZZ: The Fast-Forward Evolution of British Jazz

Read "WOKE JAZZ: The Fast-Forward Evolution of British Jazz" reviewed by Chris May

After a lifetime in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a style which, while anchored in the American tradition, reflects the modern Caribbean and African cultural heritages of the majority of its vanguard players. The music also addresses the race, class ...

ARTICLE: LIVE REVIEWS

Steve Williamson & Guildhall Jazz Orchestra: Celebrating Coltrane at Milton Court

Read "Steve Williamson & Guildhall Jazz Orchestra: Celebrating Coltrane at Milton Court" reviewed by Chris May

Steve Williamson / Guildhall Jazz Orchestra / Scott Stroman Milton Court Concert Hall Celebrating Coltrane London July 10, 2019 The word “legendary" is bandied around so indiscriminately these days that it has all but lost its meaning. London saxophonist Steve Williamson is among a tiny number ...

ARTICLE: ALBUM REVIEWS

SEED Ensemble: Driftglass

Read "Driftglass" reviewed by Chris May

After decades in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a rebooted style which reflects both the Caribbean and African musical heritages of the majority of its vanguard players and also locally created musics such as grime and garage. Jazz was created ...


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